her mind; she found comfort through it, and need for it, and she endeavoured to lead her daughter in the same direction.

At the time of her confirmation Milla found a confidant in the niece of the Frökener Jensens, little Anna Rogne, who was extremely religious; she was two years her elder, but she was small and delicate; indeed, on more than one occasion her life had been despaired of. Anna had more religious knowledge than most grown people, and she enraptured Karl Vangen at the confirmation classes. Milla, whom she had imbued with some of her enthusiasm, had no objection to share in it to a slight degree. As soon as little Anna observed this reflection of her own thoughts, she rejoiced from the bottom of her heart, and declared Milla to be "spiritually minded." She was astonished that they had not discovered each other before.

Then came the time when Milla's mother was given up by the doctors. Little Anna's energy was more than natural; she watched beside the sick-bed with her friend, she read, she sang, she prayed; for Fru Engel's life must and should be saved; the doctor could not save her, but prayer could--how confident she was, how enraptured! And then when Fru Engel died notwithstanding, she would literally have rejoiced to have given her life for Milla; it was so beautiful to her to see the rich heiress, surrounded with all the comforts of life, pleading on her knees to Jesus; and now, when the prayers had not availed, she still trusted--nay, in the midst of her sorrow she thanked God with her, entirely submissive to His will. Little Anna felt from the bottom of her heart that a bond had been twined between them which death alone could sever.

Milla returned to school three weeks later than the others; she took a place next to Anna Rogne. They drove up together nearly every day, and they returned together in the carriage, for Milla was still living in the country, and Anna was almost always with her.

Milla's return made a stir. Her mourning suited her to perfection; her pale face and subdued manner accorded with it like dull silver work on velvet. The quiet gentleness with which she accepted everything, even Nora's eager worship, gained her much considerate kindness.

The first day or two seemed devoted to expressing sympathy with Milla.

But there was a new face among them, a new figure there on the form in front of her, a new voice, fresh ways--and what was not less important to Milla--a new dress. Especially when the new hat and mantle were added to it, a more daring choice of colours was presented, a more delicate cut, richer details, than she had ever seen before. She knew who the new-comer was--the daughter of the chief custom-house officer Holm, from Bergen, the one with the brown face, large dark eyes, and curly white hair: a curiously shy man, who drank, drank so that it was only through forbearance that he retained his post; he had ten children!

Tora was the eldest, and had been brought up, from her twelfth year, partly in England, partly in France, by an uncle who had been a shipbroker, first in the one country, then in the other; he had just died, leaving his adopted daughter a small annuity. Milla knew all this. Anna had also incidentally observed that Tora Holm was pretty.

But this was not the right word. Where were Anna's eyes? Tora was a beauty, and her beauty was singular and "foreign." Anna had used her ears as little as her eyes, for there was but one opinion about it.

Milla did nothing the whole of the first day but look at Tora, who, although her back was turned towards her, could not keep quiet, but twisted and turned as though she could feel the other's eyes on her neck. The more restless Tora became, the more calmly Milla studied her. At home, in the sitting-room, stood a head of the young Augustus in marble; it had been Milla's admiration from childhood. And now, there it was, on a girl's body, on the bench before her, moving in brightness and colour.

The brow was exactly the same, the whole shape of the head, broad above; the curve of the cheeks and chin, the arch of the eyebrows the same, all the same! The eyes were different and more full of life, for those of the Augustus gave the impression of dulness, or at least heaviness. These sparkled incessantly in changing shades of blue-grey, under long dark eyelashes. The mouth was full and curved, the hair black-brown, or brown-black, as the light fell upon it. The complexion was a sort of pale olive. Milla had no words to express it; it was a combination she had never seen before. There was a large, very large birth-mark on her cheek, perhaps it was that which disturbed her, for she never turned that cheek when she looked round at Milla. Her figure was developed, very strong and statuesque. Apparently she was a little over sixteen. She did not look well at the moment, she was flushed and had dark lines under her eyes; the perspiration stood on her face.

Her whole appearance was striking; Milla looked at her without a trace of envy. What taste this new girl had, beyond anything she had ever seen; how much she must know!

Every now and then Milla looked at her next neighbour. Anna sat there, spare and angular; her thin, blue, and inordinately long fingers especially occupied Milla to-day. What a contrast!

Should she speak to the new-comer, be friendly to her? Perhaps it would be a little forward. From the moment that she saw her during the next "recreation," walking arm in arm with Nora, this idea was dropped as a matter of course.

During the three weeks which preceded Milla's return, a good deal had happened; a revolution had silently begun which was not yet at an end.

Tora Holm made her appearance in the school rather untowardly. She arrived late, met no one in the hall, and did not know where to go; every one was assembled in the "laboratory" for morning prayers. At that moment Karl Vangen, who had been detained at the bedside of a sick person, rushed in and almost overturned her; then became as confused as only a young clergyman can, mistook her for the new teacher, and bewildered himself and her by his embarrassment. It was therefore some little time before she, in her Bergen sing-song, could explain who she was, and when he heard it, and it flashed into his mind that she was in trouble for her uncle's death and had returned to an unhappy home, he broke out, "We will all be so kind to you here; so"--he seized her hand--"welcome, welcome!" Before he could say more she began to cry. She was nervous and timid, everything was new and strange. He could think of nothing else to do than to open the door and call out "Mother."

And out came Fru Rendalen with her spectacles awry, and asked rather shortly (for Fru Rendalen was particular, and this should not have happened), "What is it, Karl?"

"Here is Fröken Holm, custom-house officer Holm's daughter, mother."

"Very well, let her come in," answered Fru Rendalen, opening the door wide. "How do you do?" she said, as she stood in the doorway and held out her hand to Tora in the half-lighted hall. There was far too much of a command in her tone for Tora not to advance. Fru Rendalen then saw that she had come crying to school like a little thing of five years old. She was surprised; she showed her a place, which Tora shyly took, and asked one of the teachers to help her off with her hat and cloak, which the little donkey had kept on--thought Fru Rendalen to herself.

They sang a hymn and Karl spoke about meeting--whenever one discovers anything good in a person, one meets God--that was his subject.

At the moment Tora was only conscious of the sound of a powerful voice, she was tormented by the remembrance of her unlucky entrance and the impression it had made; first and foremost upon