had noticed before, and which was to draw upon her later the soubriquet of 'the princess.'

'I think none the less of him for that,' returned Mildred, with gentle reproof.

'You are not like papa then,' observed Polly, with one of her pretty gestures of dissent. 'It fretted him so being with people not nice in their ways. The others would call him milord, and laugh at his grand manners; but all the same they were afraid of him; every one feared him but I; and I only loved him,' finished Polly, with one of her girlish outbursts of emotion, which could only be soothed by extra petting on Mildred's part.

Mildred's soft heart was full of compassion for the lonely girl. Polly, who cried herself to sleep every night for the longing for her lost father, often woke to find Mildred sitting beside her bed watching her.

'You were sleeping so restlessly, I thought I would look in on you,' was all she said; but her motherly kiss spoke volumes.

'How good you are to me, Aunt Milly,' Polly would say to her sometimes. 'I am getting to love you more every day; and then your voice is so soft, and you have such nice ways. I think I shall be happy living with you, and seeing my guardian every day; but we don't want Olive and Chrissy, do we?'—for Mildred had described the vicarage and its inhabitants—'It will feel as though we were in a beehive after this quiet little nest,' as she observed once. Mildred smiled, as she always did over Polly's quaint speeches, which were ripe at times with an old-fashioned wisdom, gathered from the stored garner of age. She would ponder over them sometimes in her slow way, when the girl was sleeping her wet-eyed sleep.

Would it come to her to regret the quietness of life which she was laying by for ever as a garment that had galled and fretted her?—that life she had inwardly compared to a dead mill-stream, flecked only by the shadow and sunlight of perpetually recurring days? Would there come a time when the burden and heat of the day would oppress her?—when the load of existence would be too heavy to bear, and even this retrospect of faint gray distances would seem fair by contrast?

Women who lead contemplative and sedentary lives are overmuch given to this sort of morbid self-questioning. They are for ever examining the spiritual mechanism of their own natures, with the same result as though one took up a feeble and growing plant by the root to judge of its progress. They spend labour for that which is not bread. By and by, out of the vigour of her busy life, Mildred learnt the wholesome sweetness of a motto she ever afterwards cherished as her favourite: Laborare est orare. Polly's questions, direct or indirect, sometimes ruffled the elder woman's tranquillity, however gently she might put them by. 'Were you ever a girl, Aunt Milly?—a girl like me, I mean?' And as Mildred bit her lip and coloured slightly at a question that would have galled any woman of eight-and-twenty, she continued, caressingly, 'You are so nice; only just a trifle too solemn. I think, after all, I would rather be Polly than you. You seem to have had no pictures in your life.'

'My dear child, what do you mean?' returned Mildred; but she spoke with a little effort.

'I mean, you don't seem to have lived out pretty little bits, as I have. You have walked every day over that common and down those long white sunny roads, where there is nothing to imagine, unless one stares up at the clouds—just clouds and dust and wheel-ruts. You have never gone through a forest by moonlight, as I have, and stopped at a little rickety inn, with a dozen Jäger drinking lager-bier under the linden-trees, and the peasants dancing in their sabots on a strip of lawn. You have never——' continued Polly breathlessly; but Mildred interrupted her.

'Stop, Polly; I love your reminiscences; but I want to ask you a question. Is that all you saw in our walk to-day—clouds and dust and wheel-ruts?'

'I saw a hand-organ and a lazy monkey, and a brass band, driving me frantic. It made me feel—oh, I can't tell you how I felt,' returned Polly, with a grimace, and putting up her hands to her delicate little ears.

'The music was bad, certainly; but I found plenty to admire in our walk.'

Polly opened her eyes. 'You are not serious, Aunt Milly.'

'Let me see: we went across the common, and then on. My pictures are very humble ones, Polly; but I framed at least half-a-dozen for my evening's refreshment.'

Polly drew herself up a little scornfully. 'I don't admire monkeys, Aunt Milly.'

'What sort of eyes have you, child?' replied Mildred, who had recovered her cheerfulness. 'Do you mean that you did not see that old blind man with the white beard, and, evidently, his little grand-daughter, at his knees, just before we crossed the common?'

'Yes; I noticed she was a pretty child,' returned Polly, with reluctant candour.

'She and her blue hood and tippet, and the great yellow mongrel dog at her feet, made a pretty little sketch, all by themselves; and then, when we went on a little farther, there was the old gipsy-woman, with a handsome young ne'er-do-weel of a boy. Let me tell you, Polly, Mr. Fabian would have made something of his brown skin and rags. Oh, what rags!'

'She was a horrid old woman,' put in Polly, rather crossly.

'Granted; but, with a clump of fir-trees behind her, and a bit of sunset-clouds, she made up a striking picture. After that we came on a flock of sheep. One of them had got caught in a furze-bush, and was bleating terribly. We stood looking at it for full a minute before the navvy kindly rescued it.'

'I was sorry for the poor animal, of course. But, Aunt Milly, I don't call that much of a picture.'

'Nevertheless, it reminded me of the one that hangs in my room. To my thinking it was highly suggestive; all the more, that it was an old sheep, and had such a foolish, confiding face. We are never too old to go astray,' continued Mildred, dreamily.

'Three pictures, at least we have finished now,' asked Polly, impatiently.

'Finished! I could multiply that number threefold! Why, there was the hay-stack, with the young heifers round it; and that red-tiled cottage, with the pigeons tumbling and wheeling round the roof, and the flower-girl asleep on my own doorstep, with the laburnum shedding its yellow petals on her lap, to the great delight of the poor sickly baby. Come, Polly; who made the most of their eyes this evening? Only clouds, dust, and wheel-ruts, eh?'

'You are too wise for me, Aunt Milly. Who would have thought you could have seen all that? Dad Fabian ought to have heard you talk! We must go out to-morrow evening, and you shall show me some more pictures. But doesn't it strike you, Aunt Milly'—leaning her dimpled chin on her hand—'that you have made the most of very poor material? After all'—triumphantly—'there is not much in your pictures!'