قراءة كتاب The Knight Of Gwynne, Vol. 1 (of 2)

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The Knight Of Gwynne, Vol. 1 (of 2)

The Knight Of Gwynne, Vol. 1 (of 2)

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دار النشر: Project Gutenberg
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familiar with most of the names of its distinguished men. Anecdotes of Henry Grattan, Flood, Parsons, Ponsonby, and Curran jostled in my mind with stories of their immediate successors, the Bushes and the Plunketts, whose fame has come down to the very day we live in. As a boy, it was my fortune to listen to the narratives of the men who had been actors in the events of that exciting era, and who could even show me in modern Dublin the scenes where memorable events occurred, and not unfrequently the very houses where celebrated convivialities occurred. And thus from Drogheda Street, the modern Sackville Street, where the beaux of the day lounged in all their bravery, to the Circular road, where a long file of carriages, six in hand, evidenced the luxury and tone of display of the capital. I was deeply imbued with the features of the time, and ransacked the old newspapers and magazines with a zest which only great familiarity with the names of the leading characters could have inspired.

Though I have many regrets on the same score, there is no period of my life in which I have the same sorrow for not having kept some sort of note-book, instead of trusting to a memory most fatally unretentive and uncertain. Through this omission I have lost traces of innumerable epigrams, and jeux d'esprit of a time that abounded in such effusions, and even where my memory has occasionally relieved the effort, I have forgotten the author. To give an instance, the witty lines,—

     "With a name that is borrowed, a title that 's bought,
     Sir William would fain be a gentleman thought;
     His wit is but cunning, his courage but vapor,
     His pride is but money, his money but paper:"—

which, wrongfully attributed to a political leader in the Irish house, were in reality written by Lovel Edgeworth on the well-known Sir William Gladowes, who became Lord Newcomen; and the verse was not only poetry but prophecy, for in his bankruptcy some years afterwards the sarcasm became fact,—"his money was but paper."

This circumstance of the authorship was communicated to me by Miss Maria Edgeworth, whose letter was my first step in acquaintance with her, and gave me a pleasure and a pride which long years have not been able to obliterate.

I remember in that letter her having told me how she was in the habit of reading my story aloud to the audience of her nephews and nieces; a simple announcement that imparted such a glow of proud delight to me, that I can yet recall the courage with which I resumed the writing of my tale, and the hope it suggested of my being able one day to win a place of honor amongst those who, like herself, had selected Irish traits as the characteristics to adorn fiction.

For Con Heffernan I had an original. For Bagenal Daly, too, I was not without a model. His sister is purely imaginary, but that she is not unreal I am bold enough to hope, since several have assured me that they know where I found my type. In my brief sketch of Lord Castlereagh I was not, I need scarcely say, much aided by the journals and pamphlets of the time, where his character and conduct were ruthlessly and most falsely assailed. It was my fortune, however, to have possessed the close intimacy of one who had acted as his private secretary, and whose abilities have since raised him to high station and great employment; and from him I came to know the real nature of one of the ablest statesmen of his age, as he was one of the most attractive companions, and most accomplished gentlemen. I have no vain pretence to believe that by my weak and unfinished sketch I have in any way vindicated the Minister who carried the Union against the attacks of his opponents, but I have tried at least to represent him such as he was in the society of his intimates; his gay and cheerful temperament, his frank nature, and what least the world is disposed to concede to him, his sincere belief in the honesty of men whose convictions were adverse to him, and who could not be won over to his opinions.

I have not tried to conceal the gross corruption of an era which remains to us as a national shame, but I would wish to lay stress on the fact that not a few resisted offers and temptations, which to men struggling with humble fortune, and linked for life with the fate of the weaker country, must redound to their high credit. All the nobler their conduct, as around them on every side were the great names of the land trafficking for title and place, and shamelessly demanding office for their friends and relatives as the price of their own adhesion.

For that degree of intimacy which I have represented as existing between Bagenal Daly and Freney the robber, I have been once or twice reprehended as conveying a false and unreal view of the relations of the time; but the knowledge I myself had of Freney, his habits and his exploits, were given to me by a well-known and highly-connected Irish gentleman, who represented a county in the Irish Parliament, and was a man of unblemished honor, conspicuous alike in station and ability. And there is still, and once the trait existed more remarkably in Ireland, a wonderful sympathy between all classes and conditions of people: so that the old stories and traditions that amuse the crouching listener round the hearth of the cottage, find their way into luxurious drawing-rooms; and by their means a brotherhood of sentiment was maintained between the highest class in the land and the humblest peasant who labored for his daily bread.

I tried to display the effect of this strange teaching on the mind of a cultivated gentleman when describing the Knight of Gwynne. I endeavored to show the "Irishry" of his nature was no other than the play of those qualities by which he appreciated his countrymen and was appreciated by them. So powerful is this sympathy, and so strong the sense of national humor through all classes of the people, that each is able to entertain a topic from the same point of view as his neighbor, and the subtle équivoque in the polished witticism that amuses the gentleman is never lost on the untutored ear of the unlettered peasant. Is there any other land of which one can say as much?

If this great feature of attractiveness pertains to the country and adds to its adaptiveness as the subject of fiction, I cannot but feel that to un-Irish ears it is necessary to make an explanation which will serve to show that which would elsewhere imply a certain blending of station and condition, is here but a proof of that widespread understanding by which, however divided by race, tradition, and religion, we are always able to appeal to certain sympathies and dispositions in common, and feel the tie of a common country.

At the period in which I have placed this story the rivalry between the two nations was, with all its violence, by no means ungenerous. No contemptuous estimate of Irishmen formed the theme of English journalism; and between the educated men of both countries there was scarcely a jealousy that the character which political contest assumed later on, changed much of this spirit and dyed nationalities with an amount of virulence which, with all its faults and all its shortcomings, we do not find in the times of the Knight of Gwynne.

CHARLES LEVER.

Trieste, 1872.










THE KNIGHT OF GWYNNE.





CHAPTER I. A FIRESIDE GROUP

It was exactly forty-five years ago that a group, consisting of three persons, drew their chairs around the fire of a handsome dinner-room in Merrion Square, Dublin. The brilliantly lighted apartment, the table still cumbered with decanters and dessert, and the sideboard resplendent with a gorgeous service of plate, showed that the preparations had been made for a much

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