align="right" valign="top">68.
For demonstrating retiring and advancing colors |
137 |
69. |
By combining these stereoscopically the effect of metallic lustre (similar to graphite in this case) is obtained |
141 |
70. |
A bas-relief lighted from above |
146 |
71. |
An intaglio lighted from above |
147 |
72. |
A bas-relief lighted from the left |
148 |
73. |
An intaglio lighted from the left |
149 |
74a. |
A disk (above) and a sphere (below) lighted from overhead |
145 |
b. |
A disk and a sphere lighted by perfectly diffused light |
145 |
75. |
A concave hemispherical cup on the left and a convex hemisphere on the right lighted by a light-source of large angle such as a window |
150 |
76. |
The same as Fig. 75, but lighted by a very small light-source |
151 |
77. |
Apparent ending of a searchlight beam |
161 |
78. |
An accurate tracing from a photograph (continual exposure) of the moon rising |
171 |
79. |
Accurate tracings from a photograph (short exposures at intervals) of the sun setting |
172 |
80. |
Explanation offered by Smith of the apparent enlargement of heavenly bodies near the horizon |
174 |
81. |
Explanation of a common mirage |
176 |
82. |
Illustrating the apparent distortion of a picture frame in which the grain of the wood is visible |
190 |
83. |
Another example similar to Fig. 82 |
191 |
84. |
From actual photographs of the end-grain of a board |
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