href="@public@vhost@g@gutenberg@html@files@35785@[email protected]#CHAPTER_XXX" class="pginternal" tag="{http://www.w3.org/1999/xhtml}a">CHAPTER XXX
CHAPTER XXXI
CHAPTER XXXII
CHAPTER XXXIII
CHAPTER XXXIV
CHAPTER XXXV
CHAPTER XXXVI
CHAPTER XXXVII
CHAPTER XXXVIII

BOOKS BY ZANE GREY
BOOKS BY MARGARET DELAND

THE HILLS OF REFUGE

PART I

CHAPTER I

The house, a three-story red-brick residence, was on Walnut Street, near Beacon. Its narrow front faced the state Capitol with its gold-sheeted dome; from its stoop one could look down on the Common and, from the corner of the street, see the Public Gardens. It was a Sunday morning and the Browne family were at breakfast in the dining-room in the rear of the first floor, just back of the drawing-room. The two rooms were separated by folding-doors painted white, as was the wainscoting of the dining-room. There was a wide bay window at the end, the sashes of which were up, and the spring air and sunshine came in, feeding the plants which stood in pots on the sill.

William Browne, the head of the family, a banker of middle age, slender, sallow of complexion, partially bald, and of a nervous temperament, his mustache and hair touched with gray, sat reading the Transcript of the evening before.

Opposite to him sat his wife, Celeste, a delicate woman somewhat under thirty years of age. She had once been beautiful, and might still be considered so, for her face was a rare one. Her eyes were deeply blue, and now ringed with dark circles which added to the beauty of her olive skin. The hand filling her husband's coffee-cup was thin, tapering, and almost as small as a child's. Her lips had a drawn, sensitive expression when she spoke as he lowered his paper to take the coffee she was holding out to him.

"You have not told me how your business is," she said.

"Why do you want to know?" His irritation was obvious, though he was trying to hide it, as he dropped his paper at his side and all but glared at her over his cup.

"I think I ought to know such things," she answered. "Besides I worry considerably when—when I think you are upset over financial matters."

"Upset?" He stared, it seemed almost fearfully, at her, and then began to eat the brown bread and fish-cakes on his plate. "Why do you think that I am upset?"

"I can always tell," she faltered. "When you are disturbed over business you don't notice Ruth when you come in. You almost pushed her from your lap last night when she went to you in the library. It hurt the little thing's feelings. She did not know what to make of it."

"A position like mine is full of responsibility," he said, doggedly. "Hundreds of things go wrong. Mistakes are made sometimes. We are handling other people's money. The directors are harsh, puritanical men, and they are very hard to please. They want me to do it all, and they think I am infallible, or ought to be."

"You didn't sleep well last night," Celeste continued, still timidly. "I heard you walking to and fro. I smelled your cigars. I couldn't sleep, for it seemed to me that you were unusually disturbed. You may not remember it, but you ate scarcely anything at supper, and, although I asked you several questions, you did not hear me."

He bolted the mouthful of bread he had broken off. His eyes flashed desperately. "Oh, I can't go into all the details of our ups and downs!" he blurted out, shrugging his shoulders with impatience. "When I leave the bank I try to shut them in behind me. If I go over them with you it is like living through them again."

"Then—then it is not your brother this time," Celeste ventured. "I thought perhaps the directors had spoken of his conduct again."

"Oh no. On my account they allow him to go and come as he likes. When he is not drinking he does splendid work—as much, often, as two men. The directors know he is worth his pay even as it is. Sometimes he gets behind with his work, but soon catches up again. In fact, they all seem to like him. They think he can't help it. It is hereditary, you know. Both of his grandfathers were like that."

"You knew that he was drinking yesterday, did you?" Celeste inquired, with concern in her voice and glance.

"Oh yes. He wasn't at his desk at all. I heard him come in and go to his room about three this morning. I knew by his clatter on the stairs that it was all he could do to get along. I think he came home in a cab; I heard wheels."

"Yes, he came in a cab," Celeste said. "Some friend brought him. I was awake. I heard them saying good night to each other. So it was not that that worried you?"

William shrugged his shoulders. "I have given him up," he said. "I almost envy him, though—he has so little to worry about."

"How can you say such things?" his wife demanded. "I shall never give him up. He has such a great heart. He is absolutely unselfish. He has given away a great deal of money to people who needed it. You know that he helped Michael send funds to his mother in New York last month. Michael worships him—actually worships him."

Browne took up his paper again. It was plain that he had dismissed his younger brother from his mind. At this moment the servant just mentioned, Michael Gilbreth, came to remove the plates. He was a stout, red-faced Irishman of middle age and wore the conventional, though threadbare, jacket of a family butler.

"Have you inquired if Mr. Charles wants any breakfast?" Mrs. Browne asked him, softly, as he bent beside her for the coffee-urn.

"Yes, m'm," he said. "I was up just this minute. He wants coffee and eggs and toast. He said to say that he would not be down to breakfast."

"Is he sober? Is he at himself?" the banker asked, in a surly tone, from behind his paper.

For a bare instant the servant hesitated. His entire bent body seemed to resent the question. "Yes, sir, he is all right; a little sleepy, I think, but that is all. He'll be around later. He is a fine young man, sir; he has a big heart in 'im, sir. He is a friend to the poor as well as the rich."

"A very poor one to himself, and us," Browne retorted, irritably. "But it can't be helped. He is done for. He will keep on till he is in the gutter or a madhouse."

"Take the coffee and warm it again, Michael,"