not discompose him. He turned round and glanced several times at the young man with winks of enquiry. He next offered cigars to all who were standing around him. But getting tired, no doubt, of their society, he moved away from them and took a seat further up. Frederick followed him.

The conversation, at first, turned on the various kinds of tobacco, then quite naturally it glided into a discussion about women. The gentleman in the red boots gave the young man advice; he put forward theories, related anecdotes, referred to himself by way of illustration, and he gave utterance to all these things in a paternal tone, with the ingenuousness of entertaining depravity.

He was republican in his opinions. He had travelled; he was familiar with the inner life of theatres, restaurants, and newspapers, and knew all the theatrical celebrities, whom he called by their Christian names. Frederick told him confidentially about his projects; and the elder man took an encouraging view of them.

But he stopped talking to take a look at the funnel, then he went mumbling rapidly through a long calculation in order to ascertain "how much each stroke of the piston at so many times per minute would come to," etc., and having found the number, he spoke about the scenery, which he admired immensely. Then he gave expression to his delight at having got away from business.

Frederick regarded him with a certain amount of respect, and politely manifested a strong desire to know his name. The stranger, without a moment's hesitation, replied:

"Jacques Arnoux, proprietor of L'Art Industriel, Boulevard Montmartre."

A man-servant in a gold-laced cap came up and said:

"Would Monsieur have the kindness to go below? Mademoiselle is crying."

L'Art Industriel was a hybrid establishment, wherein the functions of an art-journal and a picture-shop were combined. Frederick had seen this title several times in the bookseller's window in his native place on big prospectuses, on which the name of Jacques Arnoux displayed itself magisterially.

The sun's rays fell perpendicularly, shedding a glittering light on the iron hoops around the masts, the plates of the barricades, and the surface of the water, which, at the prow, was cut into two furrows that spread out as far as the borders of the meadows. At each winding of the river, a screen of pale poplars presented itself with the utmost uniformity. The surrounding country at this point had an empty look. In the sky there were little white clouds which remained motionless, and the sense of weariness, which vaguely diffused itself over everything, seemed to retard the progress of the steamboat and to add to the insignificant appearance of the passengers. Putting aside a few persons of good position who were travelling first class, they were artisans or shopmen with their wives and children. As it was customary at that time to wear old clothes when travelling, they nearly all had their heads covered with shabby Greek caps or discoloured hats, thin black coats that had become quite threadbare from constant rubbing against writing-desks, or frock-coats with the casings of their buttons loose from continual service in the shop. Here and there some roll-collar waistcoat afforded a glimpse of a calico shirt stained with coffee. Pinchbeck pins were stuck into cravats that were all torn. List shoes were kept up by stitched straps. Two or three roughs who held in their hands bamboo canes with leathern loops, kept looking askance at their fellow-passengers; and fathers of families opened their eyes wide while making enquiries. People chatted either standing up or squatting over their luggage; some went to sleep in various corners of the vessel; several occupied themselves with eating. The deck was soiled with walnut shells, butt-ends of cigars, peelings of pears, and the droppings of pork-butchers' meat, which had been carried wrapped up in paper. Three cabinet-makers in blouses took their stand in front of the bottle case; a harp-player in rags was resting with his elbows on his instrument. At intervals could be heard the sound of falling coals in the furnace, a shout, or a laugh; and the captain kept walking on the bridge from one paddle-box to the other without stopping for a moment.

Frederick, to get back to his place, pushed forward the grating leading into the part of the vessel reserved for first-class passengers, and in so doing disturbed two sportsmen with their dogs.

What he then saw was like an apparition. She was seated in the middle of a bench all alone, or, at any rate, he could see no one, dazzled as he was by her eyes. At the moment when he was passing, she raised her head; his shoulders bent involuntarily; and, when he had seated himself, some distance away, on the same side, he glanced towards her.

She wore a wide straw hat with red ribbons which fluttered in the wind behind her. Her black tresses, twining around the edges of her large brows, descended very low, and seemed amorously to press the oval of her face. Her robe of light muslin spotted with green spread out in numerous folds. She was in the act of embroidering something; and her straight nose, her chin, her entire person was cut out on the background of the luminous air and the blue sky.

As she remained in the same attitude, he took several turns to the right and to the left to hide from her his change of position; then he placed himself close to her parasol which lay against the bench, and pretended to be looking at a sloop on the river.

Never before had he seen more lustrous dark skin, a more seductive figure, or more delicately shaped fingers than those through which the sunlight gleamed. He stared with amazement at her work-basket, as if it were something extraordinary. What was her name, her place of residence, her life, her past? He longed to become familiar with the furniture of her apartment, all the dresses that she had worn, the people whom she visited; and the desire of physical possession yielded to a deeper yearning, a painful curiosity that knew no bounds.

A negress, wearing a silk handkerchief tied round her head, made her appearance, holding by the hand a little girl already tall for her age. The child, whose eyes were swimming with tears, had just awakened. The lady took the little one on her knees. "Mademoiselle was not good, though she would soon be seven; her mother would not love her any more. She was too often pardoned for being naughty." And Frederick heard those things with delight, as if he had made a discovery, an acquisition.

He assumed that she must be of Andalusian descent, perhaps a Creole: had she brought this negress across with her from the West Indian Islands?

Meanwhile his attention was directed to a long shawl with violet stripes thrown behind her back over the copper support of the bench. She must have, many a time, wrapped it around her waist, as the vessel sped through the midst of the waves; drawn it over her feet, gone to sleep in it!

Frederick suddenly noticed that with the sweep of its fringes it was slipping off, and it was on the point of falling into the water when, with a bound, he secured it. She said to him:

"Thanks, Monsieur."

Their eyes met.

"Are you ready, my dear?" cried my lord Arnoux, presenting himself at the hood of the companion-ladder.

Mademoiselle Marthe ran over to him, and, clinging to his neck, she began pulling at his moustache. The strains of a harp were heard—she wanted to see the music played; and presently the performer on the instrument, led forward by the negress, entered the place reserved for saloon passengers. Arnoux recognized in him a man who had formerly been a model, and "thou'd" him, to the astonishment of the bystanders. At length the harpist, flinging back his long hair over his shoulders, stretched out his hands and began playing.

It was an Oriental ballad all about poniards, flowers, and stars. The man in rags sang it in a sharp voice; the twanging of the harp strings broke the harmony of the tune with false notes.