I'll give you a chance. I'll bet you a hundred dollars to ten on one roll."

"What's the matter with you, Neale?" asked the loser. "Are you soused?"

"Not yet," said Peter. "You're not taking any advantage of me. I tell you I know. I can't lose. Go ahead and roll."

"All right, if you want to throw money away it's not my fault."

He took the leather cup and rolled a pair of sixes. Peter slammed the dice down and four aces and a five danced out.

"No more," said Peter. "It's no use. That's $95 you owe me."

"Would you mind if I held you up on that till next week? I'm sort of busted just now."

"No hurry, anytime'll do."

"Ninety-five, that's right, isn't it? Lend me $5 that'll make it an even hundred. Easier to remember."

Peter gave him the five. He knew that even in his gambling triumphs there would be some catch. Wandering over to the bar alone he had two Martinis and then a Bronx but nothing seemed to happen. Looking at his watch he found that it was still only a little after three and he went up town to Fourteenth Street to a burlesque house. The show was called "Dave Shean's Joy Girls." When Peter came in Shean as a German comedian with a false stomach and a red wig had just volunteered to take the place of the bullfighter played by the straight man.

"Do you think you can kill the bull?" asked the straight man.

"I don't know dot I kills him," said Shean, "but I can throw him."

It annoyed Peter that everybody else in the theatre laughed so loudly.

"Yesterday," continued the real toreador, "I killed four bulls in the arena."

"I had him for breakfast."

"What are you talking about? What did you have for breakfast?"

"Farina."

Peter thought he would go but he waited in the hope that it might get better. Presently Shean and the tall man got into an argument. The serious one of the pair contended that Otto Schmaltz, the character played by Shean, did not have a whole shirt on his back.

"I bet you! I bet you!" shouted Schmaltz dancing about and patting the other man on the cheek. They came close to the footlights and placed huge piles of stage money side by side.

"Now," said the big man, "the bet is you haven't got a whole shirt on your back."

"Ches," replied Schmaltz.

"Why, you poor pusillanimous, transcendental, ossified little shrimp, you," said the big man. "Of course you haven't got a whole shirt on your back. Half of it is on the front."

"Ha! Ha! Ha!" he continued sneeringly and kicked the little man resoundingly while the crowd screamed.

Later Schmaltz bet with somebody else taking the other side of the contention, but again he lost because when it came time for the tag line he grew confused and shouted. "Why, you poor pussaliniment, tramps-on-a-dimple, oysterfied little shrimp, you, half of de back is on the front." And again the fortune of Schmaltz was swept away and again he was kicked.

Possibly the three cocktails had begun to have some effect after all or it may have been something else, but at any rate Peter was no longer merely bored by all these happenings. His sensation was just as unpleasant, but it was acute. Somehow or other the story of Schmaltz and the shirt had made him sad.

"Schmaltz is on me," he thought. "Schmaltz is everybody. Getting fooled and getting kicked." His musing became more vague. "Half of the back is on the front," seemed to take form as a tragic complaint against life. He and Schmaltz they couldn't have it whole because "half of the back is on the front."