but by a stocking-loom, and in which the breaking of a single stitch of the right shank unravels the whole fabric of the left. For it is an essential, but undeniable, fault of the book,–which I easily explain by the want of episodes,–that the moment I take out from the first story (or volume) any defective stone whatever, immediately in the third all totters, and at last comes down. Of course I thereby fall far in the rear of the best new romances, where one can break out or build in considerable pieces without the least injury to the composition and fire-proof quality, simply because they resemble, not, like my book, a mere house, but a whole toy-city from Nuremberg, whose loose, unhitched houses the child piles away in his play-house, and whose mosaic of huts the dear little one easily puts together for his amusement, streetwise, just as he fancies. A true story always has the annoying thing about it, that in its case this cannot be done.

However, I sufficiently excuse my work on the score of artistic changes and improvements by true enlargements of it through historical additions. As I fortunately have for some years myself lived and been housed among the persons whom I have portrayed, accordingly I am perfectly in a position, as fly-wheel of this fair family circle, to supply, from the depositions of living witnesses, a thousand corrections and explanations which otherwise no man could learn, which however throw light on the somewhat dark history. Let the critic simply turn over the two nearest chapters of the book, or the remotest, or any others.

My critics would complacently persuade me that I should have avoided in the additions what they call superfluous wit, and skilfully watered the gleaming naphtha-soil of my Evening Star, which was neither to be quenched nor sunk, with fresh history.—Heaven grant it! I have slim hope of it; but I should be glad if the reviewers would assure me that I had–although not sold at auction or covered up the crowded images in my Pantheon-Pandemonium–still, however, at least hung them farther apart.

"On the whole," continues the sketch, "take in hand the historical grafting-knife rather than the weeder!"

I just said that I have done so.

"But as touching those dried-up, withered men, in whose eyes nothing is great but their own image, and whose stomach at the sight of a fairer movement of the exalted heart is taken with a reverse movement,–in short, whom everything nauseates (except what is nauseous),–make believe as if you did not perceive them; and so much more as they resemble patients who are gnawed by the tape-worm, and who, according to medical observations, sicken and vomit at all music, especially organs, think rather of the good souls whom thou knowest and lovest, and of the good ones whom thou only lovest,—and therefore at the end of the Preface be earnest and grateful and rejoice!"—

Verily that I should have done, even without the sketch!–How could I remain insensible to the indulgence with which, on the whole, the world has appropriated the Aphrodito-graphic^[5] fragments of my Evening Star, which runs around the sun with such remarkable aberrations, or deflections, and in so little of a planetary ellipse, that it may easily, as often happens to the Hesperus in the sky, be taken for a hairy, bearded, and tailed comet?–And how hard and cold must the soul be which could remain without emotion and without joy at the thought of the shortest happy day, nay, even happy second, or third, into which it had been able to introduce suffering men; and at the wide-spread relationship of lofty wishes and holy hopes, and friendly feelings, and at the gracious concordat wherein the brawlers and wranglers in this first world of the prosaic life give each other their hands in the second world of poetry, in mutual recognitions, and become brothers?–

Once more, good Asterisk and secondary planet of the soft evening-star above me, I follow thee on thy way with the wishes of three years ago for every soul which thou canst gladden. Only never rise upon any eye as a rainy star,–only never lead one astray, so that it shall take the moonlight of poesy for the morning of truth, and dismiss too early its morning dreams!–But into the torture-chambers and through the prison-gratings of forsaken souls throw a cheering radiance; and for him whose blessed island has sunk away from him to the bottom of the sea of eternity, transfigure thou the low, dark region; and whoever looks round and looks up in vain in a dismantled Paradise, to him may a little ray from thee show, down on the ground, under the yellow leaves, some hidden sweet fruit or other of a former time; and if there is any eye to which thou canst show nothing, draw it softly upward to thy brother, and to the heaven in which he shines.–Nay, and if I ever grow too old, then comfort me also!

Hof, May 16, 1797.

PREFACE, SEVEN REQUESTS, AND CONCLUSION.

PREFACE.

I Was going to be indignant, in the beginning, at some hosts of readers with whom I know not what to do in this book, and I was about to station myself at the gate of Hesperus as porter, and with the greatest incivility send off particularly people who are good for nothing, for whom, as for a prosector, the heart is nothing but the thickest muscle, and who carry a brain and heart and interior parts generally as moulds of plaster statues do their stuffing of wood, hay, and clay, merely in order to turn out hollow from the casting. I was on the point, even, of scolding at honest business-people who, like Antoninus the Great, thank the gods that they never did much at poetry; and at those to whom the chapel-leader, Apollo, must discourse on a rebeck, or straw fiddle, and his nine soprano girls with the ale-house fiddle and corn-stalk bass-viol. Nay, even at the reading sisterhood of the Romances of Chivalry, who read as they marry, and who among books, as among gentlemen's faces, pick out, not the fair, feminine ones, but the wild, masculine ones.—

But an author should not be a child, and embitter for himself his Preface, when it is not every day that he has to make one. Why did I not rather in the first line address those readers, and take them by the hand, to whom I joyfully give my Hesperus, and whom I would present with a free copy of it if I knew where they lived?–Come, dear, weary soul, thou that hast anything to forget, either a sad day or a clouded year, or a human being that afflicts thee, or one that loves thee, or a dismantled youth, or a whole life of heaviness; and thou, crushed spirit, for whom the present is a wound and the past a scar, come into my Evening-Star and refresh thyself with its little glimmer; but, if the poetic illusion gives thee sweet, fugitive pains, be this thy conclusion from it: perhaps that, too, is an illusion which causes me the longer and deeper ones.–And as to thee, loftier man, who findest our life, which is passed only in a glass, darkly, less than thyself and death, and whose heart a veiled great spirit grinds brighter and purer in the dead dust of other mouldered human hearts, as one polishes the diamond with the dust of a diamond, I may call thee, too, down into my evening and night star to such eminence as I am able to throw up, that, when thou seest gliding around it at the foot, as around Vesuvius, morganic fays and