tradition, I'm not sure whether I ought not resist your coaxings."

"Which I'm sure you're not going to do." Her face took on an expression of mock imploration. "But, tell me, how far back does your tradition go, and how did it arise?"

"It began with my grandfather, whose pet idea was that the energy and money spent on missions should be employed at home for the raising of the lower classes. My father went a step further by deciding the particular form in which the lower classes should reap the benefit, and he died with the hope that the dream of two generations should be realised by me."

"There is quite a touch of poetry in what you tell me," said Miss Brooke. "My family history is more prosaic, but it has a dash of adventure in it. The missionary hobby began with my great-grandfather, who was devoted, body and soul, to it—certainly body, for he was eaten by cannibals. Poor savages!"

"Poor savages!" echoed Paul, for the moment supposing Miss Brooke meant to throw doubts on her ancestor's digestibility.

"Yes, for grandfather went out to preach to them! A very mean revenge, I call that."

"How do you reconcile that statement with your own missionary leanings?" asked Paul, thinking it strange a railway king should be the son of an earnest missionary, and vaguely speculating whether the millionaire was in the habit of giving large sums to "revenge" his grandfather.

"Oh, as a woman I have the right to make contradictory statements. 'Tis a valuable right, and I find it very convenient not to yield it up, though I did learn logic at college."

"But surely it must be ever so much nicer to triumph by logic."

"If one were only sure of triumphing! But I am really in no difficulty, so you will not get an exhibition of logic to-night. My missionary tendencies are purely a matter of instinct, my anti-missionary ones a matter of sentiment. Do not instinct and sentiment pull different ways in human beings? Confess, Mr. Middleton, don't you often want to do things you feel you ought not?"

"More often I don't want to do things I feel I ought to."

"That is a piece of new humour."

"I meant the inversion seriously. But I'm glad to find that we are agreed at least in sentiment."

"And I do try and turn the instinct into useful channels. Americans, you know, never let force run to waste. Now, you will learn that waltz, won't you, Mr. Middleton? Promise me quickly, as some one is coming to take me to dance. There comes the top of his head."

"Dear me, has the next dance come round already!" ejaculated Paul. "You may consider me a sincere convert," he added quickly, "if—if you will spare me another dance."

"If you can find one," she replied; and, slipping her programme into his hand, she rose in response to the smile of the newcomer. To Paul's surprise, the man was the same from whom he had carried off Miss Brooke only a minute or two ago, as it appeared to him. Which fact caused him now to take keen notice of him. "The fellow" was quite six feet high, and of slim, supple build. His face was dark, and, to Paul, distinctively American. He wore a short pointed beard and a carefully-trimmed moustache. His black hair somewhat eccentrically hung down in lines cut to the same length. His eyes gleamed with an almost unnatural brightness, and his teeth showed themselves polished and white.

"Write thick over somebody else's name." Paul was conscious of Miss Brooke speaking to him in almost a whisper; then in a moment she had bowed and moved off. He could not help feeling angry with the man for taking her away, and his displeasure showed itself in his face. There seemed, too, something proprietorial in the way "the confounded fellow" walked off with her, and a thousand foolish conjectures hustled in his brain. However, he remembered he had Miss Brooke's programme, which, together with her last injunction, formed a comforting assurance she had taken him into special favour. It had been decidedly nice to talk to this girl, who seemed just the sort of person—simple and straightforward despite her wonderful charm—he felt he could get on with, and it gave him pleasure to picture her again sitting by his side, fresh, cool, sweet, and surpassingly beautiful.

After lingering a little he went into the ballroom again. Miss Brooke's figure alone drew his eye—the rest of the world was a mere dancing medley. She was obviously enjoying her dance, and Paul found himself envying her partner his easy mastery of the American waltz step. He could not help observing now what a superb note she struck in that crowd. He could see, too, she was being noticed, and divined talk about her by many moving lips.

He found an opportunity of returning her programme, which she received with a marked look of surprise that changed into a smile of thanks. Paul was much puzzled. Her manner seemed to make it appear that she had dropped the programme and he had picked it up. He rather resented this, till it occurred to him she had slipped it into his hand so as not to be seen by her present cavalier, and probably she had played this little comedy because she did not want to rouse his suspicion. Paul's fears that the man might be something to her were reawakened, but they were palliated by a sense of triumph over him. Had not Miss Brooke played a part—for his sake?

Mrs. Saxon passed near him and stopped to talk to him a moment. He made absent-minded replies—indeed, five minutes later he recalled that he had said something particularly foolish and hated himself. In this mood he sought cousin Celia and took her to supper. He examined her more critically now, finding her handsome, solid, and only passably interesting. He noted, too, that her manner lacked sprightliness and enthusiasm, and that the things she talked about didn't interest him in the least. He found himself apologising again and again for not having heard what she said. That was whenever there were questions for him to answer. He had, however, enough wit left to feel it was fortunate she did not ask questions more frequently. Meanwhile his eye wandered constantly towards a little table some distance off, which Miss Brooke and her American friend had all to themselves, the other two covers being as yet unappropriated. Once or twice he became aware that Celia's eye was following his. He saw a gleam of understanding flash across her face, followed by a flush whose meaning was obvious. But somehow he felt reckless.

An hour later he was with Miss Brooke again. At her laughing suggestion they had found a hiding-place, more "towards the upper regions," in order to keep out of the way of the man whose name had been written over, and who, indeed, never appeared. Miss Brooke was admiring an exquisite little painting of a picturesque boy looking over a rude wooden bridge on to a small stream. The work, which hung just opposite them, bore a well-known French signature, and had attracted her attention at once. The enthusiasm with which she spoke of the artist led Paul to inquire if she herself painted.

"I try to," she answered self-deprecatingly. "I am appallingly interested in my work. I always lose myself when talking about it."

She was evidently serious, and Paul was glad to have struck such a mood, which promised possibilities of intimate conversation.

"You have taken up art seriously?" he asked.

"One must do something to fill one's life," she replied, with unmistakable earnestness; and set Paul musing about the inability of fortune to