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قراءة كتاب The Pocket Bible; or, Christian the Printer: A Tale of the Sixteenth Century

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The Pocket Bible; or, Christian the Printer: A Tale of the Sixteenth Century

The Pocket Bible; or, Christian the Printer: A Tale of the Sixteenth Century

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دار النشر: Project Gutenberg
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THE LAMBKINS' DANCE 233 XI. CAPTURE OF CORNELIA 254 XII. THE DUKE OF ANJOU 264 XIII. THE BILL IS PAID 273 EPILOGUE 288

TRANSLATOR'S PREFACE.

The epoch covered by this, the 16th story of Eugene Sue's dramatic historic series, entitled The Mysteries of the People; or, History of a Proletarian Family Across the Ages, extends over the turbulent yet formative era known in history as the Religious Reformation.

The social system that had been developing since the epoch initiated by the 8th story of the series, The Abbatial Crosier; or, Bonaik and Septimine, that is, the feudal system, and which is depicted in full bloom in the 14th story of the series, The Iron Trevet; or, Jocelyn the Champion, had been since suffering general collapse with the approach of the bourgeois, or capitalist system, which found its first open, or political, expression in the Reformation, and which was urged into life by Luther, Calvin and other leading adversaries of the Roman Catholic regime.

The history of the Reformation, or rather, of the conflict between the clerical polity which symbolized the old and the clerical polity which symbolized the new social order, is compressed within the covers of this one story with the skill at once of the historian, the scientist, the philosopher and the novelist. The various springs from which human action flows, the various types which human crises produce, the virtues and the vices which great historic conflicts heat into activity—all these features of social motion, never jointly reproduced in works of history, are here drawn in vivid colors and present a historic canvas that is prime in the domain of literature.

In view of the exceptional importance of some of the footnotes in which Sue refers the reader to the pages of original authorities in French cited by him, the pages of an accessible American edition are in those cases either substituted or added in this translation.

DANIEL DE LEON.

New York, February, 1910.

PART I

THE SOCIETY OF JESUS

INTRODUCTION.

What great changes, sons of Joel, have taken place in Paris since the time when our ancestor Eidiol the Parisian skipper lived in this city, in the Ninth Century, at the time of the Northman invasion! How many changes even since 1350, when our ancestor Jocelyn the Champion fell wounded beside Etienne Marcel, who was assassinated by John Maillart and the royalists!

The population of this great city now, in the year 1534, runs up to about four hundred thousand souls; daily new houses rise in the suburbs and outside the city walls, whose boundaries have become too narrow, although they enclose from twelve to thirteen thousand houses. But now, the same as in the past, Paris remains divided into four towns, so to speak, by two thoroughfares that cross each other at right angles. St. Martin, prolonged by St. James Street, traverses the city from east to west; St. Honoré, prolonged by St. Antoine Street, traverses it from north to south. The Louvre is the quarter of the people of the court; the quarter of the Bastille, of the Arsenal, filled with arms, and of the Temple is that of the people whose profession is war; the quarter of the University is that of the men of letters; finally the quarter of Notre Dame and St. Germain, where lie the convents of the Cordeliers, of the Chartreux, of the Jacobins, of the Augustinians, of the Dominicans and of many other hives of monks and nuns besides the monasteries that are scattered throughout the city, is that of the men of the Church. The merchants, as a general thing, occupy the center of Paris towards St. Denis Street; the manufacturers are found in the eastern, the shabbiest of all the quarters, where, for one liard, workingmen can find lodging for the night. The larger number of the bourgeois houses as well as all the convents are now built of stone, and are no longer frame structures as they formerly were. These modern buildings, topped with slate or lead roofs and ornamented with sculptured facades, become every day more numerous.

Likewise with crimes of all natures; their increase is beyond measure. With nightfall, murderers and bandits take possession of the streets. Their numbers rise to twenty-five or thirty thousand, all organized into bands—the Guilleris, the Plumets, the Rougets, the Tire-Laines,[1] the latter of whom rob bourgeois, who are inhibited from carrying arms. The Tire-Soies,[2] a more daring band, fall upon the noblemen, who are always armed. The Barbets disguise themselves as artisans of several trades, or as monks of several Orders and introduce themselves into the houses for the purpose of stealing. Besides these there are the bands of Mattes or Fins-Mattois, skilled cut-purses and pick-pockets; and finally the Mauvais-Garçons,[3] the most redoubtable of all, who publicly, for a price chaffered over and finally agreed upon, offer their daggers to whomsoever wishes to rid himself of an enemy.

Nor is this the worst aspect presented by the crowded city. Paris runs over with lost women and courtesans of all degrees. Never yet did immorality, to which the royal court, the Church and the seigniory set so shocking a pace, cause such widespread ravages. A repulsive disease imported from

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