You are here

قراءة كتاب Punch, or the London Charivari, Vol. 105, September 16th, 1893

تنويه: تعرض هنا نبذة من اول ١٠ صفحات فقط من الكتاب الالكتروني، لقراءة الكتاب كاملا اضغط على الزر “اشتر الآن"

‏اللغة: English
Punch, or the London Charivari, Vol. 105, September 16th, 1893

Punch, or the London Charivari, Vol. 105, September 16th, 1893

تقييمك:
0
No votes yet
المؤلف:
دار النشر: Project Gutenberg
الصفحة رقم: 2

seasoning."


"A QUIET PIPE."

"One touch of nature" kins To-day

With classical Arcadia.

This faun-like "nipper,"

Tree-perched, is tootling, tootling on,

Though Pan be dead, Arcadia gone,

And wild "Kazoos" are played upon

By the cheap tripper.

Half imp, half animal, behold

The 'Arry of the Age of Gold

In this young satyr!

Lover of pleasure and of "lush"

(Silenus at the slang might blush),

Of haunted Nature's holy hush

Irreverent hater.

Mischief and music, mockery,

Swift eyes oblique in goblin glee,

And nimble finger;

Sardonic lips that slide with speed

Athwart the rangéd pastoral reed;

Upon these things will fancy feed,

And memory linger.

Imp-urchin of the budding horn,

Native to Nature's nascent morn,

The same quaint pranks

You played 'midst the Arcadian shade,

By satyrs of to-day are played;

Their nether limbs in "tweeds" arrayed

Not shaggy shanks.

Not cheap tan kids and Kino's best

Can hide the frolic faun confest,

Or coarse Silenus;

Like Spenser's satyrs, they attack us,

With rompings rouse, with noises rack us,

Brutes in the train of beery Bacchus,

And vulgar Venus.

'Arry's mouth-organ is, indeed,

Far shriekier than your shrilling reed,

Pan-fathered piper;

While his tin-whistle!—a wood-god,

Whose tympanum that sound should prod,

Would start, and shriek, as though he trod

Upon a viper.

Ah, yes, my little satyr-friend,

Better Arcadia than Southend

On a Bank-Holiday!

You and your Pan-pipe might appear,

And tootle, yet not rend my ear.

Or with a novel Panic fear

Upset a jolly day.

Aperch upon your branch, you carry

A certain likeness to our 'Arry,

Yet 'tis but slight.

He could not sit, the noisy brute!

And natural music mildly flute,

Till the assembled nymphs were mute

With sheer delight.

He'd want the banjo and the bones,

And rowdy words, and raucous tones,

And roaring chorus.

Urchin, I've done you grievous wrong!

No echoes of Arcadian song

Sound in the screech the holiday throng

Rattle and roar us.

To your shrill flutings I could listen

When on the grass-blades dewdrops glisten,

And morn is ripe.

Could sit and hear your pastoral reed,

In peace, and do myself, indeed

(Fair laden with "the fragrant weed"),

"A Quiet Pipe!"


THE HIGHLAND "CADDIE."

[There has been a strike among the Golf Caddies.]

Air—"The Blue Bells of Scotland."

Oh! where, and oh! where is your Highland "Caddie" gone?

He's gone to join the Strike, and now "Caddie" I have none;

And it's oh! in my heart that I wish the Strike were done!

Oh! what, and oh! what does your Highland "Caddie" claim?

He wants sixpence for a round of nine holes. It is a shame,

And it's oh! in my heart that I fear 'twill spoil the game.

And what, tell me what, are your Highland Caddie's tricks?

He has "picketed the links" just to keep out all "knobsticks,"

And it's oh! in my heart, that I feel I'm in a fix!

Suppose, oh! suppose that all Highland Caddies strike!

I might have to turn up golf, and to tennis take, or "bike,"

But it's oh! in my heart that I do not think 'tis like!


"Name! Name!"—In a recent report from the East occurs the delightfully-suggestive name of "Seyd Bin Abed." Of course he is a relative to "Seyd im Gotup Agen." Or perhaps he has changed his name from "Seyd uad Bin Abed" to "Seyd Imon Sopha." If "Seyd" be not pronounced as "Seed" but as "Said," the above titles can be altered to match. True or not, yet "so it is Seyd." The news in which this name occurs appears to have reached the correspondent through a person called "Rumaliza." Can anything coming from a female styled "Rum Eliza" be credible?


Out of Court.—A sharp young lady listening to a conversation about witnesses being sworn in Court, interrupted with "I don't know much about kissing the book, but if I didn't like him, I'd soon bring the kisser to book."


AT THE SHAFTESBURY.

The few theatres now open seem to be doing uncommonly good business. The Shaftesbury, with Morocco Bound, was as nearly full as it could be in the first week of September, when the cry is not yet "They are coming back," but they are remaining away. Another week will make all the difference. Morocco Bound is not a piece at all, but a sort of variety show, just held together by the thinnest thread of what, for want of a better word, may be temporarily dignified as "plot." Mr. Charles Danby is decidedly funny in it. Mr. Templar Saxe is a pretty singer. Mr. George Grossmith well sustains the eccentric reputation of his family name; and, if any opposition manager could induce the present representative of Spoofah Bey to appear at another house, it would be "all up" with Morocco Bound, as such a transfer would entirely take "the Shine" out of this piece. Miss Jennie McNulty does nothing in particular admirably; and Miss Letty Lind, charming in her entr'acte of skirt-dancing, is still better in her really capital dance with the agile Charles Danby. This entertainment has reached its hundred and fiftieth night (!!!), and all those who are prevented from going North to stalk the wily grouse may do worse than spend a night among the Moors in Morocco Bound. Oddly enough, but quite appropriately, the acting-manager in front, who looks after the fortunes of Morocco and its Moors, is Mr. A. Blackmore. Out of compliment he might have let in an "a" after the "k," dropped the final "e," and given himself a second "o." Still, in keeping with the fitness of things, he has done well in being there.


ANCIENT SAWS RESET.

"All work and no pay makes Jack a striking boy."

"All pay and no work makes Jack's employer go without a shirt."


During the recent tropical weather, Mrs. R. observed that

Pages