You are here
قراءة كتاب The Art of English Poetry (1708)
تنويه: تعرض هنا نبذة من اول ١٠ صفحات فقط من الكتاب الالكتروني، لقراءة الكتاب كاملا اضغط على الزر “اشتر الآن"

The Art of English Poetry (1708)
foregoing Rules ought indispensibly to be follow'd in all our Verses of 10 Syllables; and the observation of them, like that of right Time in Musick, will produce Harmony; the neglect of them, Harshness and Discord; as appears by the following Verses.
None think Rewards render'd worthy their Worth.
And both Lovers, both thy Disciples were,Dav.
In which tho' the true Number of Syllables be observ'd, yet neither of them have so much as the Sound of a Verse: Now their Disagreeableness proceeds from the undue Seat of the Accent: For Example, the first of them is accented on the 5th and 7th Syllables; but if we change the Words, and remove the Accent to the 4th and 6th, the Verse will become smooth and easie; as,
None think Rewards are equal to their Worth.
The harshness of the last of them proceeds from its being accented on the 3d Syllable, which may be mended thus, by transposing only one Word;
And Lovers both, both thy Disciples were.
In like manner the following Verses,
To be massacred, not in Battle slain.Blac.
But forc'd, harsh, and uneasie unto all.Cowl.
Against the Insults of the Wind and Tide.Blac.
A second Essay will the Pow'rs appease.Blac.
With Scythians expert in the Dart and Bow.Dryd.
are rough, because the foregoing Rules are not observ'd in their Structure: For Example, the first, where the Pause is at the 5th Syllable, and the Accent on the 3d, is contrary to the Rule which says, that the Accent that determines the Pause must be on the 2d, 4th, or 6th Syllable of the Verse; and to mend that Verse we need only place the Accent on the 4th, and then the Pause at the 5th will have nothing disagreeable, as,
Thus to be murther'd, not in Battle slain.
The second Verse is Accented on the 3d Syllable, and the Pause is there too; which makes it indeed the thing it expresses, forc'd, harsh, and uneasie; it may be mended thus,
But forc'd and harsh, uneasie unto all.
The 3d, 4th, and 5th of those Verses, have like faults; for the Pauses are at the 5th, and the Accent there too, which is likewise contrary to the foregoing Rules: Now they will be made smooth and flowing, by taking the Accent from the 5th, and removing the Seat of the Pause; as,
Against th' Insults both of the Wind and Tide.
A second Trial will the Pow'rs appease.
With Scythians skilfull in the Dart and Bow.
From whence we conclude, that in all Verses of 10 Syllables, the most prevailing Accents ought to be on the 2d, 4th, or 6th Syllables; for if they are on the 3d, 5th, or 7th, the Verses will be rough and disagreeable, as has been prov'd by the preceeding Instances.
In short, the wrong placing of the Accent is as great a fault in our Versification, as false Quantity was in that of the Antients; and therefore we ought to take equal care to avoid it, and endeavour so to dispose the Words, that they may create a certain Melody in the Ear, without Labour to the Tongue, or Violence to the Sense.
SECT. II.
Of the other Sorts of Verses that are us'd in our Poetry.
After the Verses of 10 Syllables, those of 8 are most frequent, and we have many intire Poems compos'd in them.
In the Structure of these Verses, as well as of those of 10 Syllables, we must take care that the most prevailing Accents be neither on the 3d nor 5th Syllables of them.
They also require a Pause to be observ'd in pronouncing them, which is generally at the 4th, or 5th Syllable; as,