قراءة كتاب Yekl: A Tale of the New York Ghetto
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fountain in charge of an unkempt boy. A stocky young man with a black entanglement of coarse curly hair was bustling about among the dancers. Now and then he would pause with his eyes bent upon some two pairs of feet, and fall to clapping time and drawling out in a preoccupied singsong: "Von, two, tree! Leeft you' feet! Don' so kvick—sloy, sloy! Von, two, tree, von, two, tree!" This was Professor Peltner himself, whose curly hair, by the way, had more to do with the success of his institution than his stumpy legs, which, according to the unanimous dictum of his male pupils, moved about "like a regely pair of bears."
The throng showed but a very scant sprinkling of plump cheeks and shapely figures in a multitude of haggard faces and flaccid forms. Nearly all were in their work-a-day clothes, very few of the men sporting a wilted white shirt front. And while the general effect of the kaleidoscope was one of boisterous hilarity, many of the individual couples somehow had the air of being engaged in hard toil rather than as if they were dancing for amusement. The faces of some of these bore a wondering martyrlike expression, as who should say, "What have we done to be knocked about in this manner?" For the rest, there were all sorts of attitudes and miens in the whirling crowd. One young fellow, for example, seemed to be threatening vengeance to the ceiling, while his partner was all but exultantly exclaiming: "Lord of the universe! What a world this be!" Another maiden looked as if she kept murmuring, "You don't say!" whereas her cavalier mutely ejaculated, "Glad to try my best, your noble birth!"—after the fashion of a Russian soldier.
The prevailing stature of the assemblage was rather below medium. This does not include the dozen or two of undergrown lasses of fourteen or thirteen who had come surreptitiously, and—to allay the suspicion of their mothers—in their white aprons. They accordingly had only these articles to check at the hat box, and hence the nickname of "apron-check ladies," by which this truant contingent was known at Joe's academy. So that as Jake now stood in the doorway with an orphaned collar button glistening out of the band of his collarless shirt front and an affected expression of ennui overshadowing his face, his strapping figure towered over the circling throng before him. He was immediately noticed and became the target for hellos, smiles, winks, and all manner of pleasantry: "Vot you stand like dot? You vont to loin dantz?" or "You a detectiff?" or "You vont a job?" or, again, "Is it hot anawff for you?" To all of which Jake returned an invariable "Yep!" each time resuming his bored mien.
As he thus gazed at the dancers, a feeling of envy came over him. "Look at them!" he said to himself begrudgingly. "How merry they are! Such shnoozes, they can hardly set a foot well, and yet they are free, while I am a married man. But wait till you get married, too," he prospectively avenged himself on Joe's pupils; "we shall see how you will then dance and jump!"
Presently a wave of Joe's hand brought the music and the trampling to a pause. The girls at once took their seats on the "ladies' bench," while the bulk of the men retired to the side reserved for "gents only." Several apparent post-graduates nonchalantly overstepped the boundary line, and, nothing daunted by the professor's repeated "Zents to de right an' ladess to the left!" unrestrainedly kept their girls chuckling. At all events, Joe soon desisted, his attention being diverted by the soda department of his business. "Sawda!" he sang out. "Ull kin's! Sam, you ought ashamed you'selv; vy don'tz you treat you' lada?"
In the meantime Jake was the centre of a growing bevy of both sexes. He refused to unbend and to enter into their facetious mood, and his morose air became the topic of their persiflage.
By-and-bye Joe came scuttling up to his side. "Goot-evenig, Dzake!" he greeted him; "I didn't seen you at ull! Say, Dzake, I'll take care dis site an' you take care dot site—ull right?"
"Alla right!" Jake responded gruffly. "Gentsh, getch you partnesh, hawrry up!" he commanded in another instant.
The sentence was echoed by the dancing master, who then blew on his whistle a prolonged shrill warble, and once again the floor was set straining under some two hundred pounding, gliding, or scraping feet.
"Don' bee 'fraid. Gu right aheat an' getch you partner!" Jake went on yelling right and left. "Don' be 'shamed, Mish Cohen. Dansh mit dot gentlemarn!" he said, as he unceremoniously encircled Miss Cohen's waist with "dot gentlemarn's" arm. "Cholly! vot's de madder mitch you? You do hop like a Cossack, as true as I am a Jew," he added, indulging in a momentary lapse into Yiddish. English was the official language of the academy, where it was broken and mispronounced in as many different ways as there were Yiddish dialects represented in that institution. "Dot'sh de vay, look!" With which Jake seized from Charley a lanky fourteen-year-old Miss Jacobs, and proceeded to set an example of correct waltzing, much to the unconcealed delight of the girl, who let her head rest on his breast with an air of reverential gratitude and bliss, and to the embarrassment of her cavalier, who looked at the evolutions of Jake's feet without seeing.
Presently Jake was beckoned away to a corner by Joe, whereupon Miss Jacobs, looking daggers at the little professor, sulked off to a distant seat.
"Dzake, do me a faver; hask Mamie to gib dot feller a couple a dantzes," Joe said imploringly, pointing to an ungainly young man who was timidly viewing the pandemonium-like spectacle from the further end of the "gent's bench." "I hasked 'er myself, but se don' vonted. He's a beesness man, you 'destan', an' he kan a lot o' fellers an' I vonted make him satetzfiet."
"Dot monkey?" said Jake. "Vot you talkin' aboyt! She vouldn't lishn to me neider, honesht."
"Say dot you don' vonted and dot's ull."
"Alla right; I'm goin' to ashk her, but I know it vouldn't be of naw used."
"Never min', you hask 'er foist. You knaw se vouldn't refuse you!" Joe urged, with a knowing grin.
"Hoy much vill you bet she will refushe shaw?" Jake rejoined with insincere vehemence, as he whipped out a handful of change.
"Vot kin' foon a man you are! Ulleways like to bet!" said Joe, deprecatingly. 'F cuss it depend mit vot kin' a mout' you vill hask, you 'destan'?"
"By gum, Jaw! Vot you take me for? Ven I shay I ashk, I ashk. You knaw I don' like no monkey beeshnesh. Ven I promish anytink I do it shquare, dot'sh a kin' a man I am!" And once more protesting his firm conviction that Mamie would disregard his request, he started to prove that she would not.
He had to traverse nearly the entire length of the hall, and, notwithstanding that he was compelled to steer clear of the dancers, he contrived to effect the passage at the swellest of his gaits, which means that he jauntily bobbed and lurched, after the manner of a blacksmith tugging at the bellows, and held up his enormous bullet head as if he were bidding defiance to the whole world. Finally he paused in front of a girl with a superabundance of pitch-black side bangs and with a pert, ill natured, pretty face of the most strikingly Semitic cast in the whole gathering. She looked twenty-three or more, was inclined to plumpness, and her shrewd deep dark eyes gleamed out of a warm gipsy complexion. Jake found her seated in a fatigued attitude on a chair near the piano.
"Good-evenig, Mamie!" he said, bowing with mock gallantry.
"Rats!"
"Shay, Mamie, give dot feller a tvisht, vill you?"
"Dot slob again? Joe must tink if you ask me I'll get scared, ain't it? Go and tell him he is too fresh," she said with a contemptuous grimace. Like the majority of the girls of the academy, Mamie's English was a much nearer approach to a justification of its name than the gibberish spoken by the men.
Jake felt routed; but he put a bold face on it and broke out with studied resentment: