href="@public@vhost@g@gutenberg@html@files@34308@[email protected]#CHAPTER_XVI-b" class="pginternal" tag="{http://www.w3.org/1999/xhtml}a">XVI.

Segoffin's Ruse 294 XVII. The Voice of the Tempter 302 XVIII. "My Mother's Murderer Still Lives!" 309 XIX. After the Storm 316 XX. The Midnight Attack 322 XXI. A Last Appeal 329 XXII. Conclusion 338

LIST OF ILLUSTRATIONS.

	PAGE
"Axe in hand"	Frontispiece
"'Go away and let me alone'"	53
"'My star has not deserted me'"	155
"Several men rushed upon him"	236

Avarice and Anger.

THE MILLIONAIRES

AVARICE.

CHAPTER I.

AN UNFORTUNATE CHOICE.

The narrow street known for many long years as the Charnier des Innocents (the Charnel-house of the Innocents), near the market, has always been noted for the large number of scriveners who have established their booths in this densely populated part of Paris.

One fine morning in the month of May, 18—, a young girl about eighteen years of age, who was clad in working dress, and whose charming though melancholy face wore that peculiar pallor which seems to be a sort of sinister reflection of poverty, was walking thoughtfully down the Charnier des Innocents. Several times she paused as if in doubt in front of as many scriveners' booths, but either because the proprietors seemed too young or too unprepossessing in appearance or too busy, she went slowly on again.

Seeing, in the doorway of the last booth, an old man with a face as good and kind as it was venerable, the young girl did not hesitate to enter the modest little establishment.

The scrivener, struck in his turn by the young girl's remarkable beauty and modest bearing, as well as her timid and melancholy air, greeted her with almost paternal affability as she entered his shop, after which he closed the door; then drawing the curtain of the little window, the good man motioned his client to a seat, while he took possession of his old leather armchair.

Mariette—for that was the young girl's name—lowered her big blue eyes, blushed deeply, and maintained an embarrassed, almost painful, silence for several seconds. Her bosom rose and fell tumultuously under the small gray shawl that she wore over her faded calico gown, while the hands she had clasped in her lap trembled violently.

The old scrivener, anxious to reassure the poor girl, said to her, almost affectionately, "Come, come, my child, compose yourself. Why should you feel this embarrassment? You came to ask me to write some request or petition for you, or, perhaps, a letter, did you not?"

"Yes, monsieur, it was—it was to ask you to write a letter for me that I came."

"Then you do not know how to write?"

"No, monsieur," replied Mariette, blushing still more deeply, as if ashamed of her ignorance, whereupon the scrivener, regretting that he had thus humiliated his client, said, kindly:

"You certainly cannot suppose me capable of blaming you for your ignorance. On the contrary, it is a sincere compassion I feel for persons who, for want of an education, are compelled to come to me, to apply to a third party, who may betray their confidence, and, perhaps, even ridicule them! And yet they are compelled to confide their dearest and most secret thoughts to these strangers. It is very hard, is it not?"

"It is, indeed, monsieur," replied Mariette, touched by these words. "To be obliged to apply to a stranger to—"

The young girl did not finish the sentence, but blushed deeply, and her eyes filled with tears.

Gazing at his youthful client with even greater interest, the scrivener said:

"Do not be so troubled, my child. You have neither garrulousness nor ridicule to fear from me. I have always regarded as something indescribably touching and sacred the confidence which persons who have been deprived of the advantages of an education are obliged to repose in me."

Then, with a kindly smile, he added: "But pray do not suppose for one moment, mademoiselle, that I say this to glorify myself at the expense of my confreres, and to get their clients away from them. No, I am saying exactly what I think and feel; and