name out of a book. With that name by rights you should be a poet."

Gloom settled on the young man's countenance. "It's a dashed sight too poetic. It's like Edwin Arnold and Alfred Austin and Dante Gabriel Rossetti. Great poets have vulgar monosyllables for names, like Keats. The new Shakespeare when he comes along will probably be called Grubb or Jubber, if he isn't Jones. With a name like yours I might have a chance. You should be the poet."

"I'm very fond of reading," said Dickson modestly.

A slow smile crumpled Mr. Heritage's face. "There's a fire in the smoking-room," he observed as he rose. "We'd better bag the armchairs before these fishing louts take them." Dickson followed obediently. This was the kind of chance acquaintance for whom he had hoped, and he was prepared to make the most of him.

The fire burned bright in the little dusky smoking-room, lighted by one oil-lamp. Mr. Heritage flung himself into a chair, stretched his long legs and lit a pipe.

"You like reading?" he asked. "What sort? Any use for poetry?"

"Plenty," said Dickson. "I've aye been fond of learning it up and repeating it to myself when I had nothing to do. In church and waiting on trains, like. It used to be Tennyson, but now it's more Browning. I can say a lot of Browning."

The other screwed his face into an expression of disgust. "I know the stuff. 'Damask cheeks and dewy sister eyelids.' Or else the Ercles vein—'God's in His Heaven, all's right with the world.' No good, Mr. McCunn. All back numbers. Poetry's not a thing of pretty round phrases or noisy invocations. It's life itself, with the tang of the raw world in it—not a sweetmeat for middle-class women in parlours."

"Are you a poet, Mr. Heritage?"

"No, Dogson, I'm a paper-maker."

This was a new view to Mr. McCunn. "I just once knew a paper-maker," he observed reflectively. "They called him Tosh. He drank a bit."

"Well, I don't drink," said the other. "I'm a paper-maker, but that's for my bread and butter. Some day for my own sake I may be a poet."

"Have you published anything?"

The eager admiration in Dickson's tone gratified Mr. Heritage. He drew from his pocket a slim book. "My firstfruits," he said, rather shyly.

Dickson received it with reverence. It was a small volume in grey paper boards with a white label on the back, and it was lettered: "Whorls—John Heritage's Book." He turned the pages and read a little. "It's a nice wee book," he observed at length.

"Good God, if you call it nice, I must have failed pretty badly," was the irritated answer.

Dickson read more deeply and was puzzled. It seemed worse than the worst of Browning to understand. He found one poem about a garden entitled "Revue." "Crimson and resonant clangs the dawn," said the poet. Then he went on to describe noonday: