The Project Gutenberg eBook, Rachel Gray, by Julia Kavanagh

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Title: Rachel Gray

Author: Julia Kavanagh

Release Date: May 18, 2011 [eBook #36160]

Language: English

Character set encoding: ISO-646-US (US-ASCII)

***START OF THE PROJECT GUTENBERG EBOOK RACHEL GRAY***

Julia Kavanagh (1824-1877), Rachel Gray (1855), 1856 Tauchnitz edition

Produced by Daniel FROMONT

COLLECTION OF BRITISH AUTHORS.

VOL. CCCXLIV.

RACHEL GRAY BY JULIA KAVANAGH.

IN ONE VOLUME.

RACHEL GRAY.

A TALE

FOUNDED ON FACT.

BY JULIA KAVANAGH,

AUTHOR or "NATHALIE," "DAISY BURNS," "GRACE LEE."

COPYRIGHT EDITION.

LEIPZIG

BERNHARD TAUCHNITZ

1856

PREFACE.

This tale, as the title-page implies, is founded on fact. Its truth is its chief merit, and the Author claims no other share in it, than that of telling it to the best of her power.

I do not mean to aver that every word is a positive and literal truth, that every incident occurred exactly as I have related it, and in no other fashion, but this I mean to say: that I have invented nothing in the character of Rachel Gray, and that the sorrows of Richard Jones are not imaginary sorrows.

My purpose in giving this story to the world is twofold. I have found that my first, and in many respects, most imperfect work "Madeleine," is nevertheless that which has won the greatest share of interest and sympathy; a result which I may, I think, safely attribute to its truth, and which has induced me to believe that on similar grounds, a similar distinction might be awarded to a heroine very different indeed from "Madeleine," but whose silent virtues have perhaps as strong a claim to admiration and respect.

I had also another purpose, and though I mention it last, it was that which mainly contributed to make me intrude on public attention; I wished to show the intellectual, the educated, the fortunate, that minds which they are apt to slight as narrow, that lives which they pity as moving in the straight and gloomy paths of mediocrity, are often blessed and graced beyond the usual lot, with those lovely aspirations towards better deeds and immortal things, without which life is indeed a thing of little worth; cold and dull as a sunless day.

JULIA KAVANAGH.

LONDON: DECEMBER 1855.

RACHEL GRAY.

CHAPTER I.

In one of the many little suburbs which cling to the outskirts of London, there is a silent and grass-grown street, of aspect both quiet and quaint. The houses are crazy, old, and brown, of every height and every size; many are untenanted. Some years ago one was internally destroyed by fire. It was not thought worth rebuilding. There it still stands, gaunt and grim, looking for all the world, with its broken or dust-stained windows, like a town deserted after a sacking.

This street is surrounded by populous courts and alleys, by stirring thoroughfares, by roads full of activity and commerce; yet somehow or other, all the noise of life, all its tumult and agitation, here seem to die away to silence and repose. Few people, even amongst the poor, and the neighbourhood is a poor one, care to reside in it, while they can be lodged as cheaply close by, and more to their taste. Some think that the old square at the end, with its ancient, nodding trees, is close and gloomy; others have heard strange noises in the house that has suffered from fire, and are sure it is haunted; and some again do not like the silent, deserted look of the place, and cannot get over the fancy that, if no one will live in it, it must be because it is unlucky. And thus it daily decays more and more, and daily seems to grow more silent.

The appearance of the few houses that are inhabited, says little in favour of this unfortunate street. In one, a tailor has taken up his abode. He is a pale, serious main, who stitches at his board in the window the whole day long, cheered by the occasional song of a thrush, hopping in its osier cage. This tailor, Samuel Hopkins yclept, lives by repairing damaged vestments. He once made a coat, and boasts—with how much truth is known to his own heart—that he likewise cut out, fashioned, and fitted, a pair of blue nether garments. Further on, at the corner of the square, stands the house of Mrs. Adams, an aged widow, who keeps a small school, which, on her brass board, she emphatically denominates her "Establishment for Young Ladies." This house has an unmistakeable air of literary dirt and neglect; the area and kitchen windows are encumbered with the accumulated mud and dust of years; from the attic casement, a little red-haired servant-girl is ever gaping; and on hot summer afternoons, when the parlour windows are left open, there is a glimpse within of a dingy school-mistress, and still more dingy school-room, with a few pupils who sit straggling on half-a-dozen benches, conning their lessons with a murmuring hum.

With one exception, there is no other sign of commerce, trade, or profession in the whole street. For all an outward glance can reveal to the contrary, the people who live there are so very rich that they do not need to work at all, or so very genteel in their decay, that if they do work, they must do it in a hidden, skulking, invisible sort of fashion, or else be irretrievably disgraced.

The solitary exception to which we have alluded, exists, or rather existed, for though we speak in the present, we write in the past by some years, in one of the smallest houses in the street. A little six-roomed house it was, exactly facing the dreary haunted mansion, and exposed to all the noises aforesaid. It was, also, to say the truth, an abode of poor and mean aspect. In the window hung a dress-maker's board, on which was modestly inscribed, with a list of prices, the name of—

"RACHEL GRAY."

It was accompanied with patterns of yellow paper sleeves, trimmed in every colour, an old book of fashions, and beautiful and bright, as if reared in wood or meadow, a pot of yellow crocuses in bloom. They were closing now, for evening was drawing in, and they knew the hour.

They had opened to light in the dingy parlour within, and which we will now enter. It was but a little room, and the soft gloom of a spring twilight half-filled it. The furniture though poor and old-fashioned, was scrupulously clean; and it shone again in the flickering fire-light. A few discoloured prints in black frames hung against the walls; two or three broken china ornaments adorned the wooden mantel-shelf, which was, moreover, decorated with a little