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قراءة كتاب Punch, or The London Charivari, Volume 105, July 22nd, 1893
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Punch, or The London Charivari, Volume 105, July 22nd, 1893
Tucker." Imperial Commissioner objected. Bishop Tucker, lineal descendant of the celebrated little Thomas who "cried for his supper," wanted to have all the black and white bread to himself according to the ancient nursery tradition of the Tucker family. Commissioner, quite a Gallio in his way, wouldn't hear of it. Ultimately the two ecclesiastical antagonists came to terms, the Commissioner (Our Own) wisely observing that "as the object of both missions was a spiritual one, there ought to be no Hirthly ground for disagreement."
LAYS OF MODERN HOME.
THE FIRST COOK!
Oh! the first Cook, in that ambrosial, unwithering
Halcyon, rapturous, and honeymooning prime!—
She, who, aware of Helen's babyish and blithering
Innocence, did a lot of mischief in her time.
Oh! for her soup, a weird, insuperable fearfulness,
Compound of arrowroot, and gelatine, and lard;
Hard, to reject it, when a bride besought, with tearfulness,
Hard, to accept, and to assimilate it, hard!
Oh! for her leather-like, her nauseating omelette,
Oh! for her cutlets and potatoes black as ink!
Oft, of necessity, would I the Buttons, Tommy, let
Batten on luxuries that bothered him, I think.
And she would mingle, would that woman who did that to me,
Proofs incontestable with everything I ate,
Whereby the veriest beginner of anatomy
Knew that she must be in complexion a brunette.
Wild were her sauces, like herself, devoid of reasoning;
Still I have never been indubitably clear,
Why the invariable factor in her seasoning
Always reminded me so forcibly of Beer.
Why, when my darling sighed, "The weekly books are ready, Ted,"
And I rejoined that we were thin while they were fat,—
Why, their increasing superfluities were credited
All to a manifestly unoffending cat.
Why, when a joint of whatsoever solid vastiness
Quitted the dining-room, it never came again;
Why my allusions to her culinary nastiness
Only encouraged her, it beats me to explain.
True, for our wages, which were somewhere near the "Twenty-ones,"
Great expectations would have been a trifle rash.
Still, as her perquisites, I know, were cent.-per-cent.-y ones,
Ah! how I wish a Chef had fed us for the cash!
Oh! my first Cook! A gem with so much rare and rich in her,
Irreconcileable, impenetrable soul,
How I exulted when she fell against the kitchener,
Urged by a Nemesis (and legs) beyond control.
How, when my fluttered pet, believing her immaculate,
Hied to her aid, and heard, "You ain't a Lady, Mum!"
How I was forced to rather brutally ejaculate,
"Rum! Very rum!—you see the cause of it is 'rum.'"
Oh! that first year of married paradise! My attitude
Somehow, my sweet, on this our second Wedding-day,
Needs must be one of unadulterated gratitude,
Since we survive the Cook, you wept to send away!
"Has Left but the Name."—The intention of the original starters of the Aquarium was presumably to exhibit fish of all sorts, all alive oh! and quite at home. Nowadays, very little about fish is to be found in the advertisements. The fish are, it may be supposed, "taken for granted." They are conspicuous by their absence; but instead you read how "a human being dives," how somebody conjures, how there are "miraculous feats," and "four-legged dancers," and "baby elephants" waltzing and drum-playing; how somebody of some importance "walks upside down in mid-air;" how there are "serpentine" dancers, "pantomimists," "duettists," and, finally, the "boxing kangaroo," so that altogether the Aquarium may still congratulate itself on a show of about the "queerest, oddest fish" in the world.
WHAT'S IN A NAME?
["At the World's Fair, in Chicago, the other day, the Rev. John Jameson,
of Virginia, smashed a stand containing an exhibit of Irish Whiskey."]