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قراءة كتاب The Two Vanrevels
تنويه: تعرض هنا نبذة من اول ١٠ صفحات فقط من الكتاب الالكتروني، لقراءة الكتاب كاملا اضغط على الزر “اشتر الآن"
of her; that Rouen was full of contention concerning her beauty and her gift of music, for a song can be heard through an open window. And how did it happen that Crailey Gray knew that it was Miss Carewe's habit to stroll in her garden for half an hour or so, each evening before retiring, and that she went to mass every morning soon after sunrise? Crailey Gray never rose at, or near, sunrise in his life, though he sometimes beheld it, from another point of view, as the end of the evening. It appears that someone must have told him.
paused in her evening promenade and seated herself upon a bench on the
borders of the garden, "touched," as the books of the time would have
put it, "by the sweet tranquillity of the scene," and wrought upon by
the tender incentive to sighs and melancholy which youth in loneliness
finds in a loveliness of the earth. The breeze bore the smells of the
old-fashioned garden, of violets and cherry blossoms, and a sound of
distant violins came on the air playing the new song from the new opera.
"But I also dreamt, which pleased me most,
That you loved me just the same—"
they sang; and with the lilt of them and the keen beauty of the night, the inherited pain of the ages rose from the depths of the young girl's heart, so that she thought it must break; for what reason she could not have told, since she was without care or sorrow that she knew, except the French Revolution, yet tears shone upon the long lashes. She shook them off and looked up with a sudden odd consciousness. The next second she sprang to her feet with a gasp and a choked outcry, her bands pressed to her breast.
Ten paces in front of her, a gap in the shrubbery where tall trees rose left a small radiant area of illumination like that of a lime-light in a theatre, its brilliancy intensified by the dark foliage behind. It was open to view only from the bench by which she stood, and appeared, indeed, like the stage of a little theatre a stage occupied by a bizarre figure. For, in the centre of this shining patch, with the light strong on his face, was standing a fair-haired young man, dressed in a yellow coat, a scarlet and white striped waistcoat, wearing a jauntily cocked black hat on his bead. And even to the last detail, the ribbon laces above the ankle and the gold-buckled shoes, he was the sketch of Georges Meilhac sprung into life.
About this slender figure there hung a wan sweetness like a fine mist, almost an ethereality in that light; yet in the pale face lurked something reckless, something of the actor, too; and though his smile was gentle and wistful, there was a twinkle behind it, not seen at first, something amused and impish; a small surprise underneath, like a flea in a rose-jar.
Fixed to the spot by this apparition, Miss Betty stood wildly staring, her straining eyelids showing the white above and below the large brown iris. Her breath came faster and deeper, until, between her parted lips it became vocal in a quick sound like a sob. At that he spoke.
"Forgive me!" The voice was low, vibrant, and so exceedingly musical that he might have been accused of coolly selecting his best tone; and it became only sweeter when, even more softly, in a semi-whisper of almost crucial pleading, he said, "Ah—don't go away!"
In truth, she could not go; she had been too vitally stirred; she began to tremble excessively, and sank back upon the bench, motioning him away with vague gestures of her shaking hands.
This was more than the Incroyable had counted upon, and far from his desires. He started forward with an exclamation.
"Don't come near me!" she gasped. "Who are you? Go away!"
"Give me one second to explain," he began; but with the instant reassurance of this beginning she cut him off short, her fears dispelled by his commonplace. Nay, indignation displaced them so quickly that she fairly flashed up before him to her full height.
"You did not come in by the gate!" she cried. "What do you mean by coming here in that dress What right have you in my garden?"
"Just one word," he begged quickly, but very gently. "You'd allow a street-beggar that much!"
She stood before him, panting, and, as he thought, glorious, in her flush of youth and anger. Tom Vanrevel had painted her incoherently, but richly, in spite of that, his whole heart being in the portrait; and—Crailey Gray had smiled at what he deemed the exaggeration of an ordinarily unimpressionable man who had fallen in love "at first sight;" yet, in the presence of the reality, the Incroyable decided that Tom's colors had been gray and humble. It was not that she was merely lovely, that her nose was straight, and her chin dexterously wrought between square and oval; that her dark hair lay soft as a shadow on her white brow; not that the trembling hand she held against her breast sprang from a taper wrist and tapered again to the tips of the long fingers; nor that she was of that slenderness as strong as it is delicate; not all the exquisite regularity of line and mould, nor simplicity of color, gave her that significance which made the Incroyable declare to himself that he stood for the first time in the presence of Beauty, and that now he knew the women he had been wont to call beautiful were but pretty. And yet her beauty, he told himself, was the least of her loveliness, for there was a glamour about her. It was not only the richness of her youth; but there was an ineffable exhalation which seemed to be made partly of light, partly of the very spirit of her, and, oddly enough, partly of the scent of the little fan that hung by a ribbon from her waist. This was a woman like a wine, he felt, there was a bouquet.
In regard to the bouquet of the young man himself, if he possessed one, it is pertinent to relate that at this very instant the thought skipped across his mind (like the hop of a flea in a rose-jar) that some day he might find the moment when he could tell her the truth about herself—with a half-laugh—and say: "The angels sent their haloes in a sandal-wood box to be made into a woman—and it was you!"
"If you have anything to say for yourself, say it quickly!" said Miss Betty.
"You were singing a while ago," he answered, somewhat huskily, "and I stopped on the street to listen; then I came here to be nearer. The spell of your voice—" He broke off abruptly to change the word. "The spell of the song came over me—it is my dearest favorite—so that I stood afterward in a sort of trance, only hearing again, in the silence, 'The stolen heart, like the gathered rose, will bloom but for a day!' I did not see you until you came to the bench. You must believe me: I would not have frightened you for anything in the world."
"Why are you wearing that dress?"
He laughed, and pointed to where, behind him on the ground, lay a long gray cloak, upon which had been tossed a white mask. "I'm on my way to the masquerade;" he answered, with an airy gesture in the direction of the violins. "I'm an Incroyable, you see; and I had the costume made from my recollection of a sketch of your great-uncle. I saw it a long time ago in your library."
Miss Carewe's accustomed poise was quite recovered; indeed, she was astonished to discover a distinct trace of disappointment that the brilliant apparition must offer so tame an explanation. What he said was palpably the truth; there was a masquerade that night, she knew, at the Madrillon's, a little way up Carewe Street, and her father had gone, an hour earlier, a blue domino over his arm.
The Incroyable was a person of almost magical perceptiveness; he felt the let-down immediately and feared a failure. This would not do; the attitude of tension between them must be renewed at once. "You'll forgive me?" he began, in a quickly impassioned tone. "It was only after you sang, a dream possessed me, and—"
"I cannot stay to talk with you,"