grace in their acting, and played their parts with real talent; and were as natural on the stage as in the saloon, where they bore themselves with exquisite grace and refinement. At first the repertoire contained little variety, though the pieces were generally well selected. The first representation which I attended was the "Barber of Seville "in which Isabey played the role of Figaro, and Mademoiselle Hortense that of Rosine—and the "Spiteful Lover." Another time I saw played the "Unexpected Wager," and "False Consultations." Hortense and Eugene played this last piece perfectly; and I still recall that, in the role of Madame le Blanc, Hortense appeared prettier than ever in the character of an old woman, Eugene representing Le Noir, and Lauriston the charlatan. The First Consul, as I have said, confined himself to the role of spectator; but he seemed to take in these fireside plays, so to speak, the greatest pleasure, laughed and applauded heartily, though sometimes he also criticised.

Madame Bonaparte was also highly entertained; and even if she could not always boast of the successful acting of her children, "the chiefs of the troupe," it sufficed her that it was an agreeable relaxation to her husband, and seemed to give him pleasure; for her constant study was to contribute to the happiness of the great man who had united her destiny with his own.