Stoke Poges to Inneshmor, but only a poor soul would not like it for a period. In London one evening we talked of golf and Inneshmor, and he told me a legendary story, the documentary narrative of which he has since produced in the form of an extract from "O'Looney's unpublished MS. translation of the 'Tain bo' Cuailgne' in the Irish Royal Academy, Dublin." Knowing little of these matters, I quote Mr. Collins direct in saying that this is the most famous of Irish epics, and describes the war Queen Maeve of Connacht, assisted by her vassal kings of the rest of Ireland, waged against Ulster to obtain a bull which was reputed to be a finer animal than the one she herself possessed. The central hero of Ulster was the famous Cuchullain, the greatest of all Irish heroes, in truth an Irish Achilles. Fergus, ex-king of Ulster, who had taken refuge with Maeve, tells her who are the champions against whom her armies will have to contend, and these lines occur in the course of his terrifying account of Cuchullain, whose age at the time of this expedition was between six and seven: "The boy set out then and he took his instruments of pleasure with him; he took his hurly of creduma and his silver ball, and he took his massive Clettini, and he took his playing Bunsach, with its fire-burned top, and he began to shorten his way with them. He would give the ball a stroke of his hurly and drive it a great distance before him; he would cast (? swing) his hurly at it, and would give it a second stroke that would drive it not a shorter distance than the first blow. He would cast his Clettini, and he would hurl his Bunsach, and he would make a wild race after them. He would then take up his hurly, and his ball, and his Clettini, and his Bunsach, and he would cast his Bunsach up in the air on before him, and the end of the Bunsach would not have reached the ground before he would have caught it by the top while still flying, and in this way he went on till he reached the Forad of the plain of Emain where the youths were." This young Cuchullain does appear to have been appreciably better than scratch. Apparently he was going to attend something in the nature of a club gathering, and his way of getting there was much in the nature of cross-country golf with a touch of trick in it; for there are professionals to-day who make a show in their idle moments of pitching up a ball and catching it with their hands. My informer tells me that Cuchullain was not confining his attention to golf alone, but doing feats of jugglery as well in order to while away the journey. "The description of driving the ball before him," he remarks, "evidently contains the germ of golf. Some years ago I saw in an illustrated paper a reproduction of a picture of a tombstone from some place in Ulster dating to the twelfth century. It was the tombstone of a Norseman. On it were a double-headed sword, the sign of his profession, and below it the perfect representation of a cleek and a golf ball, his favourite amusement. It would be interesting to make a serious search in old Irish records for further information on the game. 'Clettini' is from an Irish word for 'feather.' It was evidently a feathered javelin he hurled. 'Creduma' means 'red metal,' that is brass. Hurly of creduma therefore comes curiously near the quite modern brassey. Bunsach is a very obscure word. In middle Irish there was such a word, but it meant a kind of dagger." This discovery opens up an excellent speculation.

§

The periods of the traditions of course impinge upon each other and softly blend, so that the game some way or other seems to go back continuously from now to the beginning. We have in the most royal and ancient period the Stuart kings playing their golf, and Charles the First hearing of mighty troubles to his throne perpending while he was golfing on the links of Leith; of James the Second with his court playing the golf at Blackheath and sowing seeds that were to bear amazing fruit in the south at a far-off date; of Mary Queen of Scots golfing with her favourite Chastelard at St. Andrews. There was Archbishop Hamilton, who signed the authority that was given to the Provost and magistrates of St. Andrews to put rabbits on the links, which authority recognised the rights of the community to the links, more especially for the purpose of playing at "golff, futball, schuteing at all gamis, with all other manner of pastyme." This was a kind of ratification of a Magna Charta of Golf. There was Duncan Forbes, of Culloden, first captain of the Gentlemen Golfers, now known as the Honourable Company, in 1744. A marvellous man was Duncan Forbes, Lord President of the Council, and we know that he played for the Silver Club in 1745—for the last time, probably, because just then the rising of the clans obliged him to set out for the north, where he exerted himself to the utmost to prevent them from joining the cause of the Young Pretender. And here in passing let it be written that there is good cause to think that Bonnie Prince Charlie himself was the first to play real or Scottish golf on the continent of Europe, for he is believed to have had a course made for himself when in Italy, and was once found playing in the Borghese gardens, so Mr. Andrew Lang once told us. There was the wonderful William St. Clair, of Roslin, so much skilled at golf and archery that the common people believed he had a private arrangement with the devil. Sir George Chalmers painted a picture of him, which is possessed by the Honourable Company, and Sir Walter Scott wrote that he was "a man considerably above six feet, with dark grey locks, a form upright, but gracefully so, thin-flanked and broad-shouldered, built, it would seem, for the business of war or the chase, a noble eye, of chastened pride and undoubted authority, and features handsome and striking in their general effect. As schoolboys we crowded to see him perform feats of strength and skill in the old Scottish games of golf and archery." And from there the tale passes on with life and colour to the beginnings of the Royal and Ancient Club; to the activities of the early members like Major Murray Belshes, and the interest of William the Fourth, whose gift medal is played for at St. Andrews to this day; to such fine gentlemen of the old school as the late Lord Moncrieff and the Earl of Wemyss; to the professionals also like the Morrises and Allan Robertson, and old Willie Park. So on along from the ages past to such as Frederick Guthrie Tait, who gave to the modern history of golf something that glows as well as the best of the old traditions.

Now it may be said that these traditions and all the others, like them and unlike, make the game no better, and that they add nothing in yards to our driving from the tee. After a consideration I will not agree either that they make the game no better or that they add nothing to the driving. The spirits of a romantic history are a continual influence. They give a dignity to the game which is felt right through it. Only the golfer knows how true this is. Men who look upon it lightly as a pastime before they know anything of it, learn upon their initiation, and not only learn but feel, that there is all that is mysterious, wonderful, and awe-inspiring in the game and its past, a new and deep respect is created, and there is no more beginner's lightness and nonsense. Age and solemnity, and many ceremonies great and small, have given to golf some of the attributes of a religion, and with membership of it there comes responsibility. When a new Nonconformist chapel has the same exalting influence upon the mind and sentiment of a person of intelligence and sympathies as an ancient cathedral with all its tombs and relics, and the dim pillars among which echoes seem to float and mingle with spirits of the past and the great eternity, or when the dining-room of a flat in