to my natural impulses now, I should hide my face in Miss Champion's lap, and kick and scream until you took it off. I will paint you in the black velvet gown you wore last night, with the Medici collar; and the jolly arrangement of lace and diamonds on your head. And in your hand you shall hold an antique crystal mirror, mounted in silver."

The artist half closed his eyes, and as he described his picture in a voice full of music and mystery, an attentive hush fell upon the gay group around him. When Garth Dalmain described his pictures, people saw them. When they walked into the Academy or the New Gallery the following year, they would say: "Ah, there it is! just as we saw it that day, before a stroke of it was on the canvas."

"In your left hand, you shall hold the mirror, but you shall not be looking into it; because you never look into mirrors, dear Duchess, excepting to see whether the scolding you are giving your maid, as she stands behind you, is making her cry; and whether that is why she is being so clumsy in her manipulation of pins and things. If it is, you promptly promise her a day off, to go and see her old mother; and pay her journey there and back. If it isn't, you scold her some more. Were I the maid, I should always cry, large tears warranted to show in the glass; only I should not sniff, because sniffing is so intensely aggravating; and I should be most frightfully careful that my tears did not run down your neck."

"Dal, you ridiculous CHILD!" said the duchess. "Leave off talking about my maids, and my neck, and your crocodile tears, and finish describing the portrait. What do I do, with the mirror?"

"You do not look into it," continued Garth Dalmain, meditatively; "because we KNOW that is a thing you never do. Even when you put on that hat, and tie those ribbons—Miss Champion, I wish you would hold my hand—in a bow under your chin, you don't consult the mirror. But you shall sit with it in your left hand, your elbow resting on an Eastern table of black ebony inlaid with mother-of-pearl. You will turn it from you, so that it reflects something exactly in front of you in the imaginary foreground. You will be looking at this unseen object with an expression of sublime affection. And in the mirror I will paint a vivid, brilliant, complete reflection, minute, but perfect in every detail, of your scarlet macaw on his perch. We will call it 'Reflections,' because one must always give a silly up-to-date title to pictures, and just now one nondescript word is the fashion, unless you feel it needful to attract to yourself the eye of the public, in the catalogue, by calling your picture twenty lines of Tennyson. But when the portrait goes down to posterity as a famous picture, it will figure in the catalogue of the National Gallery as 'The Duchess, the Mirror, and the Macaw.'"

"Bravo!" said the duchess, delighted. "You shall paint it, Dal, in time for next year's Academy, and we will all go and see it."

And he did. And they all went. And when they saw it they said: "Ah, of course! There it is; just as we saw it under the cedar at Overdene."

"Here comes Simmons with something on a salver," exclaimed the duchess. "How that man waddles! Why can't somebody teach him to step out? Jane! You march across this lawn like a grenadier. Can't you explain to Simmons how it's done? ... Well? What is it? Ha! A telegram. Now what horrible thing can have happened? Who would like to guess? I hope it is not merely some idiot who has missed a train."

Amid a breathless and highly satisfactory silence, the duchess tore open the orange envelope.

Apparently the shock was of a thorough, though not enjoyable, kind; for the duchess, at all times highly coloured, became purple as she read, and absolutely inarticulate with indignation. Jane rose quietly, looked over her aunt's shoulder, read the long message, and returned to her seat.

"Creature!" exclaimed the duchess, at last. "Oh, creature! This comes of asking them as friends. And I had a lovely string of pearls for her, worth far more than she would have been offered, professionally, for one song. And to fail at the last minute! Oh, CREATURE!"

"Dear aunt," said Jane, "if poor Madame Velma has a sudden attack of laryngitis, she could not possibly sing a note, even had the Queen commanded her. Her telegram is full of regrets."

"Don't argue, Jane!" exclaimed the duchess, crossly. "And don't drag in the Queen, who has nothing to do with my concert or Velma's throat. I do abominate irrelevance, and you know it! WHY must she have her what—do—you—call—it, just when she was coming to sing here? In my young days people never had these new-fangled complaints. I have no patience with all this appendicitis and what not—cutting people open at every possible excuse. In my young days we called it a good old-fashioned stomach-ache, and gave them Turkey rhubarb!"

Myra Ingleby hid her face behind her garden hat; and Garth Dalmain whispered to Jane: "I do abominate irrelevance, and you know it!" But Jane shook her head at him, and refused to smile.

"Tommy wants a gooseberry!" shouted the macaw, having apparently noticed the mention of rhubarb.

"Oh, give it him, somebody!" said the worried duchess.

"Dear aunt," said Jane, "there are no gooseberries."

"Don't argue, girl!" cried the duchess, furiously; and Garth, delighted, shook his head at Jane. "When he says 'gooseberry,' he means anything GREEN, as you very well know!"

Half a dozen people hastened to Tommy with lettuce, water-cress, and cucumber sandwiches; and Garth picked one blade of grass, and handed it to Jane; with an air of anxious solicitude; but Jane ignored it.

"No answer, Simmons," said the duchess. "Why don't you go? ... Oh, how that man waddles! Teach him to walk, somebody! Now the question is, What is to be done? Here is half the county coming to hear Velma, by my invitation; and Velma in London pretending to have appendicitis—no, I mean the other thing. Oh, 'drat the woman!' as that clever bird would say."

"Hold your jaw!" shouted Tommy. The duchess smiled, and consented to sit down.

"But, dear Duchess," suggested Garth in his most soothing voice, "the county does not know Madame Velma was to be here. It was a profound secret. You were to trot her out at the end. Lady Ingleby called her your 'surprise packet.'"

Myra came out from behind her garden hat, and the duchess nodded at her approvingly.

"Quite true," she said. "That was the lovely part of it. Oh, creature!"

"But, dear Duchess," pursued Garth persuasively, "if the county did not know, the county will not be disappointed. They are coming to listen to one another, and to hear themselves, and to enjoy your claret-cup and ices. All this they will do, and go away delighted, saying how cleverly the dear duchess, discovers and exploits local talent."

"Ah, ha!" said the duchess, with a gleam in the hawk eye, and a raising of the hooked nose-which Mrs. Parker Bangs of Chicago, who had met the duchess once or twice, described as "genuine Plantagenet"—"but they will go away wise in their own conceits, and satisfied with their own mediocre performances. My idea is to let them do it, and then show them how it should be done."

"But Aunt 'Gina," said Jane, gently; "surely you forget that most of these people have been to town and heard plenty of good music, Madame Velma herself most likely, and all the great singers. They know they cannot sing like a prima donna; but they do their anxious best, because you ask them. I cannot see that they require an object lesson."

"Jane," said the duchess, "for the third time this afternoon I must request you not to argue."

"Miss Champion," said Garth Dalmain, "if I were your grandmamma, I should send you to bed."

"What is to be done?" reiterated the duchess. "She was to sing THE ROSARY. I had set my heart on it. The whole decoration of the room is planned to suit that song—festoons of white roses; and a great red-cross at the back of the platform, made