every occasion except that of a specially good dinner, when he added "ho."

And then, I suppose it was about eleven o'clock, there was a stir and a movement all down the grand staircase. Except that the band in the ballroom did not burst into the strains of the National Anthem, it was exactly like the arrival of royalty. Coming up the staircase was a thick-set man of medium height with white hair, a brown face, and good features, but of such immobility that they might have been carved in sandstone. By his side, very simply dressed, and wearing no ornament but one rope of great pearls, came Juanita Morse.

If I live for a thousand years I shall never forget that first vision of her. I have seen all the beauties of London, Paris and Rome, danced with many of them, spoken at least to the majority, but never before or since have I seen such luminous and compelling loveliness. It is almost impossible for me to describe her, a presumption indeed, when so many abler pens than mine have hymned her praises. The poets of two Continents have lain their garlands of song at her little feet. She has been the theme of innumerable articles in the Press, the heroine of a dozen novels. And yet I must give some impression of her, I suppose. She was slender and tall, though not too tall. Her hair, which must have fallen to her feet and enveloped her like a cloud of night, was dead black. But it was not the coarse, lifeless black of so many women of the Latin race. It was as fine as spun silk, gleaming, vital and full of electricity—a live thing of itself, so it seemed to me. Her father's eyes were unpolished jet, but hers were of a deep blue-black, large, lustrous, and of unfathomable depth. They were never the same for two moments together and the light within them was forever new. But what's the good of a catalogue—after all, it expresses very little. There was not a feature of her face, not a line of her form that was not perfect, and her smile was the last real enchantment left in the modern world....

In two minutes, I, I—Tom Kirby, was walking towards the ballroom with her hand upon my arm. How all the women stared, nodded and whispered! how all the men hated me! I caught sight of Pat and Arthur, and, lo! their faces were as those who lie in wait, who grin like dogs and run about the city—as I told them some hours afterwards.

Thank heavens that all the vulgar modern dances were not only perishing of their own inanity at that time, but had never been allowed in Brentford House. The best band in town had begun a delightful waltz, and we slipped into it together as if passing through curtains into dreamland.

I don't remember that we said very much to each other—certainly I was not going to ask her how she liked London and so forth. She did not seem the sort of girl to appreciate the farthing change of talk.

But, somehow or other, we conversed with our eyes. I was as certain of this as of the fact that I was dancing with her, and, long after, in a situation and moment of the most deadly peril, she confessed it to me.

Towards the end of the dance, when the flutes and violins glided into the last movement, I said this—"Miss Morse, I know that I am doing the most dreadful thing. All London wants to dance with you to-night, and I have had the great privilege of being the very first. But could you, do you think you possibly could, give me just one more dance later on in the evening?"

"Of course I will, Sir Thomas," she said, and her voice was as clear as an evening bell. "I think you dance beautifully."

We circled round the room for the last time and then I resigned her to Lady Brentford, who was looking after the girl, with an eloquent look of thanks. Immediately she became swallowed up by a regiment of black coats, and I saw her no more for a time.

I am extremely fond of dancing, but I sought out no other damsel now, but went to a buffet and drank a long glass of iced hock-cup—as if that was going to quench the fever within! Then I found my way to a lonely spot in one of the conservatories and sat thinking hard. I will say nothing as to the nature of my reverie—it may very easily be guessed. But from time to time I concentrated all my powers in living over again the divine moments of that dance. I was finally, irrevocably, passionately in love. It seems the maddest thing to say for a hard-headed, level-minded man of the world such as I was. I suppose I had known her for just about quarter of an hour, and yet I knew that there would never be any other woman for me and that when my days were at an end her name would be the only one upon my lips.

A little later on in the evening, before my second and final dance with his daughter, I had the opportunity of a talk with Mr. Morse himself. I say at once, and I am not letting myself be colored by what happened afterwards and the intimate relations into which I was thrown with him, I say at once that I found him charming. There was an immense force and power about him, but this was not obtruded upon one, as I have known it to be in the case of other extremely wealthy and successful men, both English and American. This super-millionaire had all the graces of speech and courtesy of manner of the Spanish great gentleman. And curiously enough, he took to me. I was quite certain of that. Whether he wanted to use me in any way—and nine-tenths of the people I met generally did—I could not have said. At any rate I determined that if he did I was very much at his disposal.

We watched Miss Morse dancing with old Pat, who, for all his sixteen stone, was as light as a cat on his feet.

"Do you know who that is dancing with Juanita?" Morse asked simply.

"Oh, yes. Captain Moore, Patrick Moore, of the Irish Guards. He is one of my most intimate friends and one of the best fellows in the world."

Then Morse said a curious thing, which I could not fathom just then. He said it half to me and half to himself in a curiously, thoughtful way.

"—A fine fellow to have with one in an emergency."

Well, of course, I didn't like to tell him that dear old Pat, while he had common sense enough to come indoors while it rained, had no mind—in the real sense of that word—whatever. It did not occur to me for a moment that Gideon Morse might have been speaking simply of Pat's physical qualities.

Pat's face was marvelous to look upon. It was one great, glowing mass of happiness. He did not take the least trouble to disguise his ecstasy, and if ever a man showed he was in paradise, Pat Moore did then. It was different when Juanita danced with Arthur. His handsome, clever face was not in repose for a moment. It was sharpened by eagerness, and he talked incessantly, provoking answering smiles and flashes from the girl's wonderful eyes. My heart sank. I knew how Arthur Winstanley could talk when he chose—as all England was to learn two or three years later when he entered the House of Commons.

"And that man?"—the low, resonant voice of Mr. Morse was again in my ears, for I had been neglecting my duties to all the girls I knew, most dreadfully, and remained with him for the space of three dances.

"Oh, that's another friend of mine, Lord Arthur Winstanley. He is a son of the house, the second son. Charles, the heir, is with his regiment in India."

Mr. Morse thanked me and soon afterwards two very great people indeed came up, and I melted away. I went to my seat in the conservatory again. I did not care how rude it was, how I was betraying Lady Brentford's hospitality—being known as a dancing man and expected to dance—but I was determined not to touch any other girl that night until Juanita Morse and I had danced again together.

It came and passed. Afterwards I slipped downstairs, got my hat and overcoat and left the house, without, I think, being observed by any one.

The night air was fresh and sweet and I determined to walk before I reached home, for my mind was in a whirl of sensation. I turned into the great, dark cañon of Victoria Street, which was almost