MERTON OF THE MOVIES

By Harry Leon Wilson

To George Ade

CONTENTS

CHAPTER I.   DIRTY WORK AT THE BORDER

CHAPTER II.   THAT NIGHT—THE APARTMENTS OF CLIFFORD ARMYTAGE

CHAPTER III.   WESTERN STUFF

CHAPTER IV.   THE WATCHER AT THE GATE

CHAPTER V.   A BREACH IN THE CITY WALLS

CHAPTER VI.   UNDER THE GLASS TOPS

CHAPTER VII.   "NOTHING TO-DAY, DEAR!"

CHAPTER VIII.   CLIFFORD ARMYTAGE, THE OUTLAW

CHAPTER IX.   MORE WAYS THAN ONE

CHAPTER X.   OF SHATTERED ILLUSIONS

CHAPTER XI.   THE MONTAGUE GIRL INTERVENES

CHAPTER XII.   ALIAS HAROLD PARMALEE

CHAPTER XIII.   GENIUS COMES INTO ITS OWN

CHAPTER XIV.   OUT THERE WHERE MEN ARE MEN

CHAPTER XV.   A NEW TRAIL

CHAPTER XVI.   OF SARAH NEVADA MONTAGUE

CHAPTER XVII.   MISS MONTAGUE USES HER OWN FACE

CHAPTER XVIII.     "FIVE REELS-500 LAUGHS"

CHAPTER XIX.   THE TRAGIC COMEDIAN

CHAPTER XX.   ONWARD AND UPWARD

CHAPTER I. DIRTY WORK AT THE BORDER

At the very beginning of the tale there comes a moment of puzzled hesitation. One way of approach is set beside another for choice, and a third contrived for better choice. Still the puzzle persists, all because the one precisely right way might seem—shall we say intense, high keyed, clamorous? Yet if one way is the only right way, why pause? Courage! Slightly dazed, though certain, let us be on, into the shrill thick of it. So, then—

Out there in the great open spaces where men are men, a clash of primitive hearts and the coming of young love into its own! Well had it been for Estelle St. Clair if she had not wandered from the Fordyce ranch. A moment's delay in the arrival of Buck Benson, a second of fear in that brave heart, and hers would have been a fate worse than death.

Had she not been warned of Snake le Vasquez, the outlaw—his base threat to win her by fair means or foul? Had not Buck Benson himself, that strong, silent man of the open, begged her to beware of the half-breed? Perhaps she had resented the hint of mastery in Benson's cool, quiet tones as he said, "Miss St. Clair, ma'am, I beg you not to endanger your welfare by permitting the advances of this viper. He bodes no good to such as you."

Perhaps—who knows?—Estelle St. Clair had even thought to trifle with the feelings of Snake le Vasquez, then to scorn him for his presumption. Although the beautiful New York society girl had remained unsullied in the midst of a city's profligacy, she still liked "to play with fire," as she laughingly said, and at the quiet words of Benson—Two-Gun Benson his comrades of the border called him—she had drawn herself to her full height, facing him in all her blond young beauty, and pouted adorably as she replied, "Thank you! But I can look out for myself."

Yet she had wandered on her pony farther than she meant to, and was not without trepidation at the sudden appearance of the picturesque halfbreed, his teeth flashing in an evil smile as he swept off his broad sombrero to her. Above her suddenly beating heart she sought to chat gayly, while the quick eyes of the outlaw took in the details of the smart riding costume that revealed every line of her lithe young figure. But suddenly she chilled under his hot glance that now spoke all too plainly.

"I must return to my friends," she faltered. "They will be anxious." But the fellow laughed with a sinister leer. "No—ah, no, the lovely senorita will come with me," he replied; but there was the temper of steel in his words. For Snake le Vasquez, on the border, where human life was lightly held, was known as the Slimy Viper. Of all the evil men in that inferno, Snake was the foulest. Steeped in vice, he feared neither God nor man, and respected no woman. And now, Estelle St. Clair, drawing-room pet, pampered darling of New York society, which she ruled with an iron hand from her father's Fifth Avenue mansion, regretted bitterly that she had not given heed to honest Buck Benson. Her prayers, threats, entreaties, were in vain. Despite her struggles, the blows her small fists rained upon the scoundrel's taunting face, she was borne across the border, on over the mesa, toward the lair of the outlaw.

"Have you no mercy?" she cried again and again. "Can you not see that I loathe and despise you, foul fiend that you are? Ah. God in heaven, is there no help at hand?" The outlaw remained deaf to these words that should have melted a heart of stone. At last over the burning plain was seen the ruined hovel to which the scoundrel was dragging his fair burden. It was but the work of a moment to dismount and