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قراءة كتاب Architecture: Gothic and Renaissance

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Architecture: Gothic and Renaissance

Architecture: Gothic and Renaissance

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ARCHITECTURE
GOTHIC AND RENAISSANCE

BY T. ROGER SMITH, F.R.I.B.A.

Occasional Lecturer on Architecture at University College, London

St. George. Panel from the tomb of Cardinal Amboise in Rouen Cathedral

NEW YORK
SCRIBNER AND WELFORD.

LONDON
SAMPSON LOW, MARSTON, SEARLE, & RIVINGTON
CROWN BUILDINGS, 188, FLEET STREET
1880

(All rights reserved.)

LONDON: R. CLAY, SONS, AND TAYLOR,
BREAD STREET HILL, E. C.


Crête from Notre Dame, Paris

PREFACE.

THE history, the features, and the most famous examples of European architecture, during a period extending from the rise of the Gothic, or pointed, style in the twelfth century to the general depression which overtook the Renaissance style at the close of the eighteenth, form the subject of this little volume. I have endeavoured to adopt as free and simple a mode of treatment as is compatible with the accurate statement of at least the outlines of so very technical a subject.

Though it is to be hoped that many professional students of architecture will find this hand-book serviceable to them in their elementary studies, it has been my principal endeavour to adapt it to the requirements of those who are preparing for the professional pursuit of the sister arts, and of that large and happily increasing number of students who pursue the fine arts as a necessary part of a complete liberal education, and who know that a solid and comprehensive acquaintance with art, especially if joined to some skill in the use of the pencil, the brush, the modelling tool, or the etching needle, will open sources of pleasure and interest of the most refined description.

The broad facts of all art history; the principles which underlie each of the fine arts; and the most precious or most noteworthy examples of each, ought to be familiar to every art student, whatever special branch he may follow. Beyond these limits I have not attempted to carry this account of Gothic and Renaissance architecture; within them I have endeavoured to make the work as complete as the space at my disposal permitted.

Some portions of the text formed part of two courses of lectures delivered before the students of the School of Military Engineering at Chatham, and are introduced here by the kind permission of Sir John Stokes. Many of the descriptive and critical remarks are transcripts of notes made by myself, almost under the shadow of the buildings to which they refer. It would, however, have been impossible to give a condensed view of so extended a subject had not every part of it been treated at much greater length by previous writers. The number and variety of the books consulted renders it impossible to make any other acknowledgment here than this general recognition of my indebtedness to their authors.

T. R. S.


Stained glass from Chartres Cathedral

CONTENTS.

  PAGE
ILLUSTRATED GLOSSARY OF TECHNICAL WORDS. xv to xxxix
CHAPTER I.
INTRODUCTION. 1
CHAPTER II.
THE BUILDINGS OF THE MIDDLE AGES. 6
CHAPTER III.
GOTHIC ARCHITECTURE. 21
CHAPTER IV.
GOTHIC ARCHITECTURE IN ENGLAND.  
Analysis of Buildings. Plans. Walls. Towers and Spires. Gables. Piers and Columns 28
CHAPTER V.
GOTHIC ARCHITECTURE IN ENGLAND (continued).  
Analysis (continued). Openings. Roofs. Spires. Ornaments. Stained Glass. Sculpture 45
CHAPTER VI.
GOTHIC ARCHITECTURE IN WESTERN EUROPE.  
1. France. Chronological Sketch. Analysis of Buildings. Plans. Walls, Towers and Gables. Columns and Piers. Roofs and Vaults. Openings. Mouldings and Ornaments. Construction and Design 69
2. Belgium and the Netherlands 87
3. Scotland, Wales, and Ireland 91
CHAPTER VII.
GOTHIC ARCHITECTURE IN CENTRAL AND NORTHERN EUROPE.  
1. Germany. Chronological Sketch. Analysis of Buildings. Plans. Walls, Towers and Gables. Roofs and Vaults. Openings. Ornaments. Construction and Design 93
2. Northern Europe 111
CHAPTER VIII.
GOTHIC ARCHITECTURE IN SOUTHERN EUROPE.  
1. Italy and Sicily. Topographical Sketch. Northern Italy. Central Italy. Southern Italy. Analysis of Buildings. Plans. Walls, Towers, and Columns. Openings and Arches. Roofs and Vaults. Mouldings and Ornaments. Construction and Design 112
2. Spain. Chronological Sketch 137
3. Portugal 142
CHAPTER IX.
GOTHIC ARCHITECTURE.  
Principles of Construction and Design. Materials and Construction 143
CHAPTER X.
RENAISSANCE ARCHITECTURE.  
General View. Analysis of Buildings. Plans. Walls and Columns. Openings. Construction and Design 154
CHAPTER XI.
RENAISSANCE ARCHITECTURE IN ITALY.  
Florence. Rome. Venice, Vicenza, Verona. Milan, Pavia. Genoa, Turin, Naples. Country Villas 165
CHAPTER XII.
RENAISSANCE ARCHITECTURE IN FRANCE AND NORTHERN EUROPE.  
1. France. Chronological Sketch 193
2. Belgium and the Netherlands 206
3. Germany 210
CHAPTER XIII.
RENAISSANCE ARCHITECTURE IN GREAT BRITAIN, SPAIN, AND PORTUGAL.  
1. England. Chronological Sketch 214
2. Scotland 227
3. Spain and Portugal 229

Sculptured ornament from Rheims Cathedral

LIST OF ILLUSTRATIONS.

  PAGE
Certosa, The, near Pavia. From the Cloisters Frontispiece
Saint George. Panel from the Tomb of Cardinal Amboise in Rouen Cathedral Title Page
Glossary. Forty Engravings of Details xv to xxxix
1. West Entrance, Lichfield Cathedral. (1275.) 5
2. Ground Plan of Peterborough Cathedral. (1118 to 1193.) 6
3. Transverse Section of the Nave of Salisbury Cathedral 7
4. Choir of Worcester Cathedral. (Begun 1224.) 9
5. Nave of Wells Cathedral. (1206 to 1242.) 9
6. Ground Plan of Westminster Abbey 11
7. House of Jaques Cœur at Bourges. (Begun 1443.) public@vhost@g@gutenberg@html@files@33837@[email protected]#fig07" class="pginternal"

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