a melancholy strain floated through the stillness—the king's requiem to the dead, his farewell to the dying!

No sound of the outer world penetrated that lonely room. The guard of honor, on duty upon the Sans-Souci terrace, halted suddenly, as the sad music fell upon his ear. The fresh spring breeze swept through the trees, and drove the laden-blossomed elder-bushes tapping against the windowpanes, as if to offer a May-greeting to the lonely king. The servant in waiting stole on tiptoe to the door of the anteroom, listening breathlessly at the key-hole to the moving melody.

Even Alkmene suddenly raised her head as if something unusual were taking place, fixed her great eyes upon her master, jumping upon his knee, and resting her fore-paws lovingly upon his breast.

Frederick neither observed nor felt the movement of his favorite; his thoughts were absent from the present—absent from the earth! They were wandering in the unknown future, with the spirits of those he longed to see again in the Elysian fields.

The wailing music of his flute expressed the lamentation of his soul, and his eyes filled with tears as he raised them to the bust of Voltaire, gazing at it with a look of pain until the melody was finished. Then abruptly turning, half unwillingly, half angrily, he returned the flute to the box, and stole away, covering his face with his hands, as if to hide his emotion from himself.

"Now we have finished with the dead, and the living claim our thoughts," sighed the king. "What an absurd thing is the human heart! It will never grow cold or old; always pretending to a spark of the fire which that shameful fellow Prometheus stole from the gods. What an absurdity! What have I, an old fellow, to do with the fire of Prometheus, when the fire of war will soon rage around me," At this instant the door gently opened. "What do you want, Muller? What do you poke your stupid face in here for?" said the king.

"Pardon me, your majesty," replied the footman, "the Baron von Arnim begs for an audience."

"Bid him enter," commanded the king, sinking back in his old, faded velvet arm-chair. Resting his chin upon his staff, he signed to the baron, who stood bowing upon the threshold, to approach. "Well, Arnim, what is the matter? What papers have you there?"

"Sire," answered Baron von Arnim, "the contract of the French actors, which needs renewing, I have to lay before your majesty; also a paper, received yesterday, from Madame Mara; still another from the singer Conciliani, and a petition from four persons from the opera."

"What stupid stuff!" growled the king, at the same time bestowing a caress upon Alkmene. "Commence with your report. Let us hear what those singers are now asking for."

"The singer Conciliani has addressed a heart-breaking letter to your majesty, and prays for an increase of salary—that it is impossible for him to live upon three thousand dollars."

"Ah! that is what is wanted?" cried the king, furious, and striking his staff upon the floor. "The fellow is mad; When he cannot live upon three thousand, he will not be able to live upon four. I want money for cannon. I cannot spend it for such nonsense. I am surprised, Von Arnim that you repeat such stuff to me."

"Your majesty, it is my duty that I—"

"What! Your duty is not to flatter them. I pay them to give me pleasure, not presumption. Remember, once for all, do not flatter them. Conciliani will get no increase of salary. If he persists, let him go to the mischief! This is my decision.—Proceed! What is Madame Mara begging for?"

"Madame Mara constantly refuses to sing the airs which your majesty commanded to be introduced into the opera of 'Coriolanus.' She has taken the liberty to address you in writing; here is the letter, if your majesty will have the grace to read it."

"By no means, sir, by no means!" cried the king; at the same instant catching the paper with his staff, he slung it like a shot arrow to the farthest corner of the room, to the great amusement of Alkmene, who, with a loud bark, sprang from her master's knee, and with a bound caught the strange bird, and tore it in pieces. "You are right, my pet," said the king, laughing, "you have written my answer with your nose to this arrogant person. Director, say to Madame Mara that I pay her to sing, not to write. She must sing both airs, or she may find herself at Spandau for her obstinacy, where her husband is, for the same reason. She can reflect, and judge for herself."

The director could scarcely repress a sigh, foreboding the disagreeable scene that he would have to encounter with the proud and passionate singer. Timidly Von Arnim alluded to the four persons from the opera. "Who are these demoiselles, and what do they want?" asked the king.

"Sire," replied the Baron von Arnim, "they are the four persons who personate the role of court ladies and maids of honor to the queens and princesses. They beg your majesty to secure to them a fixed income."

"Indeed! Go to my writing-table and bring paper and pencil; I will dictate a reply to them," said the king. "Now write, Von Arnim: 'To the four court ladies and maids of honor of the opera: You are mistaken in addressing yourselves to me; the affair of your salaries concerns YOUR emperors and kings. To them you must address yourselves.—Adieu.'"

Von Arnim could scarcely repress a smile.

"Now we come to the last affair—the salaries and pensions of the French actors," said the king; "but first tell me the news in Berlin—what report has trumpeted forth in the last few days."

"Your majesty, the latest news in Berlin, which rumor brings home to every hearth-side and every heart is, that your majesty has declared war with Austria on account of the Bavarian succession. Every one rejoices, sire, that you will humble that proud and supercilious house of Austria, and enter the lists for Germany."

"Listen!" answered the king, sternly. "I did not ask you to blow the trumpet of praise, as if your honor, inspector of the theatres, thought yourself upon the stage, and would commence a comedy with the king of lamps. So it is known then that my soldiers will enter the great theatre of war, and that we are about to fight real battles."

"It is known, sire," replied Von Arnim, bowing.

"Then what I am about to communicate to you will not surprise you. The present juncture of affairs leads us to await very grave scenes—we can well dispense with comedy. I withdraw the salaries and pensions of the French actors—your own is included. After you have dismissed the French comedians, you will be entirely at leisure to pursue your love-intrigues.—Farewell!"

"Your majesty," cried the baron, amazed, "has your highness dismissed me?"

"Are you deaf, or have you some of the cotton in your ears which I presented to you at your recall from Copenhagen?" replied the king. [Footnote: Baron von Arnim was ambassador to Copenhagen until 1754, when he begged for his recall, stating that the damp climate was injurious to his health. The king granted his request, and the baron returned to Berlin. At the first audience with the king, Frederick handed Baron von Arnim a carefully-packed box, saying, "I do not wish the government to lose so valuable a servant; in this box you will find something that will keep you warm." Arnim could scarcely await his return home, to open the box; it contained nothing but cotton. Some days afterward, however, the king increased Von Arnim's income a thousand dollars, and sent him ambassador to Dresden. Von Arnim was afterward director of the Royal Theatre until dismissed in the above manner.]

"Sire, I have heard all, but I cannot believe it."

"Yes, yes," interrupted the king, "To believe is difficult; you, I presume, never belonged to the pious and believing. Your intrigues would not admit of it; but now you have the leisure to pursue them with a right good-will. You have only to discharge, as I have said, the entire French troupe, and the whole thing is done with.—Adieu, Arnim,