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قراءة كتاب Engraving for Illustration: Historical and Practical Notes

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Engraving for Illustration: Historical and Practical Notes

Engraving for Illustration: Historical and Practical Notes

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دار النشر: Project Gutenberg
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ENGRAVING FOR ILLUSTRATION

Historical and Practical Notes

BY
JOSEPH KIRKBRIDE



WITH TWO PLATES BY INK PHOTO PROCESS
AND SIX ILLUSTRATIONS



LONDON
SCOTT, GREENWOOD & CO.
10 LUDGATE HILL, E.C.

NEW YORK
D. VAN NOSTRAND CO.
23 MURRAY STREET
1903

[All Rights remain with Scott, Greenwood & Co.]








CONTENTS

PAGE

CHAPTER I

Its Inception. A Theory of Evolution—A Distinct Progress

1

CHAPTER II

Wood Engraving. Rise and Progress—Block Books—Durer's Influence—Hans Holbein—A Renaissance—Comparison and Justification—The Illustrator

5

CHAPTER III

Metal Engraving. The Invention—Early Engravers—National Characteristics—A Progressive Review

18

CHAPTER IV

Engraving in England. Introduction of Metal Engraving—Notable British Engravers—Summary

26

CHAPTER V

Etching. Early Records—Descriptive—Rembrandt's Influence—Wenceslaus Hollar

38

Mezzotint. Invention—Description—Artistic Qualities—Dilettanti Art—A Modern Mezzo Engraver

38

CHAPTER VI

The Engraver's Task. Inartistic Work—Constructive Elements—Outline—Extraneous Matter—Composition—Light and Shade—Expression—Perspective—Execution

48

CHAPTER VII

Photo "Process" Engraving. A Progressive Process—Commercial and Artistic Features—"Line" Process—"Half Tone"—Artistic Restoration—Tri-chromatography—Photogravure

57

CHAPTER VIII

Appreciative Criticism. An Educative Principle—An Analysis—Realism in Art Retrospect

66

Index

70




LIST OF ILLUSTRATIONS

FIG.

Plate I.

Frontispiece

1. Old Wood Engraving (Erenburg Castle)

Facing p. 10

2. Modern Wood Engraving (The Goose Fountain, Nuremburg)

" 14

3. Old Wood Engraving

" 28

4. Modern Wood Engraving

" 54

5. Cross Section of Cyanide Furnace

Page 59

6. Process Engraving

Facing p. 60

Plate II.

" 64





PREFACE

A philosopher and writer has declared that "in our fine arts, not imitation, but creation, is the aim."

It is to emphasise a distinction between an imitative and a creative art that the following chapters are offered.

Pages