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قراءة كتاب Vestigia. Vol. I.

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Vestigia. Vol. I.

Vestigia. Vol. I.

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دار النشر: Project Gutenberg
الصفحة رقم: 4

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CHAPTER II.

FATHER AND DAUGHTER.

As he reached the quay, and even before he was so near it, from the steps above, looking across from the bridge, Dino could see the light shining like a welcome behind the curtained window of old Drea's house. The wind had fallen a little, but not the sea. The flight of stone stairs leading down to the landing from the level of the street was wet and slippery with the salt spray; even here, in the shelter of the Old Port, the black water was tossing and heaving in the light of the rising moon. There was a continual movement, a backward and forward swaying, among the ships at anchor; a shifting of the level of the signal lights.

As he came nearer Dino could see that the friendly scarlet curtain had a great rent across the middle of it; he halted by the window, looking in with smiling eyes at the little group by the fireside. A young girl was sitting on a low stool beside the fire, with her back to the window; she was talking to a child who knelt beside her and was looking up intently in her face. The young man could not see that face, which was turned away from him, but only the outline of the dear round head, with its heavy dark twist of hair; he could not hear what she was saying; he could only watch the quick motion of her little brown hands. She appeared to be telling some story, which the child was listening to with bated breath. All about them were scattered books and pieces of paper; there was a guitar—an open inkstand—upon a neighbouring chair. 'Ah, the idle child! the idle little girl!' the young man said to himself with a half tender laugh, looking at those fallen papers upon the floor. And then he rapped once, twice, upon the window.

Italia sprang to her feet at the sound. 'Dino! it is Dino!' she cried joyfully, and flew to the door to meet him, with two little outstretched hands, and welcome beaming in her eyes. She led him in, away from the wind and cold and darkness. 'Father is coming, and we have been expecting you, oh, for hours. I know it has been such a hard day for you, you poor, poor Dino,' she said, in that sweet low voice of hers, which seemed made only to express the pity and goodness and loving-kindness of her gentle heart. She did not let go his hand: to the young man's fancy it was as if all the new light and warmth about him were radiating only from her look. As he gazed at her it seemed to him that he had never fairly seen her before: when she turned away again, blushing, he started as if he were awakening from a dream.

'We were speaking of interesting things. Italia was telling me a story. It was a fairy story—out of a book—but now you have come in and interrupted it,' observed little Palmira quietly, looking gravely up at both of them from where she still knelt upon the floor.

'But hush, you bad child. Why, Mira, surely you would not have our Dino think we are not glad to see him? And if we talk about fairies do you think our hard taskmaster will not begin to ask us about our lessons?' said Italia laughing, and still with that softest rosy flush upon her cheek. 'There! that is what we have done for you, signor Dino,' as she pointed to the scattered papers upon the floor. 'It was I who threw them down there, because—oh, because I had not done one of them. And I hate learning to write, it hurts my fingers; and then I can't hold my guitar. And this is my birthday, and Lucia is coming to supper with us—father has just gone over to fetch her—and see, I have put on the new dress she made for me; do you like it? But Lucia will scold me. I have not mended the hole in the curtain, and I tore it a week ago,' cried the girl with another laugh.

''Tis a pretty dress. Have I never seen you in it before? but you always look the same in my eyes, and whatever I see you wear is what I like the best,' Dino answered, looking at her fondly. He put out his hand and touched the sleeve of her cotton frock. 'You will wear this the day we go to Monte Nero——'

'For the pilgrimage? ah, yes. And this year we must take poor Lucia with us. And the Sora Catarina;—it would not be like Monte Nero if you and your mother were not with us. Do you remember the first time we went there together, Dino? I was twelve years old.'

'And you carried your doll into the church for the benediction; I remember——'

'Ah, but it was a very pretty doll. It was the old Marchesa gave it to me, one day your mother had taken me with her to the palazzo. I remember it so well: I had never been in such a big room before, and when Sora Catarina left me alone I was frightened, and I cried. And then the Marchesa herself came in and spoke to me. She had a long train to her gown that rustled, and it had gold things on it, like the dress of the Madonna. And when she dropped her handkerchief I picked it up for her. It was fine, oh, so fine! and white, like a cobweb, and it smelt of flowers.'

'Why did she not give you that instead of a doll? I would not have taken the doll. I despise dolls,' said Palmira, lifting up her little pale face again from her book.

'As if I had ever been as wise as you, you little monkey. Oh, Dino, I know I have been very idle all the week. And it seems so ungrateful to you after all your trouble. But I can't write, I really can't. I am like father, all my fingers are thumbs,' said Italia mournfully, shaking her head and looking down on her lap at her little sunburned hands. 'But you are not vexed with me? really not? I did not mean to disappoint you, Dino.'

'No, dear; I am sure of that. But now let us see these famous exercises. Perhaps they are not quite so bad.'

She gathered up all the books and brought them to him instantly, standing beside him with perfect docility as he turned over the blotted pages. 'Of course you write so beautifully yourself,' she said. And at that young De Rossi gave a sudden start. 'Indeed I had forgotten. When I am with you I can think of nothing else. But, Italia, there was something—I knew there was something I wanted to tell you—and, what will Sor Andrea say? For I have left the office.'

'Oh, Dino!'

'Not that I mind that so particularly; but what will your father say? I came down to consult with him about it. I——'

'There he is!' said Italia, quickly turning her head at the sound of a heavy step, and adding hastily: 'Do tell him, Dino—tell him everything; you know how good he is'—she sprang to open the door.

The first person to enter, blown into the room, as it seemed, by a stronger gust of wind, was a small, thin woman of about forty or forty-five. Her face and shoulders were closely muffled in a woollen shawl, which Italia promptly removed and threw into a corner.

'Dear Lucia, how good of you to come to us on such a horrible night—'

'If you would not mind—if you will give it to me I will fold it up properly; things get so easily worn,' the new-comer murmured, looking apologetically at them all. And then she put up both her hands—the thin, white hands of a sewing woman—and patted the bands of her shining black hair; her dress, too, was black, and scrupulously neat, with many shining beads and buttons upon it.

'I am so glad to see you,' Italia repeated, looking down at the little woman with an indescribable friendliness and compassion in her own kind eyes.

'Ay, it was rough work getting here for the poor little woman. I left her for half a minute while I stopped to look at the boat, and per Bacco! she came in ahead of me in the race. I could not find her out there in the dark; I thought she had been blown clean away, I did,' observed Sor Drea with a loud, good-natured laugh. He fastened the door and came up slowly to the fireside,—a short, strongly-built figure, with a decided lurch in his walk. He came up and laid his hand upon Italia's shoulder. 'Well, my little girl? Ah! this now is what I like,' the old man said, glancing over with a broad, cordial smile at Dino; 'this is the sort of

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