قراءة كتاب The Strolling Saint; being the confessions of the high and mighty Agostino D'Anguissola, tyrant of Mondolfo and Lord of Carmina, in the state of Piacenza
تنويه: تعرض هنا نبذة من اول ١٠ صفحات فقط من الكتاب الالكتروني، لقراءة الكتاب كاملا اضغط على الزر “اشتر الآن"
The Strolling Saint; being the confessions of the high and mighty Agostino D'Anguissola, tyrant of Mondolfo and Lord of Carmina, in the state of Piacenza
amongst these there was a groom who recognized him.
"It is Messer Falcone!" he cried, and ran to bear the news to my mother, with whom I was at table at the time. With us, too, was Fra Gervasio, our chaplain.
It was grim news that old Falcone brought us. He had never quitted my father in those six weary years of wandering until now that my father was beyond the need of his or any other's service.
There had been a rising and a bloody battle at Perugia, Falcone informed us. An attempt had been made to overthrow the rule there of Pier Luigi Farnese, Duke of Castro, the pope's own abominable son. For some months my father had been enjoying the shelter of the Perugians, and he had repaid their hospitality by joining them and bearing arms with them in the ill-starred blow they struck for liberty. They had been crushed in the encounter by the troops of Pier Luigi, and my father had been among the slain.
And well was it for him that he came by so fine and merciful an end, thought I, when I had heard the tale of horrors that had been undergone by the unfortunates who had fallen into the hands of Farnese.
My mother heard him to the end without any sign of emotion. She sat there, cold and impassive as a thing of marble, what time Fra Gervasio—who was my father's foster-brother, as you shall presently learn more fully—sank his head upon his arm and wept like a child to hear the piteous tale of it. And whether from force of example, whether from the memories that came to me so poignantly in that moment of a fine strong man with a brown, shaven face and a jovial, mighty voice, who had promised me that one day we should ride together, I fell a-weeping too.
When the tale was done, my mother coldly gave orders that Falcone be cared for, and went to pray, taking me with her.
Oftentimes since have I wondered what was the tenour of her prayers that night. Were they for the rest of the great turbulent soul that was gone forth in sin, in arms against the Holy Church, excommunicate and foredoomed to Hell? Or were they of thanksgiving that at last she was completely mistress of my destinies, her mind at rest, since no longer need she fear opposition to her wishes concerning me? I do not know, nor will I do her the possible injustice that I should were I to guess.
CHAPTER II. GINO FALCONE
When I think of my mother now I do not see her as she appeared in any of the scenes that already I have set down. There is one picture of her that is burnt as with an acid upon my memory, a picture which the mere mention of her name, the mere thought of her, never fails to evoke like a ghost before me. I see her always as she appeared one evening when she came suddenly and without warning upon Falcone and me in the armoury of the citadel.
I see her again, a tall, slight, graceful woman, her oval face of the translucent pallor of wax, framed in a nun-like coif, over which was thrown a long black veil that fell to her waist and there joined the black unrelieved draperies that she always wore. This sable garb was no mere mourning for my father. His death had made as little change in her apparel as in her general life. It had been ever thus as far as my memory can travel; always had her raiment been the same, those trailing funereal draperies. Again I see them, and that pallid face with its sunken eyes, around which there were great brown patches that seemed to intensify the depth at which they were set and the sombre lustre of them on the rare occasions when she raised them; those slim, wax-like hands, with a chaplet of beads entwined about the left wrist and hanging thence to a silver crucifix at the end.
She moved almost silently, as a ghost; and where she passed she seemed to leave a trail of sorrow and sadness in her wake, just as a worldly woman leaves a trail of perfume.
Thus looked she when she came upon us there that evening, and thus will she live for ever in my memory, for that was the first time that I knew rebellion against the yoke she was imposing upon me; the first time that our wills clashed, hers and mine; and as a consequence, maybe, was it the first time that I considered her with purpose and defined her to myself.
The thing befell some three months after the coming of Falcone to Mondolfo.
That the old man-at-arms should have exerted a strong attraction upon my young mind, you will readily understand. His intimate connection with that dimly remembered father, who stood secretly in my imagination in the position that my mother would have had St. Augustine occupy, drew me to his equerry like metal to a lodestone.
And this attraction was reciprocal. Of his own accord old Falcone sought me out, lingering in my neighbourhood at first like a dog that looks for a kindly word. He had not long to wait. Daily we had our meetings and our talks and daily did these grow in length; and they were stolen hours of which I said no word to my mother, nor did others for a season, so that all was well.
Our talks were naturally of my father, and it was through Falcone that I came to know something of the greatness of that noble-souled, valiant gentleman, whom the old servant painted for me as one who combined with the courage of the lion the wiliness of the fox.
He discoursed of their feats of arms together, he described charges of horse that set my nerves a-tingle as in fancy I heard the blare of trumpets and the deafening thunder of hooves upon the turf. Of escalades, of surprises, of breaches stormed, of camisades and ambushes, of dark treacheries and great heroisms did he descant to fire my youthful fancy, to fill me first with delight, and then with frenzy when I came to think that in all these things my life must have no part, that for me another road was set—a grey, gloomy road at the end of which was dangled a reward which did not greatly interest me.
And then one day from fighting as an endeavour, as a pitting of force against force and astuteness against astuteness, he came to talk of fighting as an art.
It was from old Falcone that first I heard of Marozzo, that miracle-worker in weapons, that master at whose academy in Bologna the craft of swordsmanship was to be acquired, so that from fighting with his irons as a beast with its claws, by sheer brute strength and brute instinct, man might by practised skill and knowledge gain advantages against which mere strength must spend itself in vain.
What he told me amazed me beyond anything that I had ever heard, even from himself, and what he told me he illustrated, flinging himself into the poises taught by Marozzo that I might appreciate the marvellous science of the thing.
Thus was it that for the first time I made the acquaintance—an acquaintance held by few men in those days—of those marvellous guards of Marozzo's devising; Falcone showed me the difference between the mandritto and the roverso, the false edge and the true, the stramazone and the tondo; and he left me spellbound by that marvellous guard appropriately called by Marozzo the iron girdle—a low guard on the level of the waist, which on the very parry gives an opening for the point, so that in one movement you may ward and strike.
At last, when I questioned him, he admitted that during their wanderings, my father, with that recklessness that alternated curiously with his caution, had ventured into the city of Bologna notwithstanding that it was a Papal fief, for the sole purpose of studying with Marozzo that Falcone himself had daily accompanied him, witnessed the lessons, and afterwards practised with my father, so that he had come to learn most of the secrets that Marozzo taught.
One day, at last, very timidly, like one who, whilst overconscious of his utter unworthiness, ventures to crave a boon which he knows himself without the right to expect, I asked Falcone would he show me something of Marozzo's art with real weapons.
I had feared a rebuff. I had thought that