countess leans silently back in her corner--the cold, indifferent expression returns to the lips which just parted in so lovely a smile. "But what did you see? At least tell me, since I am not fortunate enough to be granted such visions," her companion adds with kindly irony. "Or was it too sublime to be communicated to such a base worldling as I?"

"Yes," she says curtly, covering her eyes with her hand, as if to shut out the fading sunset glow in order to recall the vision more distinctly. Then she remains silent.

Night gradually closes in, the panting train of horses has reached the village. Now the animals are urged into a trot and the drivers turn the solemn occasion into a noisy tumult. The vehicles jolt terribly in the ruts, the cracking of whips, the rattle of wheels, the screams of frightened children and poultry, the barking of dogs, blend in a confused din, and that nothing may be wanting to complete it, a howling gust of wind sweeps through the village, driving the drifting clouds into threatening masses.

"This is all we lacked--rain too!" grumbled the gentleman. "Shall I have the carriage closed?"

"No," replied the Countess, opening her umbrella. "Who would have thought it; the sun was shining ten minutes ago!"

"Yes, the weather changes rapidly in the mountains. I saw the shower rising. While you were admiring some worthy wood-cutter up yonder as a heavenly apparition, I was watching the approaching tempest." He draws the travelling rug, which has slipped down, closer around the lady and himself. "Come what may, I am resigned; when we are in Rome, we must follow the Roman customs. Who would not go through fire and water for you, Countess?" He tries to take her hand, but cannot find it among the shawls and wraps. He bites his lips angrily; he had expected that the hand he sought would gratefully meet his in return for so graceful an expression of loyalty! Large drops of rain beat into his face.

"Not even a clasp of the hand in return for the infernal journey to this peasant hole," he mutters.

The carriages thunder past the church, the flowers and crosses on the graves in the quiet church-yard tremble with the shaking of the ground. The lamps in the parsonage are already lighted, the priest comes to the window and gazes quietly at the familiar spectacle. "Poor travellers! Out in such a storm!"

One carriage after another turns down a street or stops before a house. The Countess and her companion alone have not yet reached their destination. Meantime it has grown perfectly dark. The driver is obliged to stop to shut up the carriage and light the lantern, for the rain and darkness have become so dense and the travellers are drenched. An icy wind, which always accompanies a thunderstorm in the mountain, blows into their faces till they can scarcely keep their eyes open. The servant, unable to see in the gloom, is clumsy in closing the carriage, the hand-bags fall down upon the occupants; the driver can scarcely hold the horses, which are frightened by the crowds in pursuit of lodgings. He is not familiar with the place and, struggling to restrain the plunging four-in-hand, enquires the way in broken sentences from the box, and only half catches the answers, which are indistinct in the tumult. Meantime the other servants have arrived. The Countess orders the courier to drive on with the second carriage and take possession of the rooms which have been engaged. The man, supposing it is an easy matter to find the way in so small a place, moves forward. The Countess can scarcely control her ill humor.

"An abominable journey--the horses overheated by the ascent of the mountain and now this storm. And the lamps won't burn, the wind constantly blows them out. You were right, Prince, we ought to have taken a hired--" She does not finish the sentence, for the ray from one of the carriage lamps, which has just been lighted with much difficulty, falls upon a swiftly passing figure, which looks almost supernaturally tall in the uncertain glimmer. Long, black locks, dripping with moisture, are blown by the wind from under his broad-brimmed hat. He has evidently been surprised by the storm without an umbrella and is hurrying home--not timidly and hastily, like a person to whom a few drops of rain, more or less, is of serious importance, but rather like one who does not wish to be accosted. The countess cannot see his face, he has already passed, but she distinguishes the outlines of the slender, commanding figure in the dark dress, noticing with a rapid glance the remarkably elastic gait, and an involuntary: "There he goes again!" escapes her lips aloud. Obeying a sudden impulse, she calls to the servant: "Quick, ask the gentleman yonder the way to the house of Andreas Gross, where we are going."

The servant follows the retreating figure a few steps and shouts, "Here, you--" The stranger pauses a moment, half turns his head, then, as if the abrupt summons could not possibly be meant for him, moves proudly on without glancing back a second time.

The servant timidly returns. A feeling of shame overwhelms the countess, as though she had committed the blunder of ordering him to address a person of high rank travelling incognito.

"The gentleman wouldn't hear me," says the lackey apologetically, much abashed. "Very well," his mistress answers, glad that the darkness conceals her blushes. A flash of lightning darts from the sky and a sudden peal of thunder frightens the horses. "Drive on," the countess commands; the lackey springs on the box, the carriage rolls forward--a few yards further and the dark figure once more appears beside the vehicle, walking calmly on amid the thunder and lightning, and merely turns his head slightly toward the prancing horses.

The equipage dashes by--the countess leans silently back on the cushions, and shows no further desire to look out.

"Tell me, Countess Madeleine," asks the gentleman whom she has just addressed as 'Prince,' "what troubles you today?"

The countess laughs. "Dear me, how solemnly you put the question! What should trouble me?"

"I cannot understand you," the prince continued. "You treat me coldly and grow enthusiastic over a vision of the imagination which already draws from you the exclamation: 'There he is again!' I cannot help thinking what an uncertain possession is the favor of a lady whose imagination kindles so easily."

"This is charming," the countess tried to jest. "My prince jealous--of a phantom?"

"That is just it. If a phantom can produce such variations in the temperature of your heart toward me, how must my hopes stand?"

"Dear Prince, you know that whether with or without a phantom, I could never yet answer this question which Your Highness frequently condescends to ask me."

"I believe, Countess, that one always stands between us! You pursue some unknown ideal which you do not find in me, the realist, who has nothing to offer you save prosaic facts--his hand, his principality, and an affection for which unhappily he lacks poetic phrases."

"You exaggerate, Prince, and are growing severe. There is a touch of truth--I am always honest--yet, as you know, you are the most favored of all my suitors. Still it is true that an unknown disputes precedence with you. This rival is but the man of my imagination--but the world contains no one like my ideal, so you have nothing to fear."

"What ideal do you demand, Countess, that no one can attain it?"

"Ah! a very simple one, yet you conventional natures will never understand it. It is the simplicity of the lost Paradise to which you can never return. I am by nature a lover of the ideal--I am enthusiastic and need enthusiasm; but you call