قراءة كتاب Seeing France with Uncle John

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Seeing France with Uncle John

Seeing France with Uncle John

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دار النشر: Project Gutenberg
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even got the real French twang to the pronunciation. It's Rooank; only you stop short of the 'n' and the 'k,' so to speak. The waiter who brought my breakfast showed me how to do it—said he never saw a foreigner catch on to the trick so quick before. I gave him one of those slim little quarters they have here, and he was so pleased that he taught me how to say 'Joan of Arc' for nothing. It's Shondark—Shondark. I learned it in no time. Well, come on, if you're ready. I've been waiting almost an hour.

Rouen—Maison du XV siècle

"I declare, but this fresh, free atmosphere is refreshing! As soon as you get outside of your bedroom door you begin to get the full benefit of the Continental climate. I presume, if you're poor, you get it as soon as you get outside of your bed clothes. Rather a medieval staircase, eh? And four orange-trees at the bottom to try and fool us into feeling balmy. However, I don't mind little discomforts: all I mind is being shut up on a ship with a darned fool like that man Sibbilly. I shouldn't wonder if his mother was his wife, after all. I could believe anything of him. I didn't like him.

"We'll go to take in the cathedral first; it isn't far, and I've got it all by heart. Thirteenth century and unsymmetrical—you must remember that. There, that's it ahead there—with the scaffolding. They're bolstering it up somewhat, so as to keep on hooking tourists, I presume. The biggest tower is the Butter Tower, built out of paid-for permissions to eat butter in Lent. Rather a rough joke, its being so much the biggest, isn't it? The whole cathedral's lopsided from eating butter, so to speak. I believe it's the thing to stop in front and act as if you were overcome; so we'll just call a halt here and take in the general effect of the scaffolding.

"Now we'll walk around the whole thing. I haven't come abroad to take life with a hop, skip, and jump; I've come to be thorough, and I want you girls to form the habit of being thorough, too. What I didn't like about that fellow Edgar was his not being thorough. When he went down to look at the ship's machinery he only stayed an hour. Now, I didn't go at all; but if I had gone, I should have stayed more than an hour. Good job of scaffolding, isn't it? You see, they make the scaffolding out of young trees withed together, and use them over and over. Economical. Just about what you'd expect of Sibbilly. Those gargoyles and saints around the top stick their heads out pretty interested-like, don't they? But their view is for the most part blocked. Now this cheerful old jail at the back is the palace of the archbishop. I wish, young ladies, that you would note those little bits of high windows and the good thick bars across them as illustrating the secure faith that the dead and gone archbishops had in their loving people. I'll bet there's been plenty of battering and rioting around under these walls, first and last; plenty of fists and sticks and stones. It's big, isn't it? Big as half a block, and things look so much bigger here than they do at home. They slide a roof up slanting and cock it full of little crooked windows, and you feel as if you must tip over backward to take in the top. I vow, I don't just see how it's done; but—oh, here's where we go in. This dark, damp little stone-paved alley is the celebrated 'Portail des Libraires,' so called because those arcades used to be full of book-stalls. We go along on the cobble-stones,ont throw ourselves hard against this little swinging door; it creaks, it yields, we enter—hush!

"Great Scott, isn't it big, and isn't it damp? Will you look up in that roof? I feel solemn in spite of myself; but, then, feeling solemn is no use: what we want to do is to find some one to open those big iron gates, for the most of what is to see is in back there. Edna, you ask that man how we can get hold of some other man. Well, what did he say? Said to ask the Swiss, did he? What does he mean by that? Is it a joke, or can't they trust a Frenchman with their old relics? I've been told that in Japanese banks they always have to have a Chinaman to handle the money, and maybe it's equally the thing in a French cathedral to have a Swiss look after the relics. But the guide-book never said a word about a Swiss: it said 'fee,' and I've got my pocket full of them.

"Well, where can we get a Swiss? I should think he'd be more handy than he appears to be. There's another man looking for him, too. He—Great Scott! if it isn't—no, that is impossible. Yes, it is!

"I beg your pardon, sir, but is your name Porter? Yes? Robert Porter—Bobby Porter that went to the Washington School? Bob, do you remember me? Well, of all the larks!

"Girls, this man and I went to school side by side for eight years, and he's the finest—my nieces, Bob. That's Edna and this is Yvonne, and—you don't say he's your son? Didn't know you ever married. Oh, I'll take your word for it, of course; but, I say, Bob, you've got to come and dine with us to-night. You must; I won't have it any other way. You and I'll have to just sit down and overhaul all our old memories together. Do you remember—but how do you come to be in Europe, anyhow; and what liner did you line up on? We had a beastly trip,—only came from Havre last night,—and, by the way, how in thunder can we get hold of the man who opens these iron gates? Everything in the place is back there.

"Is that a Swiss—that splendid circus-chariot driver? Give you my word, I thought he was a cardinal! How much of a tip is that much gold lace going to look forward to getting? I wish he was plainer, somehow. I'll tell you, Bob; you pay, and I'll settle up later. I certainly am glad to see the gates open; I felt more like a serpent shut out of paradise than I ever expected to feel in all my life.

"Well, now we begin. Who's buried here? Henry II of England, eh? I can't read Latin, so Henry's virtues and dates are all one to me. Which Henry was he, anyhow—the one with six wives or the one who never shed a smile? Either way, let's move on.

"What comes next? Richard-Cœur-de-Lion—petrified, eh? Oh, only a statue of him; that's less interesting. I thought at last I was looking at Richard when he was himself again. What is our Swiss friend hissing about? Heart buried underneath? Whose heart?—Richard's? Ask if it's his bona fide heart or only a death-mask of it? Strikes me as a pretty big statue to put up to a heart, don't you think, Bob? But come on; I want to be looking at something else.

"'Richard-Cœur-de-Lion—petrified, eh?'"

"So this is the tomb of the husband of Diana of Poitiers? I didn't know she ever had a husband—thought she only had a king. I've never been brought up to think of Diana of Poitiers mourning a husband. But maybe she did, maybe she did. They say you must check your common sense at the hotel when

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