little relation to the needs of any profession. They have been stated with too much condensation, and have become unintelligible through being too exact. Let me repair the error by successively expanding them.

The teacher’s art takes its rise in what I call an aptitude for vicariousness. As year by year my college boys prepare to go forth into life, some laggard is sure to come to me and say, “I want a little advice. Most of my classmates have their minds made up about what they are going to do. I am still uncertain. I rather incline to be a teacher, because I am fond of books and suspect that in any other profession 9 I can give them but little time. Business men do not read. Lawyers only consult books. And I am by no means sure that ministers have read all the books they quote. On the whole it seems safest to choose a profession in which books will be my daily companions. So I turn toward teaching. But before settling the matter I thought I would ask how you regard the profession.” “A noble profession,” I answer, “but quite unfit for you. I would advise you to become a lawyer, a car conductor, or something equally harmless. Do not turn to anything so perilous as teaching. You would ruin both it and yourself; for you are looking in exactly the wrong direction.”

Such an inquirer is under a common misconception. The teacher’s task is not primarily the acquisition of knowledge, but the impartation of it,—an entirely different matter. We teachers are forever taking thoughts out of our minds and putting them elsewhere. So long as we are content to keep them in our possession, we are not teachers at all. One who is interested in laying hold on wisdom is likely to become a scholar. And while no doubt it is well for a teacher to be a fair scholar,—I have known several such,—that is not the main thing. What constitutes the teacher is the passion to make scholars; and again and again it happens that the great scholar has no such passion whatever.

But even that passion is useless without aid from imagination. At every instant of the teacher’s life he must be controlled by this mighty power. Most human beings are contented with living one life and delighted if they can pass that agreeably. But this is far from enough for us teachers. We incessantly go outside ourselves and enter into the many lives about us,—lives dull, dark, and unintelligible to any but an eye like ours. And this is imagination, the sympathetic creation in ourselves of conditions which belong to others. Our profession is therefore a double-ended one. We inspect truth as it rises fresh and interesting before our eager sight. But that is only the beginning of our task. Swiftly we then seize the lines of least intellectual resistance in alien minds and, with perpetual reference to these, follow our truth till it is safely lodged beyond ourselves. Each mind has its peculiar set of frictions. Those of our pupils can never be the same as ours. We have passed far on and know all about our subject. For us it wears an altogether different look from that which it has for beginners. It is their perplexities which we must reproduce and—as if a rose should shut and be a bud again—we must reassume in our developed and accustomed souls something of the innocence of childhood. Such is the exquisite business of the teacher, to carry himself back with all his wealth of knowledge and understand how his subject 11 should appear to the meagre mind of one glancing at it for the first time.

And what absurd blunders we make in the process! Becoming immersed in our own side of the affair, we blind ourselves and readily attribute to our pupils modes of thought which are not in the least theirs. I remember a lesson I had on this point, I who had been teaching ethics half a lifetime. My nephew, five years old, was fond of stories from the Odyssey. He would creep into bed with me in the morning and beg for them. One Sunday, after I had given him a pretty stiff bit of adventure, it occurred to me that it was an appropriate day for a moral. “Ulysses was a very brave man,” I remarked. “Yes,” he said, “and I am very brave.” I saw my opportunity and seized it. “That is true,” said I. “You have been gaining courage lately. You used to cry easily, but you don’t do that nowadays. When you want to cry now, you think how like a baby it would be to cry, or how you would disturb mother and upset the house; and so you conclude not to cry.” The little fellow seemed hopelessly puzzled. He lay silent a minute or two and then said, “Well no, Uncle, I don’t do that. I just go sh-sh-sh, and I don’t.” There the moral crisis is stated in its simplicity; and I had been putting off on that holy little nature sophistications borrowed from my own battered life.

But while I am explaining the blunders caused by 12 self-engrossment and lack of imagination, let me show what slight adjustments will sometimes carry us past depressing difficulties. One year when I was lecturing on some intricate problems of obligation, I began to doubt whether my class was following me, and I determined that I would make them talk. So the next day I constructed an ingenious ethical case and, after stating it to the class, I said, “Supposing now the state of affairs were thus and thus, and the interests of the persons involved were such and such, how would you decide the question of right,—Mr. Jones.” Poor Jones rose in confusion. “You mean,” he said, “if the case were as you have stated it? Well, hm, hm, hm,—yes,—I don’t think I know, sir.” And he sat down. I called on one and another with the same result. A panic was upon them, and all their minds were alike empty. I went home disgusted, wondering whether they had comprehended anything I had said during the previous fortnight, and hoping I might never have such a stupid lot of students again. Suddenly it flashed upon me that it was I who was stupid. That is usually the case when a class fails; it is the teacher’s fault. The next day I went back prepared to begin at the right end. I began, “Oh, Mr. Jones.” He rose, and I proceeded to state the situation as before. By the time I paused he had collected his wits, had worked off his superfluous flurry, and was ready to give me an admirable 13 answer. Indeed in a few minutes the whole class was engaged in an eager discussion. My previous error had been in not remembering that they, I, and everybody, when suddenly attacked with a big question, are not in the best condition for answering. Occupied as I was with my end of the story, the questioning end, I had not worked in that double-ended fashion which alone can bring the teacher success; in short, I was deficient in vicariousness,—in swiftly putting myself in the weak one’s place and bearing his burden.

Now it is in this chief business of the artistic teacher, to labor imaginatively himself in order to diminish the labors of his slender pupil, that most of our failures occur. Instead of lamenting the imperviousness of our pupils, we had better ask ourselves more frequently whether we have neatly adjusted our teachings to the conditions of their minds. We have no right to tumble out in a mass whatever comes into our heads, leaving to that feeble folk the work of finding in it what order they may. Ours it should be to see that every beginning, middle, and end of what we say is helpfully shaped for readiest access to those less intelligent and interested than we. But this is vicariousness. Noblesse oblige. In this profession any one who will be great must be a nimble servant, his head full of others’ needs.

Some discouraged teacher, glad to discover that 14 his past failures have been due to the absence of sympathetic imagination, may