You are here

قراءة كتاب Hospital Sketches

تنويه: تعرض هنا نبذة من اول ١٠ صفحات فقط من الكتاب الالكتروني، لقراءة الكتاب كاملا اضغط على الزر “اشتر الآن"

‏اللغة: English
Hospital Sketches

Hospital Sketches

تقييمك:
0
No votes yet
المؤلف:
دار النشر: Project Gutenberg
الصفحة رقم: 4

period of French Gothic which marks the cathedrals of Notre Dame at Paris and Rheims. Coming out from Jacob's ladder upon the Parvis, there was a wide view over the meadows and the river. At the moment when the cathedral door was disclosed to me, a procession of clergy bearing sacred relics emerged from the church. It passed between the ranks of prophets and martyrs whose effigies flank the portal, and vanished with its banners and vestments down the long incline of Jacob's ladder towards the old town.

And finally came a dismal day, at the end of which the west was lined with long streaks of red, and, just before sunset, through a lengthened break in the gray, I seemed to see an Island in the far Ægean. I think it must have been somewhere between the Ægina that looks across the waters to the Athenian Acropolis and the Assos which my friends in their youth dug from its grave. Let us call it Æginassos. Its buildings as I dimly saw them are in a remarkable condition of preservation. The white temple stood out on a promontory over the sea, and brought back to memory the temple-crowned headland at Sunium. Higher on the mountain-side was the Forum with its terraces and long colonnades. Steep and winding paths descended to the ancient port, and far across the water rose the heights of the Isles of Greece.

Here are the records of what I was privileged to see from the roof terrace of the Hospital. Made in bed or wheel chair and depending on the passing imagination of an invalid, the sketches are of necessity crude. Would that instead they were like the work of Claude or Turner, who were the great experts at seeing visions in the clouds and in transferring them to their paper! These drawings will, however, be a reminder that idle hours can be passed happily even during a long captivity! Opposite each drawing I have placed some quotations from various writers. Although these do not describe with exactness the places which no eye but mine has seen, yet they do picture others very like those which I saw from the hospital terrace.

A day at last arrived when the patient was suddenly released. After being the object of tender care for many weeks the outer world seemed very large and very hustling. It was with a certain timidity and almost with reluctance that facing it all he left the peaceful quiet of the Johns Hopkins Hospital.


I UPTHORPE-CUM-REGIS The Minster and the Meadows

UPTHORPE-CUM-REGIS


THE RIVER

It was one of their happy mornings. They trotted along and sat down together, with no thought that life would ever change much for them; they would only get bigger and not go to school, and it would be always like the holiday; they would always live together and be fond of each other. And the mill with its booming—the great chestnut tree under which they played at house—their own little river, the Ripple, where the banks seemed like home, and Tom was always seeing water-rats while Maggie gathered the purple plumy tops of the reeds which she forgot, and dropped afterwards—above all, the great Floss, along which they wandered with a sense of travel, to see the rushing spring-tide, the awful Eagre, come up like a hungry monster, or to see the Great Ash which had once wailed and groaned like a man—these things would always be just the same to them. Tom thought people were at a disadvantage who lived in any other spot of the globe; and Maggie when she read about Christiana passing "the river over which there is no bridge," always saw the Floss between the green pastures by the Great Ash.

George Eliot.


title and dedicationI

UPTHORPE-CUM-REGIS

The Minster and the Meadows


THE MINSTER
Strong as time, and as faith sublime,—clothed round with shadows of hopes and fears,
Nights and morrows, and joys and sorrows, alive with passion of prayers and tears,—
Stands the shrine that has seen decline eight hundred waxing and waning years.
Tower set square to the storms of air and change of season that blooms and glows,
Wall and roof of it tempest proof, and equal even to suns and snows,
Bright with riches of radiant niches and pillars smooth as a straight stem grows.
A. Swinburne.

ELEGY
Now fades the glimmering landscape on the sight,
And all the air a solemn stillness holds,
Save where the beetle wheels his droning flight,
And drowsy tinklings lull the distant folds;
.      .      .      .      .      .      .      .      .      .
Beneath these rugged elms, that yew-tree's shade
Where heaves the turf in many a mouldering heap
Each in his narrow cell forever laid,
The rude forefathers of the hamlet sleep.
.      .      .      .      .      .      .      .      .      .
The breezy call of incense-breathing morn,
The swallow twittering from the straw-built shed,
The cock's shrill clarion, or the echoing horn,
No more shall rouse them from their lowly bed.
Gray.


THE CHURCHYARD

It was a very quiet place, as such a place should be, save for the cawing of the rooks who had built their nest among the branches of some tall old trees, and were calling to one another, high up in the air. First one sleek bird, hovering near his ragged house as it swung and dangled in the wind, uttered his hoarse cry, quite by chance as it would seem, and in a sober tone as though he were but talking to himself. Another answered, and he called again, but louder than before; then another spoke and then another; and each time the first, aggravated by contradiction, insisted on his case more strongly. Other voices, silent till now, struck in from boughs lower down and higher up and midway, and to the right and left, and from the tree-tops; and others arriving hastily from the grey church turrets and old belfry window, joined the clamour which rose and fell, and swelled and dropped again, and still went on; and all this noisy contention amidst a skimming to and fro, and lighting on fresh branches, and frequent changes of place, which satirized the old restlessness of those who lay so still beneath the moss and turf below, and the useless strife in which they had worn away their lives.

Charles Dickens.


II UPTHORPE-CUM-REGIS The Church YardII

UPTHORPE-CUM-REGIS

The Church Yard

THE PARSON

Pages