Makers

Cory Doctorow

[email protected]

Tor Books: 978-0765312792
HarperCollins UK/Voyager: 978-0007325221

Last modified 21 Sept 2010

Contents

• About this download
• A word to professors, librarians, and people who want to donate money to me
• License
• Dedication
• Part I
• Part II
• Part III
• Acknowledgements

About this download

There’s a dangerous group of anti-copyright activists out there who pose a clear and present danger to the future of authors and publishing. They have no respect for property or laws. What’s more, they’re powerful and organized, and have the ears of lawmakers and the press.

I’m speaking, of course, of the legal departments at ebook publishers.

These people don’t believe in copyright law. Copyright law says that when you buy a book, you own it. You can give it away, you can lend it, you can pass it on to your descendants or donate it to the local homeless shelter. Owning books has been around for longer than publishing books has. Copyright law has always recognized your right to own your books. When copyright laws are made—by elected officials, acting for the public good—they always safeguard this right.

But ebook publishers don’t respect copyright law, and they don’t believe in your right to own property. Instead, they say that when you “buy” an ebook, you’re really only licensing that book, and that copyright law is superseded by the thousands of farcical, abusive words in the license agreement you click through on the way to sealing the deal. (Of course, the button on their website says, “Buy this book” and they talk about “Ebook sales” at conferences—no one says, “License this book for your Kindle” or “Total licenses of ebooks are up from 0.00001% of all publishing to 0.0001% of all publishing, a 100-fold increase!”)

I say to hell with them. You bought it, you own it. I believe in copyright law’s guarantee of ownership in your books.

So you own this ebook. The license agreement (see below), is from Creative Commons and it gives you even more rights than you get to a regular book. Every word of it is a gift, not a confiscation. Enjoy.

What do I want from you in return? Read the book. Tell your friends. Review it on Amazon or at your local bookseller. Bring it to your bookclub. Assign it to your students (older students, please—that sex scene is a scorcher) (now I’ve got your attention, don’t I?). As Woody Guthrie wrote:

“This song is Copyrighted in U.S., under Seal of Copyright #154085, for a period of 28 years, and anybody caught singin’ it without our permission, will be mighty good friends of ourn, cause we don’t give a dern. Publish it. Write it. Sing it. Swing to it. Yodel it. We wrote it, that’s all we wanted to do.”

Oh yeah. Also: if you like it, buy it or donate a copy to a worthy, cash-strapped institution.

Why am I doing this? Because my problem isn’t piracy, it’s obscurity (thanks, @timoreilly for this awesome aphorism). Because free ebooks sell print books. Because I copied my ass off when I was 17 and grew up to spend practically every discretionary cent I have on books when I became an adult. Because I can’t stop you from sharing it (zeroes and ones aren’t ever going to get harder to copy); and because readers have shared the books they loved forever; so I might as well enlist you to the cause.

I have always dreamt of writing sf novels, since I was six years old. Now I do it. It is a goddamned dream come true, like growing up to be a cowboy or an astronaut, except that you don’t get oppressed by ranchers or stuck on the launchpad in an adult diaper for 28 hours at a stretch. The idea that I’d get dyspeptic over people—readers celebrating what I write is goddamned bizarre

So, download this book.

Some rules of the road:

It’s kind of a tradition around here that my readers convert my ebooks to their favorite formats and send them to me here, and it’s one that I love! If you’ve converted these files to another format, send them to me ([email protected], subject Makers Conversion) and I’ll host them, but before you do, make sure you read the following:

• Only one conversion per format, first come, first serve. That means that if someone’s already converted the file to a Femellhebber 3000 document, that’s the one you’re going to find here. I just don’t know enough about esoteric readers to adjudicate disputes about what the ideal format is for your favorite device.

• Make sure include a link to the reader as well. When you send me an ebook file, make sure that you include a link to the website for the reader technology as well so that I can include it below.

• No cover art. The text of this book is freely copyable, the cover, not so much. The rights to it are controlled by my publisher, so don’t include it with your file.

• No DRM. The Creative Commons license prohibits sharing the file with “DRM” (sometimes called “copy-protection”) on it, and that’s fine by me. Don’t send me the book with DRM on it. If you’re converting to a format that has a DRM option, make sure it’s switched off.

A word to professors, librarians, and people who want to donate money to me

Every time I put a book online for free, I get emails from readers who want to send me donations for the book. I appreciate their generous spirit, but I’m not interested in cash donations, because my publishers are really important to me. They contribute immeasurably to the book, improving it, introducing it to audience I could never reach, helping me do more with my work. I have no desire to cut them out of the loop.

But there has to be some good way to turn that generosity to good use, and I think I’ve found it.

Here’s the deal: there are lots of professors and librarians who’d love to get hard-copies of this book into their students’ and patrons’ hands, but don’t have the budget for it.

There are generous people who want to send some cash my way to thank me for the free ebooks.

I’m proposing that we put them together.

If you’re a prof or librarian and you want a free copy of Makers, email [email protected] with your name and the name and address of your school. It’ll be posted below by my fantastic helper, Olga Nunes, so that potential donors can see it.

If you enjoyed the electronic edition