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قراءة كتاب On the Laws of Japanese Painting: An Introduction to the Study of the Art of Japan

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On the Laws of Japanese Painting: An Introduction to the Study of the Art of Japan

On the Laws of Japanese Painting: An Introduction to the Study of the Art of Japan

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دار النشر: Project Gutenberg
الصفحة رقم: 3

class="pginternal" tag="{http://www.w3.org/1999/xhtml}a">Color With Outlines Suppressed. Plate XII.

  • Color Over Lines. Plate XIII.
  • Light Reddish-Brown Method. Plate XIV.
  • The White Pattern. Plate XV.
  • The Black or Sumi Method. Plate XVI.
  • The Rule of Proportion in Landscapes. Plate XVII.
  • Heaven, Earth, Man. Plate XVIII.
  • Pine Tree Branches. Plate XIX.
  • Winding Streams. Plate XX.
  • A Tree and Its Parts. Plate XXI.
  • Bird and Its Subdivisions. Plate XXII.
  • Peeled Hemp-Bark Method for Rocks and Ledges (a) The Axe strokes (b). Plate XXIII.
  • Lines or Veins of Lotus Leaf (a). Alum Crystals (b). Plate XXIV.
  • Loose Rice Leaves (a). Withered Kindling Twigs (b). Plate XXV.
  • Scattered Hemp Leaves (a). Wrinkles on the Cow's Neck (b). Plate XXVI.
  • The Circle (1). Semi-Circle (2). Fish Scales (3). Moving Fish Scales (4). Plate XXVII.
  • Theory of Tree Growth (1). Practical Application (2). Grass Growth in Theory (3). In Practice (4). Plate XXVIII.
  • Skeleton of a Forest Tree (1) Same Developed (2). Tree Completed in structure (3). Plate XXIX.
  • Perpendicular Lines for Rocks (1). Horizontal Lines for Rocks (2). Rock Construction as Practiced in Art (3 and 4). Plate XXX.
  • Different Ways of Painting Rocks and Ledges. Plate XXXI.

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