قراءة كتاب Charles Gounod Autobiographical Reminiscences with Family Letters and Notes on Music

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Charles Gounod
Autobiographical Reminiscences with Family Letters and Notes on Music

Charles Gounod Autobiographical Reminiscences with Family Letters and Notes on Music

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دار النشر: Project Gutenberg
الصفحة رقم: 9

dreaming!

I had five months before me, so I set to work at once. Thanks to my mother's industrious help in copying the orchestral parts (we were too poor to afford a copyist), all was ready on the appointed day. A mass with full orchestra—think of that!

I dedicated this work—over-boldly perhaps, but certainly with deep gratitude—to the memory of my beloved and regretted master, Le Sueur, and I myself conducted the performance at St. Eustache.

My mass, I readily admit, was a work of no very remarkable value. The novice's inexperience in the art of handling an orchestra with all its varied tints of sound, which needs so long a practical experience, was all too apparent. As to the musical ideas my work contained, their value was confined to a fairly clear conception of the sense of its sacred subject, and a tolerably close harmony between that sense and the music intended to illustrate it. But vigour of design and general outline were sorely lacking.

However that may have been, this first attempt brought me much kind encouragement; the following, for instance, which touched me specially.

Returning home with my mother after the performance of the mass, I found a messenger with a note awaiting me at the door of our apartment (then at 8 Rue de l'Éperon, on the ground floor). I opened the letter, and read as follows:—

"Well done, young fellow, whom I remember as a child! All honour to your 'Gloria,' your 'Crédo,' and, above all, your 'Sanctus.' It is fine, it is full of religious feeling! Well done, and many thanks! You have made me very happy!"

It was from good Monsieur Poirson, my former Principal at Saint Louis, then Principal of the Lycée Charlemagne. He had seen the announcement of my mass, and had come with all speed to witness the first public appearance of the young artist to whom he had said, seven years before, "Go on, my boy; you shall be a musician!"

I was so touched by his kindly thought, that I did not even wait to go indoors. I rushed into the street, called a cab, and hurried to the Lycée Charlemagne, in the Rue St. Antoine, where I found my dear old Principal, who clasped me to his heart.

I had only four more days to spend with my mother before leaving her for three years. She, poor woman, through her constant tears, was getting everything ready against the day of my departure. Very soon it came.

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