قراءة كتاب Literature for Children
تنويه: تعرض هنا نبذة من اول ١٠ صفحات فقط من الكتاب الالكتروني، لقراءة الكتاب كاملا اضغط على الزر “اشتر الآن"
He needs to know and to appreciate the good books which he desires the boy to read. He needs to know the poem or story at first hand, not criticism about it. If the teacher has real appreciation for a piece of literature, the boy will discern it in his face. Then the boy can be put on the right scent and left to trail it out for himself, as Scott long ago suggested. Time must be taken to do this: a few good things must be done without fuss or hurry. It is foolish to have a taste surfeited as soon as cultivated. Here is truly a place to be temperate as well as enthusiastic.
A teacher should be able to read aloud from a book with good effect. The voice can bring out the finer touches that are likely to be missed by the eye. No explanation in reading is so good as is adequate vocal expression. In fact, as a rule, the less explaining the better. If there is a single thing that for the last dozen years has stood in the way of boys' and girls' appreciating good literature, it is the so-called laboratory method. Of all the quack educational specifics that have been advanced, the laboratory method, with a poem or an imaginative story, has been the most presumptuous and absurd. Who cares to treat fancies and fairies according to formulæ? One might as well apply the laboratory method to his faith and his hopes in his religion.
In this struggle to bring good books into the life of the boy, many opposing forces must be met with tact and with patience. Censorship of books, like inspection of foods, may be highly desirable; but by no means is it efficacious. The worthless book will continue to obtrude itself at all times and on all occasions. Then there are the reading habits of the community, the notions of parents about what the child should read, and the child's own natural or acquired tastes,—these must all be reckoned with. Here are a few of the opposing forces to be encountered in every community:
The juvenile series—the hardest problem to handle from the book side of the question. The series is always "awful long," all of the volumes are cut to the same pattern, they are always in evidence, and they are all equally stupid. The themes range from boarding school proprieties to criminal adventure; and they are all equally false to the facts of real life or the longings for true romance. What shall be done with them?
The ease of access of the child to the daily paper with headlines inviting attention to the doings of police courts and clinics.
The eagerness with which children read the comic supplement and even ask at the public library if books of that class of humour cannot be had.
The low-grade selection that is many times given the child by the school reader as subject-matter from which to learn the great art of reading.
The prejudice of parents and even of communities against fairy tales and all forms of highly imaginative literature—the hardest thing to meet from the reading side of the question. Librarians are requested not to give fairy books to children. Such books are thought to be bad. The demand is for true books. Parents have not discovered the existence of the imagination and the part it has played in the intellectual, artistic, and spiritual progress of man. But must school teachers not first recognize the truth of this last statement before parents are expected to do so?
The impression that books of information are real literature and that they ought to be sufficient subject-matter for any child's reading.
The belief that books should teach facts and point morals rather than entertain and refine and inspire.
The early acquired taste of boys and girls for stories of everyday life; boys turning to the athletic story and girls to the school story.
Excessive reading and reading done at the suggestion of a chum.
Lack of ownership of books and of the rereading of great books.
The passing of the practice of reading aloud about the fireside.
The teacher will surely need to summon his judgment, courage, and perseverance if he is to succeed measurably in the effort for good reading. Let him not forget that his most enduring work will not be seeking to cut off from the child the book that is not good, nor yet convincing the parents that this or that book is good or bad; but it will be getting the interest and confidence of the child himself. When the teacher comes to consider that a boy naturally loves a hero, and like Tom Sawyer longs to "die temporarily," or that a girl is naturally curious to open the forbidden door of the closet as was Fatima, he cannot but see that this is good ground where the right seed will spring up many fold. Here then is the place for the teacher to sow with care. For him, the pages that follow are designed as something of a guide in the field of children's books, if, whilst working as a husbandman therein, by chance he feels the need of a fellow labourer.
CHAPTER II
"He hath not fed of the dainties that are bred in a book; he hath not eat paper, as it were; he hath not drunk ink; his intellect is not replenished; he is only an animal, only sensible in the duller parts."
The place of literature in the primary and grammar grades of schools needs neither a defence nor an apology. Being a part of that branch called reading, it is fundamental in the course. The claims set up by branches other than that of reading and speaking English do not concern us here. We assume that the first portion of time in a programme is allotted to this. The object may be dramatic expression in the lower grades, getting the exact thought from a printed page and reproducing it in the upper grades, drill in the mechanical details of the language, such as spelling and pronunciation; or it may be that rare growth of personality that comes, say, through the skilful reading of poetry aloud. Without a fair degree of mastery of the elements of reading and speaking English by the time he completes the grammar grade work, the boy will enter a secondary school or turn to earning a living, ill-equipped either to organize and express his own thoughts, or to find profit and pleasure in gathering the thoughts of another from a printed page—the greatest accomplishment that a school can give to any one. It is rather common to hear a high school student say that he cannot get the story by reading "The Lady of the Lake." This inability is a positive discredit to what should be normal mental vigour; and such a student will be found inefficient for the serious business of life or the refined pleasure of the fireside.
Now it behooves teachers to put on their thinking caps and devise ways and means that will help students to get the thought from reading, to tell this thought, and to appreciate the excellencies of good English books. And they must do this single-handed and alone in the day school, for but little help can be looked for from the Sunday school, from many public libraries, and from the home as it is now governed. The child is turned over to the teacher to train, and in that child lurk two tendencies of American social life: the hope of getting something for nothing and the passion for constant variety. And these tendencies are unchecked by any exercise of that old-time positive authority in the home, that had much salutary influence on young barbarians. But through a foolish tolerance, the boy drifts into many habits that do not include the exemplary ones of sustained attention, industry, thrift, and self-reliance,—habits that make for


