narrow stage,
Watching intently; watching, nerves and brain,
As those two men, cut off in that blue glare
From all reality of place and age
Wherein our common being has a share,
Together isolated, watch and creep
—Sunk head, hunched shoulders, light of foot and swift,
Deadly of purpose—in that ancient game,
Which was not otherwise in forests deep
Of earth primeval: that light tread the same,
The same those watchful eyes, and those quick springs
Of a snake uncoiling; underneath the skin,
Glistening with sweat in that unearthly blaze,
The muscles run and check, like living things.
And then, the hot air tremulous with the din,
And all the great crowd surging to its feet,
Yet like a wave arrested, while the hands
Of the referee allot the moments' beat;
The seconds, strung like greyhounds on a leash
Await the signal; and there's one who stands
Still guarding, watchful, tense, while all around
Lamp-light and darkness seem to rock and spin
In one wild clamour; and upon the ground,
Beneath the stark blue light, the beaten man!

THE GERMAN BAND

When I was a little child
And lived very near the sky,
A German band was wonderful music
That could almost make me cry.

It was to me of a beauty
That I could not understand,
Though I dimly guessed at sorrow and joy
In a grown-up distant land.

All that I know with the years,
Much that I never shall know,
Was in my heart when the music came
In such guise, years ago.

And now when on Friday mornings
I hear my own child run,
When the German band in the street starts playing,
The wonder is never done;

The wonder at ways that our spirit
May take for itself to rise,
How a puddle may be a silver lake,
And a chimney touch the skies.

All the forms through which spirit
Yearns and strives to be known
Are only a little greater or less,
For great is the Spirit alone.

STREET MUSIC

I

There comes an old man to our street,
Dragging his knobby, lame old feet,
Once a week he comes and stands,
A concertina in his hands,
There in the gutter stops and plays,
No matter fine or rainy days
—Very humble and very old—
Pavement's for them who make so bold!
Prim, starched nurses, and ladies fair
With taffeta dresses and shining hair,
And gay little children, who break and run
To give him a penny—he seems to feel
(Out-at-elbows and out-at-heel)
That they've a right to the morning sun;
And so with gnarled old hands he'll play
For an hour, perhaps, then take his way,
Dragging his knobby, lame old feet
In the gutter of this quiet street.

There is no grudging in his eyes,
Nor anger, nor the least surprise
At the uneven scales of fate:
Glad of the sun, against the rain
Hunching his shoulders, age and pain
He takes as his appointed state,
And stands, like Lazarus, at the door
With the dread humility of the poor.

STREET MUSIC

II

I've heard a mad old fiddler play
Harsh, discordant, broken strains,
Down the wet street on a winter's day
When the rain was speckling the window-panes,

And though it was middle afternoon
And none of the lamps were lighted yet,
The night had settled down too soon
And the sky was low and dark and wet.

In a cracked old voice I've heard him sing,
Strangely capering to and fro,
Sawing his fiddle on one worn string,
A grotesque and desolate thing of woe,

Wagging his head and stamping his feet
(Unwitting of the passers-by
Hurrying through the gloomy street)
His shoulders hunched and his head awry.

The children would laugh when they saw him pass,
And "Look," they'd say, "at Crazy Joe!"
And press their faces against the glass
To watch him—leering and lurching—go.

Where he comes from, nobody knows,
But he, being mad, is in God's hand,
And sacred upon his way he goes;
And his music—God will understand.

PICCADILLY

Above, the quiet stars and the night wind;
Below, the lamp-lit streets, and up and down
The tired, stealthy steps of those who walk
When the just sleep, at night, in London town.

Poor garish ghosts that haunt the yellow glare,
Wan spectres, lurking in the alleys dark
Among the tainted night-smells, while the wind
Is whispering to the trees across the Park;

For it is summer, may be, and the scent
Of new-mown hay is sweet across the fields,
But neither summer, nor the gleaming spring
One breath of healing to this dark life yields;

No morning sunshine greets these sidelong eyes
With blessings, daughters as they are of gloom,
Ghosts only, such as seem to have a shape
At night in some old evil, haunted room.

Would that they were indeed to be dissolved
At every sunrise!—they are living souls
Dragging mortality about foul streets
While overhead the star-lit heaven rolls.

Living souls are they, and they have their share
In seed and harvest, and the round world's boon
Of changing seasons, and the miracle
Of each month's waxing and waning of the moon.

Living souls are they, prisoned in a net
Of stealthy streets—age after age they've gone
Bearing the burden of a city's sin,
In London, and old Rome, and Babylon.

IN THE TUBE

A tired, working woman, draggle-tailed,
Came in, harsh-featured in the yellow glare
Of electricity; an urchin trailed
Clumsily after her, with towsled hair,
And sharp, pale features, and a vacant stare,
And in her arms she bore another child.

A sick child, doubtless, where all three looked sick;
The poor legs hanging limply, lean and blue,
Dangled grotesquely, for the boots, too thick
For such frail bones a touch could snap in two,
Like clock-weights seemed to swing, as staggered through
The burdened mother, till she found a seat.

Through dark unnatural to unnatural blaze
Of stations rocked the train; it tore the air
To shreds and tatters in the tunnelled ways
With such a noise as when hell's trumpets blare;
We, swaying, faced our fellow-creatures there
Each mercilessly pilloried in light.

The sick child lay against the woman's breast
Asleep, and she looked down on it and smiled,
And with her gaunt arms made her bird a nest
Against her poor worn bosom—sad and mild
In such wise looked Madonna at her Child
Where old saints worshipped, round the altar set.

Such glory of the spirit shone and streamed
In that brief moment, that her form and face
Were rags of vesture only, through which gleamed
The splendour; something of wonder and of grace
Making the poor flesh lovely—all the place
Grew holy with the Mother and the Child.

A LONDON IDYLL

I

A