away. If she cannot be silent, she must go back and have her meals with you. It seems impossible to teach her that in the presence of grown people children are expected to listen."

Mrs. Mitchell came forward from a side table, lifted the little girl from her chair, and untied the ruffled bib that protected her white dimity dress.

"Now tell grandmother you are sorry you annoyed her, and if she will let you sit at her table you will be as quiet as she wishes."

"Ma-Lila, don't make me tell stories; she doesn't believe them, and I am so tired saying things I don't mean. I want to go back to the side table, where you are not always scolding me. Grandma, it will be peacefuller if I stay with Ma-Lila——"

"Hush! Come here."

Mrs. Maurice lifted the little one's dimpled chin and studied the fair face that had bloomed seven years in her lonely home: a winsome face cut like a gem, velvety-brown eyes, long-lashed, and the pure, pale oval set in a shining bronze frame of curling hair, all chestnut in shade, braided with gold when sunshine hid among the ripples.

"Kent! Kent—even her ears small as any other rogue's. She is her father's child."

"Is that a sin, grandma?"

Mrs. Maurice swiftly laid her hand over the uplifted, upbraiding eyes, to veil something in their depths that often disquieted her, and sought refuge in her habitual command:

"Take her away, Eliza."

Ringing the small bell close to the breakfast tray, the mistress took a spray of starry jasmine from the vase in the centre of the table, and as she turned away said to the grey-haired butler:

"Aaron, you will put a plate and chair for Miss Eglah at the side table until further orders. Tell Oliver I shall not want the carriage until four o'clock."

Unusually tall and very handsome was this stately widow of a Confederate general who had been slain during one of the fierce conflicts around beleaguered Richmond. No white hairs marred the glossy blackness of the thick coil half hidden under a snowy crêpe cap, and the brilliant blue eyes were undimmed by tearful years of widowhood—a widowhood involving for her the full, sad significance of the sacred and melancholy term, an inability to forget, a despair of any earthly consolation, and a jealous reticence that denied all discussion of her sorrow, as she would have defended her dead from an alien's rude touch. To her, time had brought neither oblivion nor alleviation, only a sharpened sense of irreparable bereavement; and as one standing in an unending and hopeless eclipse, she accepted the gloom with a stern and silent rejection of all other lights when the sun of her life went down.

Anniversaries are electric batteries that thrill the domain of emotions, and one day out of every three hundred and sixty-five the strings of memory are keyed to their utmost tension, vibrating with an intolerable intensity that reddens the lips of old wounds and quickens dull aches to stinging torture.

This memorial morning Mrs. Maurice crossed the wide, vaulted hall, and passing through the long, pillared drawing-room, opened a locked door and shut herself in a darkened chamber to keep tryst with the sacred souvenirs that represented all she held dear. Raising the window, she turned the blinds to allow sunlight entrance into this silent reliquary filled with mementoes jealously guarded "in solemn salvatory": a heavy, square bedstead with twisted columns that upheld a red-lined tester whence embroidered draperies fell; a gilded swinging wicker crib, with baby blankets, rose bordered; a velvet easy chair, where a gentleman's quilted silk dressing-gown hung over the carved back, and his slippers lay beneath; a table heaped with a child's toys, books, and daguerreotypes of various sizes. On a leathern couch lay a folded Confederate uniform, and a man's straw hat, cane, spurs, and riding whip had been placed beside the faded grey coat. Over the old-fashioned, high marble mantel hung a portrait of General Egbert Maurice, clad in uniform, wearing three stars and a wreath on his collar, and holding his plumed hat in his right hand. At one corner of the mantel a furled Confederate flag leaned until it touched the frame of the picture, and from the marble shelf, where lay the general's sash and sword, hung the stained and torn guidon of his favorite regiment. On the wall opposite the fireplace the portrait of a lovely girl with an apron full of roses seemed to fill the room with radiance and color.

With a slow, caressing movement, Mrs. Maurice's slim white hand passed over the front of the smoking-gown, and fastened in a button hole the spray of fragrant, satin-starred jasmine; then, lifting the faded grey coat, she held it to her heart in a tight, straining clasp, as she seated herself on the couch, and her fingers lingered on tarnished gilt buttons and braid. Inside the uniform was pinned a parcel wrapped in tissue paper, from which she shook out a mass of yellowed lace, and as the filmy folds of an infant's christening robe swept across her lap, a subtle perfume of withered flowers like the breath of a rose jar stole over the room.

With dry eyes she looked long at one portrait, then at the other: the husband of her youth and the only child that had come as crowning blessing to a happy married life where no dissensions muttered, no discordant clash jarred the perfect harmony. As the dead years babbled, she listened now to echoes of manly tones, and now to a baby's prattling lisp, still dividing as of yore her heart's homage. When war robbed her of the husband who had never ceased to be tender lover, her only hold on life centred in their beautiful daughter Marcia, and the struggle to guard her and defend from confiscation and ruin the fine landed estate and large fortune left by General Maurice had served, in some degree, to lessen the tendency to morbid brooding.

To the truly typical Southern woman who survived the loss of family idols and of her country's freedom, for which she had surrendered them, "reconstruction," political and social, was no more possible than the physical resurrection and return of slain thousands lying in Confederate graves all over the trampled and ruined South.

No mourning Southern matron indulged more intensely an inexorable, passionate hatred of Northern invaders than did Mrs. Maurice, who refused to accept the inevitable, and shut her doors against agents of "union and reconstruction" as promptly as she would have barred out leprosy or smallpox.

Proud of the social prestige with which her Brahmin birth and stainless family record had dowered her, she wielded her influence in uncompromising hostility to all who advocated a tacit acceptance of the new conditions called "peace." The loss of negroes that abandoned several plantations would have materially impaired the Maurice fortune, had not the prevision of the general's commission merchant in a distant seaport induced the precautionary course of sending a portion of his crop of cotton to Liverpool early in the first year of the war, thus securing a large amount of treasure under the British flag, where (as the cotton factor wrote Mrs. Maurice a few years later) "'Union' thieves could not steal, nor 'reconstruction' moths and rust feed upon it." Out of the wreckage that succeeded the final catastrophe at Appomattox the family fortune of General Maurice emerged triumphant in proportions, and the minority of Marcia was a bulwark that defied successfully the numerous assaults of "loyal confiscators."

Sooner or later the diabolus ex machina confronts us all, and pierces at the one spot least guarded because deemed invulnerable. Mrs. Maurice's maternal pride was built on the shifting sands of girlish impulse and flattered vanity, and the crash showed her that somewhere at the cross roads she had failed to offer a black lamb in propitiating evil divinities—had left no morsel of meat for the sleuth-hounds of baleful destiny that suddenly bayed destruction to the last earthly hope life held for her. Reared in the semi-cloistral seclusion of a Southern