Sam jerked out the boards by a dexterous movement, and doll's house, brick buildings, the farm, the Swiss cottages, and the whole toy-stock of the nursery, sank together in ruins. Quite unabashed by the evident damage, Sam continued—"and in a moment the whole magnificent city of Lisbon was swallowed up. Dot! Dot! don't be a muff! What's the matter? It's splendid fun. Things must be broken sometime, and I'm sure it was exactly like the real thing. Dot! why don't you speak? Dot! my dear Dot! You don't care, do you? I didn't think you'd mind it so. It was such a splendid earthquake. Oh! try not to go on like that!"

But Dot's feelings were far beyond her own control, much more that of Master Sam, at this moment. She was gasping and choking, and when at last she found breath it was only to throw herself on her face upon the floor with bitter and uncontrollable sobbing.

It was certainly a mild punishment that condemned Master Sam to the back nursery for the rest of the day. It had, however, this additional severity, that during the afternoon Aunt Penelope was expected to arrive.

AUNT PENELOPE.

Aunt Penelope was one of those dear, good souls, who, single themselves, have, as real or adopted relatives, the interests of a dozen families, instead of one, at heart. There are few people whose youth has not owned the influence of at least one such friend. It may be a good habit, the first interest in some life-loved pursuit or favorite author, some pretty feminine art, or delicate womanly counsel enforced by those narratives of real life that are more interesting than any fiction: it may be only the periodical return of gifts and kindness, and the store of family histories that no one else can tell; but we all owe something to such an aunt or uncle—the fairy godmothers of real life.

The benefits which Sam and Dot reaped from Aunt Penelope's visits, may be summed up under the heads of presents and stories, with a general leaning to indulgence in the matters of punishment, lessons, and going to bed, which perhaps is natural to aunts and uncles who have no positive responsibilities in the young people's education, and are not the daily sufferers by the lack of due discipline.

Aunt Penelope's presents were lovely. Aunt Penelope's stories were charming. There was generally a moral wrapped up in them, like the motto in a cracker-bonbon; but it was quite in the inside, so to speak, and there was abundance of smart paper and sugar-plums.

All things considered, it was certainly most proper that the much-injured Dot should be dressed out in her best, and have access to dessert, the dining-room, and Aunt Penelope, whilst Sam was kept upstairs. And yet it was Dot who (her first burst of grief being over), fought stoutly for his pardon all the time she was being dressed, and was afterwards detected in the act of endeavoring to push fragments of raspberry tart through the nursery key-hole.

"You good thing!" Sam emphatically exclaimed, as he heard her in fierce conflict on the other side of the door with the nurse who found her—"You good thing! leave me alone, for I deserve it."

He really was very penitent. He was too fond of Dot not to regret the unexpected degree of distress he had caused her; and Dot made much of his penitence in her intercessions in the drawing-room.

"Sam is so very sorry," she said, "he says he knows he deserves it. I think he ought to come down. He is so very sorry!"

Aunt Penelope, as usual, took the lenient side, joining her entreaties to Dot's, and it ended in Master Sam's being hurriedly scrubbed and brushed, and shoved into his black velvet suit, and sent down-stairs, rather red about the eyelids, and looking very sheepish.

"Oh, Dot!" he exclaimed, as soon as he could get her into a corner, "I am so very, very sorry! particularly about the tea-things."

"Never mind," said Dot, "I don't care; and I've asked for a story, and we're going into the library." As Dot said this, she jerked her head expressively in the direction of the sofa, where Aunt Penelope was just casting on stitches preparatory to beginning a pair of her famous ribbed socks for Papa, whilst she gave to Mamma's conversation that sympathy, which (like her knitting-needles) was always at the service of her large circle of friends. Dot anxiously watched the bow on the top of her cap as it danced and nodded with the force of Mamma's observations. At last it gave a little chorus of jerks, as one should say, "Certainly, undoubtedly." And then the story came to an end, and Dot, who had been slowly creeping nearer, fairly took Aunt Penelope by the hand, and carried her off, knitting and all, to the library.

"Now, please," said Dot, when she had struggled into a chair that was too tall for her.

"Stop a minute!" cried Sam, who was perched in the opposite one, "the horsehair tickles my legs."

"Put your pocket-handkerchief under them, as I do," said Dot. "Now, Aunt Penelope."

"No, wait," groaned Sam; "it isn't big enough; it only covers one leg."

Dot slid down again, and ran to Sam.

"Take my handkerchief for the other."

"But what will you do?" said Sam.

"Oh, I don't care," said Dot, scrambling back into her place. "Now, Aunty, please."

And Aunt Penelope began.

THE LAND OF LOST TOYS.

"I suppose people who have children transfer their childish follies and fancies to them, and become properly sedate and grown-up. Perhaps it is because I am an old maid, and have none, that some of my nursery whims stick to me, and I find myself liking things, and wanting things, quite out of keeping with my cap and time of life. For instance. Anything in the shape of a toy-shop (from a London bazaar to a village window, with Dutch dolls, leather balls, and wooden battledores) quite unnerves me, so to speak. When I see one of those boxes containing a jar, a churn, a kettle, a pan, a coffee-pot, a cauldron on three legs, and sundry dishes, all of the smoothest wood, and with the immemorial red flower on one side of each vessel, I fairly long for an excuse for playing with them, and for trying (positively for the last time) if the lids do come off, and whether the kettle will (literally, as well as metaphorically) hold water. Then if, by good or ill luck, there is a child flattening its little nose against the window with longing eyes, my purse is soon empty; and as it toddles off with a square parcel under one arm, and a lovely being in black ringlets and white tissue paper in the other, I wish that I were worthy of being asked to join the ensuing play. Don't suppose there is any generosity in this. I have only done what we are all glad to do. I have found an excuse for indulging a pet weakness. As I said, it is not merely the new and expensive toys that attract me; I think my weakest corner is where the penny boxes lie, the wooden tea-things (with the above-named flower in miniature), the soldiers on their lazy tongs, the nine-pins, and the tiny farm.

"I need hardly say that the toy booth in a village fair tries me very hard. It tried me in childhood, when I was often short of pence, and when 'the Feast' came once a year. It never tried me more than on one occasion, lately, when I was revisiting my old home.

"It was deep Midsummer, and the Feast. I had children with me of course (I find children, somehow, wherever I go), and when we got into the fair, there were children of people whom I had known as children, with just the same love for a monkey going up one side of a yellow stick and coming down the other, and just as strong heads for a giddy-go-round on a hot day and a diet of peppermint lozenges, as their fathers and mothers before them. There were the very same names—and here and