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قراءة كتاب Garden Design and Architects' Gardens Two reviews, illustrated, to show, by actual examples from British gardens, that clipping and aligning trees to make them 'harmonise' with architecture is barbarous, needless, and inartistic
تنويه: تعرض هنا نبذة من اول ١٠ صفحات فقط من الكتاب الالكتروني، لقراءة الكتاب كاملا اضغط على الزر “اشتر الآن"
Garden Design and Architects' Gardens Two reviews, illustrated, to show, by actual examples from British gardens, that clipping and aligning trees to make them 'harmonise' with architecture is barbarous, needless, and inartistic
West Dean. Example of country seat in which terracing is needless, and in which turf may and indeed must often come to at least one side of the houseIt is surely flying in the face of Nature to fill our gardens with tropical plants, as we are urged to do by the writers on landscape gardening, ignoring the entire difference of climate and the fact that a colour which may look superb in the midst of other strong colours will look gaudy and vulgar amongst our sober tints, and that a leaf like that of the Yucca, which may be all very well in its own country, is out of scale and character amidst the modest foliage of our English trees. (The Formal Garden.)
A passage full of nonsense! The true use and first reason of a garden is to keep and grow for us plants not in our woods and mostly from other countries than our own! The Yucca, we are told by the authors, is a "plant out of scale and character among the modest foliage of our English trees"! The Yuccas of our gardens are natives of the often cold plains of Eastern America, hardy in, and in every way fitted for, English gardens, but not amidst English trees. Is the aim of the flower-garden to show the "modest foliage" of English trees when almost every country house is surrounded by our native woods? According to such childish views, the noble Cedars in the park at Goodwood and on the lawn at Pain's Hill are out of place there! What is declared by Mr. Blomfield to be absurd is the soul of true gardening—to show, on a small scale it may be, some of the precious and inexhaustible loveliness of vegetation on plain or wood or mountain. This is the necessary and absolutely only true, just and fair use of a garden!
Formal Gardening
Athelhampton Hall, Dorset. Old English house with trees in their natural formThe very name of the book is a mistake. "Formal gardening" is rightly applied only to the gardens in which both the design and planting were formal and stupidly formal like the upper terrace of the Crystal Palace, Kensington Gore, as laid out by Nesfield, Crewe Hall; and Shrubland, as laid out by Barry, in which, as in others of these architects' gardens, strict orders were given that no plants were to be allowed on the walls. The architect was so proud of his design, that he did not want the gardener at all, except to pound up bricks to take the place of flower colour! It may be necessary to explain to some that this pounded brick and tile in lieu of colours has frequently been laid down in flower-gardens in our own day. To old gardens like Haddon and Rockingham, in which the vegetation about the house is perfectly free and natural in form, the term "formal gardening" is quite unfitted.