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قراءة كتاب Concerning Lafcadio Hearn; With a Bibliography by Laura Stedman
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Concerning Lafcadio Hearn; With a Bibliography by Laura Stedman
CONCERNING LAFCADIO HEARN
Frontispiece.
Concerning Lafcadio
Hearn. by george m. gould, m.d.
WITH A BIBLIOGRAPHY
By LAURA STEDMAN
WITH FIVE ILLUSTRATIONS
T. FISHER UNWIN
LONDON: ADELPHI TERRACE
LEIPSIC: INSELSTRASSE 20
1908
[All rights reserved]
CONTENTS
chap. page
I. HEREDITY AND THE EARLY LIFE 1
II. IN PERSON 7
III. THE PERIOD OF THE GRUESOME 13
IV. THE NEW ORLEANS TIME 33
V. AT MARTINIQUE 57
VI. "GETTING A SOUL" 65
VII. "IN GHOSTLY JAPAN" 81
VIII. AS A POET 93
IX. THE POET OF MYOPIA 103
X. HEARN'S STYLE 119
XI. SUMMARY AND CONCLUSION 137
XII. APPRECIATIONS AND EPITOMES 143
BIBLIOGRAPHY 247
LIST OF ILLUSTRATIONS
To face page
LAFCADIO HEARN, FROM A PHOTOGRAPH BY GUTEKUNST
IN 1889 Frontispiece
HEARN AT ABOUT THE AGE OF EIGHT, FROM A PHOTOGRAPH 5
REDUCED FIRST PAGE OF THE FIRST ISSUE OF "YE GIGLAMPZ" 21
LAFCADIO HEARN, FROM A PHOTOGRAPH TAKEN AT MARTINIQUE, AUGUST 24, 1888 61
HANDWRITING OF HEARN IN 1889 68
PREFACE
THERE are as many possible biographies of a man as there are possible biographers—and one more! Of Lafcadio Hearn there has been, and there will be, no excuse for any biography whatever. A properly edited volume of his letters, and, perhaps, a critical estimate of the methods and development of his imaginative power and literary character are, and still remain, most desirable. That some competent hand may yet be found to undertake this task is still hoped by those who recognize the value of a man's best work. To furnish material and help toward this end is my object in collecting the following pages. The life of a literary man interests and is of value to the world because of the literature he has created. Without a bibliography, without even mention of the works he wrote, his biography would be useless. To correct many untrue and misleading statements and inferences of a serious nature that have been published concerning him and his life, should it ever be undertaken, will prove a labour so difficult and thankless that it will scarcely be entered upon by one who would do it rightly. That it will not be hazarded comes, as I have said, from the fact that it is not needed, because neither Hearn himself, nor his real friends, nor again, a discriminating literary sense, have been, nor can be, under any illusion as to his "greatness." He has been spoken of as "a great man," which, of course, he was not. Two talents he had, but these were far from constituting personal greatness. Deprived by nature, by the necessities of his life, or by conscious intention, of religion, morality, scholarship, magnanimity, loyalty, character, benevolence, and other constituents of personal greatness, it is more than folly to endeavour to place him thus wrongly before the world.
The irony of the situation is pathetically heightened by the fact that, supposing him to be very great, "the weaknesses of very great men," which he said should not be spoken of, are amazingly paraded in the letters. Had he ever dreamed that his letters would be published, he would not, and could not, have so unblushingly exposed himself and his faults to the public gaze. The fact has now been writ exceeding large, or it would not be, and should not be, corrected and contradicted. A word to the wise suffices.
There remains the question, truly pertinent, concerning the nature and progress toward perfection of his imagination, and of his literary execution.
We know nothing, and doubtless we may never know anything definite, accurate


