قراءة كتاب The Invasion of France in 1814

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The Invasion of France in 1814

The Invasion of France in 1814

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دار النشر: Project Gutenberg
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arrived. The doors of the palisades opened for flight, and we, in ambush in the stream—we massacred all!—all—except the children and the beautiful young girls. The old woman, alone, defended herself to the last with her teeth and nails; and I, Luitprandt, clove her head in two; and I took her father, the aged man and blind, to chain him at the door of my castle like a dog!'

"Then, Hullin," continued the old woman, "the madman began to chant a long song—the lamentation of the old man chained to his doorway. Wait till I can recall it, Jean-Claude. It was mournful—mournful as a Miserere. No, I cannot remember it; but I seem still to hear it. It made our blood curdle; and, as he laughed without ceasing, at last all our servants gave a terrible cry, rage seized them. Duchêne sprang on the madman to strangle him; but he, with more strength than one could suppose he possessed, threw him back, and raising his stick furiously, said to us:—'On your knees, slaves—on your knees! My armies are advancing! Do you hear? The earth trembles with them. These castles, the Nideck, the Haut-Barr, the Dagsberg, the Turkestein, you shall build them up again! On your knees!'

"I never saw a more fearful face than Yégof's at that moment; but, seeing for the second time my servants rising against him, I was obliged to defend him myself. 'It is a madman,' I said to them. 'Are you not ashamed to believe in the words of a madman?' They stopped on my account; but I could not close my eyes that night. The words of that wretched man kept recurring to me. I seemed to hear the chant of the old prisoner, the barking of our dogs, and the sounds of battle. For years I have never felt so uneasy. That is why I came to see you, Jean-Claude. What do you think of it?"

"I?" exclaimed the shoemaker, in whose ruddy face both irony and pity were visible. "If I did not know you so well, Catherine, I should say you were deranged:—you, Duchêne, Robin, and the rest of you. All that has about the same effect on me as one of Geneviève de Brabant's tales—made up to terrify little children, and which shows us how foolish our ancestors were."

"You do not comprehend these things," said she, in a calm, grave voice; "you have never had any of those ideas."

"Then you believe all that Yégof has said to you?"

"Yes, I believe it."

"What, you, Catherine?—you, a sensible woman? If it were the mother of Rochart I should say nothing; but you!"

He rose as though annoyed, took off his apron, shrugged his shoulders, then sat down again quickly, and called out:—"This madman, do you know what he is? I will tell you. He is most assuredly one of those German school-masters who stuff their brains with 'Old Mother Goose' tales, and then gravely relate them to others. By dint of studying, dreaming, ruminating, their wits get out of order; they have visions, many-sided ideas, and take their dreams for realities. I have always looked upon Yégof as one of those poor wretches. He knows lots of names, he speaks of Brittany and Australasia, of Polynesia and the Nideck, and then of Géroldseck, of the Turkestein, of the Rhine—in fact of everything at hazard; and it ends by having the appearance of something when it is nothing. In ordinary times you would think as I do, Catherine; but you are troubled at not receiving any tidings from Gaspard. These rumors of war and of invasion that are going about torment and unsettle you. You cannot sleep; and what a poor madman says, you regard as Bible truths."

"No, Hullin; it is not that. If you yourself had heard Yégof——"

"Get along!" exclaimed the good old fellow. "If I had, I should have laughed at him as I did just now. Do you know that he came to ask Louise of me in marriage, to make her queen of Australasia?"

Catherine Lefèvre could not restrain a smile; but, regaining almost at once her serious expression—"All your reasonings, Jean-Claude," said she, "cannot convince me; but, I confess it, the silence of Gasper frightens me. I know my son: he would certainly have written to me. Why have his letters never reached me? The war is going on badly, Hullin—we have all the world against us. They don't want our revolution—you know it as well as I do. So long as we were masters, and won victory after victory, they looked kindly on us; but since our Russian misfortunes, things wear a bad aspect."

"Là, Là, Catherine, how you get carried away. You see everything gloomily."

"Yes, I see everything gloomily, and I am right. What makes me so uneasy is, that we never get any news from the outer world; we live here as in a savage country: one knows of nothing that goes on. The Austrians and the Cossacks could be upon us at any time, and we should be taken by surprise."

Hullin observed the old dame, whose expression was very animated; and even he began to be influenced by the same fears.

"Listen, Catherine," said he, suddenly. "When you speak in a reasonable manner, it is not I who would say anything against it. All you now tell me is possible. I do not believe in it; but one might as well make sure. I had intended to go to Phalsbourg in a week, to buy sheepskins for trimming some shoes: I will go to-morrow. At Phalsbourg, a garrison and post town, there must be some reliable news. Will you believe those I shall bring you on my return from that place?"

"Yes."

"Good; it is then arranged. I shall leave to-morrow early. There are five leagues in all. I shall return about six o'clock. You will see, Catherine, that all your dismal ideas have no sense in them."

"I hope so," she replied, rising. "I hope so. You have somewhat reassured me, Hullin. Now I will go to the farm, and may I sleep better than I did last night. Good-night, Jean-Claude."




CHAPTER III

AT PHALSBOURG

The next day at dawn, Hullin, wearing his blue cloth Sunday breeches, his large brown velvet jacket and red waistcoat with brass buttons, and a broad beaver mountaineer's hat turned up like a cockade above his ruddy face—started on his way to Phalsbourg, a stout stick in his hand.

Phalsbourg is a small fortress, half-way on the imperial road from Strasbourg to Paris; it dominates Saverne, the defiles of Haut-Barr, Roche-Platte, Bonne-Fontaine, and of the Graufthâl. Its bastions, outposts, and demilunes are cut out in zig-zags on a rocky plain: from afar, the walls look as though they might be cleared at a jump; but on coming closer one perceives the moat, a hundred feet wide, thirty deep, and the dark ramparts hewn in the face of the rock. That makes one stop suddenly. Besides, with the exception of the church, the town-hall, the two gateways of France and Germany, in shape of mitres, and the peaks of the two powder-magazines, all the rest is hidden behind the fortifications. Such is Phalsbourg, which is not without a certain imposing effect, especially when one crosses its bridges and piers, under its thick gates, garnished with iron-spiked portcullis. In the interior, the houses are distributed in regular quarters; they are low, in straight lines, built of freestone: everything bears a military aspect.

Hullin, owing to his robust constitution and jovial disposition, never had any fears for the future, and considered all rumors of retreat, rout, and invasion, which circulated in the country, as so many lies propagated by dishonest individuals; so that one may judge of his stupefaction when, on leaving the mountains and from the outskirts of the woods, he saw the whole surroundings of the town laid as bare as a pontoon: not a garden, not an orchard, not a promenade, or a tree, or even a shrub—all was destroyed within cannon-range. A few poor creatures were picking up the last remnants of their little houses, and carrying them into the town. Nothing was to be seen on the horizon but the line of ramparts standing out clearly above the hidden roads. It had the effect of a thunder-bolt on Jean-Claude.

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