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قراءة كتاب Great Musical Composers: German, French, and Italian
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Great Musical Composers: German, French, and Italian
GREAT MUSICAL
COMPOSERS
GERMAN, FRENCH, AND ITALIAN
By GEORGE T. FERRIS
EDITED, WITH AN INTRODUCTION
BY
MRS. WILLIAM SHARP
LONDON
WALTER SCOTT, 24 WARWICK LANE
PATERNOSTER ROW
1887
CONTENTS.
PAGE | |
Introduction | vii |
Bach | 1 |
Handel | 7 |
Gluck | 36 |
Haydn | 46 |
Mozart | 59 |
Beethoven | 70 |
Schubert and Schumann | 87 |
Chopin | 103 |
Weber | 115 |
Mendelssohn | 124 |
Wagner | 131 |
Palestrina | 147 |
Piccini, Paisiello, and Cimarosa | 154 |
Rossini | 175 |
Donizetti and Bellini | 200 |
Verdi | 213 |
Cherubini and his Predecessors | 226 |
Méhul, Spontini, and Halévy | 260 |
Boïeldieu and Auber | 273 |
Meyerbeer | 281 |
Gounod | 297 |
Berlioz | 310 |
Appendix: Chronological Table | 335 |

Introduction.
THE following biographical sketches were originally published in America by Mr. George T. Ferris, in two volumes, separately entitled The Great German Composers and The Great Italian and French Composers. They have achieved the success they deserved: for while we have whole libraries of books upon the history and technicalities of music in general, upon musical theories and schools, and upon the exponents thereof in their artistic capacity, there has been a distinct dearth of treatises dealing in a brief and popular fashion with the lives of eminent composers themselves. Now, when music is “mastered and murdered” in almost every house throughout the length and breadth of the land, there can be no doubt that compilations of this kind must be welcome to a very large number—we will not say of musical students, but of lovers of music. There are, it would be needless to attempt to prove, great numbers of the music-loving public, who practically have no facilities towards making acquaintance with the leading facts in the lives of those men whose compositions they have such a genuine delight in rendering: to these mainly is such a book as Great Composers addressed. But, indeed, to every one interested in music and musicians the volume can hardly fail to be of interest. In his preface to The Great Italian and French Composers, Mr. Ferris explained that—as was very