requests is preepost'rous!'

"'Don't wax flippant about this yere robbery, says Steve. 'It's enough to be plundered without bein' insulted by gayeties. Now, what I says is this: Either I gets my stuff, or I severs our relations with a gun.' An' tharupon Steve pulls his pistol an' takes hold of the trey-full boy's bridle. "'If thar's one thing makes me more weary than another,' says the trey-full boy, 'it's a gun play; an' to avoid sech exhibitions I freely returns your plunder. But you an' me don't play kyards no more.'

"Whereupon, the trey-full boy gets off his hoss, an' Steve, allowin' the debate is closed, puts up his gun. Steve is preematoor. The next second, 'bang!' goes the trey-full boy's six-shooter, the bullet gets Steve in the neck, with them heavenly results I yeretofore onfolds, an' at first drink time that evenin' we has a hasty but successful fooneral.

"'I don't reckon,' says Wat Peacock, who is range boss, 'thar's need of havin' any law-suits about this yere killin'. I knows Steve for long an' likes him. But I'm yere to announce that them idees he fosters concerinin' the valyoo of poker hands, onreasonable an' plumb extrav'gant as they shorely is, absolootely preeclooded Steve's reachin' to old age. An' Steve has warnin's. Once when he tries to get his life insured down in Austin, he's refoosed.

"'"In a five-hand game, table stakes, what is a pair of aces worth before the draw?" is one of them questions that company asks.

"'"Table stakes?" says Steve. "Every chip you've got."

"'"That settles it, says the company; "we don't want no sech resk. Thar never is sech recklessness! You won't live a year; you're lucky to be alive right now." An' they declines to insure Steve.'

"However," continued my friend musingly, "I've been puttin' it up to myself, that mighty likely I does wrong to tell you these yere tales. Which you're ignorant of cow folks, an' for me to go onloadin' of sech revelations mebby gives you impressions that's a lot erroneous. Now I reckons from that one eepisode you half figgers cow people is morose an' ferocious as a bunch?"

As the old gentleman gave his tones the inflection of inquiry, I hastened to interpose divers flattering denials. His recitals had inspired an admiration for cow men rather than the reverse.

This setting forth of my approval pleased him. He gave me his word that I in no sort assumed too much in the matter. Cow men, he asserted, were a light-hearted brood; over-cheerful, perhaps, at times, and seeking amusement in ways beyond the understanding of the East; but safe, upright, and of splendid generosity. Eager to correct within me any mal-effects of the tragedy just told, he recalled the story of a Tucson day of merry relaxation with Dave Tutt. He opined that it furnished a picture of the people of cows in lighter, brighter colors, and so gave me details with a sketchy gladness.

"Which you're acc'rate in them thoughts," he said, referring to my word that I held cow folk to be engaging characters. After elevating his spirit with a clove, He went forward. "Thar ain't much paw an' bellow to a cowboy. Speakin' gen'ral, an' not allowin' for them inflooences which disturbs none—I adverts to mescal an' monte, an' sech abnormalities—he's passive an' easy; no more harm into him than a jack rabbit.

"Of course he has his moods to be merry, an' mebby thar's hours when he's gay to the p'int of over-play. But his heart's as straight as a rifle bar'l every time.

"It's a day I puts in with Dave Tutt which makes what these yere law-sharps calls 'a case in p'int,' an' which I relates without reserve. It gives you some notion of how a cowboy, havin' a leesure hour, onbuckles an' is happy nacheral.

"This yere is prior to Dave weddin' Tucson Jennie. I'm pirootin' 'round Tucson with Dave at the time, Dave's workin' a small bunch of cattle, 'way over near the Cow Springs, an' is in Tucson for a rest. We've been sloshin' 'round the Oriental all day, findin' new virchoos in the whiskey, an' amoosin' ourse'fs at our own expense, when about fifth drink time in the evenin' Dave allows he's some sick of sech revels, an' concloods he'll p'int out among the 'dobys, sort o' explorin' things up a lot. Which we tharupon goes in concert.

"I ain't frothin' at the mouth none to go myse'f, not seein' reelaxation in pokin' about permiscus among a passel of Mexicans, an' me loathin' of 'em from birth; but I goes, aimin' to ride herd on Dave. Which his disp'sition is some free an' various; an' bein' among Mexicans, that a-way, he's liable to mix himse'f into trouble. Not that Dave is bad, none whatever; but bein' seven or eight drinks winner, an' of that Oriental whiskey, too, it broadens him an' makes him feel friendly, an' deloodes him into claimin' acquaintance with people he never does know, an' refoosin' to onderstand how they shows symptoms of doubt. So we capers along; Dave warblin' 'The Death of Sam Bass' in the coyote key.

"The senoras an' senoritas, hearin' the row, would look out an' smile, an' Dave would wave his big hat an' whoop from glee. If he starts toward 'em, aimin' for a powwow—which he does frequent, bein' a mighty amiable gent that a-way—they carols forth a squawk immediate an' shets the door. Dave goes on. Mebby he gives the door a kick or two, a-proclaimin' of his discontent.

"All at once, while we're prowlin' up one of them spacious alleys a Mexican thinks is a street, we comes up on a Eytalian with a music outfit which he's grindin'. This yere music ain't so bad, an' I hears a heap worse strains. As soon as Dave sees him he tries to figger on a dance, but the 'local talent' declines to dance with him.

"'In which event,' says Dave, 'I plays a lone hand."

"So Dave puts up a small dance, like a Navajo, accompanyin' of himse'f with outcries same as a Injun. But the Eytalian don't play Dave's kind of music, an' the bailee comes to a halt.

"'Whatever is the matter with this yere tune-box, anyhow?' says Dave. 'Gimme the music for a green-corn dance, an' don't make no delay.' "'This yere gent can't play no green-corn dance,' I says.

"'He can't, can't he?' says Dave; 'wait till he ropes at it once. I knows this gent of yore. I meets him two years ago in El Paso; which me an' him shorely shakes up that village.'

"'Whatever is his name, then?' I asks.

"'Antonio Marino,' says the Eytalian.

"'Merino?' says Dave; 'that's right. I recalls it, 'cause it makes me think at the jump he's a sheep man, an' I gets plumb hostile.'

"'I never sees you,' says the Eytalian.

"'Yes you do,' says Dave; 'you jest think you didn't see me. We drinks together, an' goes out an' shoots up the camp, arm an' arm.'

"But the Eytalian insists he never meets Dave. This makes Dave ugly a lot, an' before I gets to butt in an' stop it, he outs with his six-shooter, an' puts a hole into the music-box.'

"'These yere tunes I hears so far,' says Dave, 'is too frivolous; I figgers that oughter sober 'em down a whole lot.'

"When Dave shoots, the Eytalian party heaves the strap of his hewgag over his head, an' flies. Dave grabs the music-box, keepin' it from fallin', an' then begins turnin' the crank to try it. It plays all right, only every now an' then thar's a hole into the melody like it's lost a tooth.

"'This yere's good enough for a dog!' says Dave, a-twistin' away on the handle. 'Where's this yere Merino? Whatever is the matter with that shorthorn? Why don't he stand his hand?'

"But Merino ain't noomerous no more; so Dave allows it's a shame to let it go that a-way, an' Mexicans sufferin' for melody. With that he straps on the