New England Historical and Genealogical Society, the poet says: "On my mother's side my grandfather was Joseph Hussey, of Somersworth, N. H.; married Mercy Evans, of Berwick, Me."

Some of the genealogical links connecting the Husseys of Somersworth with those of Hampton have not yet been recovered. But this much is known of the family,[6] that in 1630 Christopher Hussey came from Dorking, Surrey, England, to Lynn, Mass. He had married, in Holland, Theodate, the daughter of the Rev. Stephen Bachiler, a Puritan minister, who had fled to that country to avoid persecution in England. The author was told by a local antiquary in Hampton, N. H., that there is a tradition in the town that Stephen Bachiler would not let his daughter marry young Hussey unless he embraced the Puritan faith. His love was so great that he consented, and came with his bride to America, where two years later his father-in-law followed him. Stephen Bachiler came to Lynn in 1632, with six persons, his relatives and friends, who had belonged to his church in Holland, and with them he established a little independent church in Lynn. The progenitive faculty of this worthy divine must have been highly developed: he was married four times, and was dismissed from his church at Lynn on account of charges twice preferred against him by women of his congregation. The recorded dates show that both he and his son-in-law, Hussey, came to Hampton in the year 1639. The Hampton authorities had the previous year made Mr. Bachiler and Mr. Hussey each a grant of three hundred acres of land, to induce them to settle there. When and how the Husseys became Quakers is not known to the author. But in Savage's Genealogical Dictionary, II. 507, it is recorded that as early as 1688 a certain John Hussey of Hampton was a preacher to the Quakers in Newcastle, Del. The mother of the poet was a devoted disciple of the Society of Friends. That she was a person of deep and tender religious nature is evident to one looking at the excellent oil-portrait of her which hangs in the little parlor at Amesbury. The head is inclined graciously to one side, and the face wears that expression of ineffable tranquillity which is always a witness to generations of Quaker ancestry. In the picture, her garments are of smooth and immaculate drab. The poet once remarked to the writer that one of the reasons why his mother removed to Amesbury, in 1840, was that she might be near the little Friends' "Meeting" in that town.

Thus among the maternal as well as the paternal progenitors of our Quaker poet we find the religious nature predominant.

CHAPTER II.

THE VALLEY OF THE MERRIMACK.

In the valley of the Merrimack John Greenleaf Whittier was born (December 17, 1807), and in the same region he has passed nearly his entire life, first in the town of Haverhill, and then in Amesbury, some nine miles distant. To strangers, the hilly old county of Essex wears a somewhat bleak and Scotian look; but it is fertile in poetical resources, and the tillers of its glebe are passionately attached to its blue hills and sunken dales, its silver rivers and winding roads, umbrageous towns and thrifty homes. Like Burns and Cowper, Whittier is distinctively a rustic poet, and he and Whitman are the most indigenous and patriotic of our singers. His idyllic poetry savors of the soil and is full of local allusions. It is, therefore, essential to the full enjoyment of his writings that one should get, at the outset, as vivid an idea as possible both of the Essex landscape and the Essex farmer.

Whittier was born some three miles northeast of what is now the thriving little city of Haverhill. It was settled in 1640 by twelve men from Newbury and Ipswich. Its Indian name was Pentucket,—the appellation of a tribe once dwelling on its site, a tribe under the jurisdiction of Passaconaway, chief of the Pennacooks. The city is built partly on the river-terrace of the northern shore, and partly on the adjoining hills. It is celebrated in colonial history for the heroic exploit of Hannah Duston, who, when taken captive by a party of twenty savages at the time of the Haverhill massacre, killed and scalped them all, with the aid of her companion (also a woman), and returned in safety to the settlement. A handsome monument has recently been erected to her memory in the city square; it is a granite structure, with bronze bas-reliefs, and surmounted by a bronze statue of the heroine. In the public library of the city (founded in 1873) may be seen a fine bust of Whittier, by Powers. On February 17 and 18, 1882, almost the entire business portion of the city was destroyed by fire; eight acres were burned over, and $2,000,000 worth of property destroyed. Haverhill is eighteen miles east of Lowell, thirty-two miles northwest of Boston, and six miles northeast of Lawrence. The manufacture of boots and shoes gives employment to 6,000 men. The population in 1870 was 13,092.

Down to the sea, some seventeen miles away, winds the beautiful Merrimack, with the deep-shaded old town of Newburyport seated at its mouth. A little more than half way down lies Amesbury, just where the winding Powwow joins the Merrimack, but not before its nixies and river-horses have been compelled to put their shoulders to the wheels of several huge cotton mills that lift their forbidding bulk out of the very centre of the village. A horse-railroad connects Amesbury with Newburyport, six miles distant. At about half that distance the road crosses the Merrimack by way of Deer Island and connecting bridges. The sole house on this wild, rough island is the home of the Spoffords.

As you near Newburyport, coming down from Amesbury, you see the river widened into an estuary, and bordered by wide and intensely green salt-meadows. Numerous large vessels lie at the wharves, a "gundelow," with lateen sail, creeps slowly down the current; the draw of the railroad bridge is perhaps opening for the passage of a tug, and out at sea athwart the river's mouth—

Far off to the left lie Salisbury and Hampton beaches, celebrated by Whittier in his poems "Hampton Beach," "Snow-Bound," and "The Tent on the Beach":—

Standing on the sand-ridge by the beach, you have before you the washing surf, and miles on miles of level sand, rimmed with creeping, silver water-lace, overhung here and there by thinnest powdery mist. Out at sea the waves are tossing their salt-threaded manes, or flinging the sunlight from their supple coats—(æonian roar; white-haired, demoniac shapes)—while at evening you see far