not lost, I gave it for the sake of giving. No one writes down his gifts in a ledger, or like a grasping creditor demands repayment to the day and hour. A good man never thinks of such matters, unless reminded of them by some one returning his gifts; otherwise they become like debts owing to him. It is a base usury to regard a benefit as an investment. Whatever may have been the result of your former benefits, persevere in bestowing others upon other men; they will be all the better placed in the hands of the ungrateful, whom shame, or a favourable opportunity, or imitation of others may some day cause to be grateful. Do not grow weary, perform your duty, and act as becomes a good man. Help one man with money, another with credit, another with your favour; this man with good advice, that one with sound maxims. Even wild beasts feel kindness, nor is there any animal so savage that good treatment will not tame it and win love from it. The mouths of lions are handled by their keepers with impunity; to obtain their food fierce elephants become as docile as slaves: so that constant unceasing kindness wins the hearts even of creatures who, by their nature, cannot comprehend or weigh the value of a benefit. Is a man ungrateful for one benefit? perhaps he will not be so after receiving a second. Has he forgotten two kindnesses? perhaps by a third he may be brought to remember the former ones also.

III. He who is quick to believe that he has thrown away his benefits, does really throw them away; but he who presses on and adds new benefits to his former ones, forces out gratitude even from a hard and forgetful breast. In the face of many kindnesses, your friend will not dare to raise his eyes; let him see you whithersoever he turns himself to escape from his remembrance of you; encircle him with your benefits. As for the power and property of these, I will explain it to you if first you will allow me to glance at a matter which does not belong to our subject, as to why the Graces are three in number, why they are sisters, why hand in hand, and why they are smiling and young, with a loose and transparent dress. Some writers think that there is one who bestows a benefit, one who receives it, and a third who returns it; others say that they represent the three sorts of benefactors, those who bestow, those who repay, and those who both receive and repay them. But take whichever you please to be true; what will this knowledge profit us? What is the meaning of this dance of sisters in a circle, hand in hand? It means that the course of a benefit is from hand to hand, back to the giver; that the beauty of the whole chain is lost if a single link fails, and that it is fairest when it proceeds in unbroken regular order. In the dance there is one, esteemed beyond the others, who represents the givers of benefits. Their faces are cheerful, as those of men who give or receive benefits are wont to be. They are young, because the memory of benefits ought not to grow old. They are virgins, because benefits are pure and untainted, and held holy by all; in benefits there should be no strict or binding conditions, therefore the Graces wear loose flowing tunics, which are transparent, because benefits love to be seen. People who are not under the influence of Greek literature may say that all this is a matter of course; but there can be no one who would think that the names which Hesiod has given them bear upon our subject. He named the eldest Aglaia, the middle one Euphrosyne, the third Thalia. Every one, according to his own ideas, twists the meaning of these names, trying to reconcile them with some system, though Hesiod merely gave his maidens their names from his own fancy. So Homer altered the name of one of them, naming her Pasithea, and betrothed her to a husband, in order that you may know that they are not vestal virgins. [Footnote: i.e. not vowed to chastity.]

I could find another poet, in whose writings they are girded, and wear thick or embroidered Phrygian robes. Mercury stands with them for the same reason, not because argument or eloquence commends benefits, but because the painter chose to do so. Also Chrysippus, that man of piercing intellect who saw to the very bottom of truth, who speaks only to the point, and makes use of no more words than are necessary to express his meaning, fills his whole treatise with these puerilities, insomuch that he says but very little about the duties of giving, receiving, and returning a benefit, and has not so much inserted fables among these subjects, as he has inserted these subjects among a mass of fables. For, not to mention what Hecaton borrows from him, Chrysippus tells us that the three Graces are the daughters of Jupiter and Eurynome, that they are younger than the Hours, and rather more beautiful, and that on that account they are assigned as companions to Venus. He also thinks that the name of their mother bears upon the subject, and that she is named Eurynome because to distribute benefits requires a wide inheritance; as if the mother usually received her name after her daughters, or as if the names given by poets were true. In truth, just as with a 'nomenclator' audacity supplies the place of memory, and he invents a name for every one whose name he cannot recollect, so the poets think that it is of no importance to speak the truth, but are either forced by the exigencies of metre, or attracted by sweetness of sound, into calling every one by whatever name runs neatly into verse. Nor do they suffer for it if they introduce another name into the list, for the next poet makes them bear what name he pleases. That you may know that this is so, for instance Thalia, our present subject of discourse, is one of the Graces in Hesiod's poems, while in those of Homer she is one of the Muses.

IV. But lest I should do the very thing which I am blaming, I will pass over all these matters, which are so far from the subject that they are not even connected with it. Only do you protect me, if any one attacks me for putting down Chrysippus, who, by Hercules, was a great man, but yet a Greek, whose intellect, too sharply pointed, is often bent and turned back upon itself; even when it seems to be in earnest it only pricks, but does not pierce. Here, however, what occasion is there for subtlety? We are to speak of benefits, and to define a matter which is the chief bond of human society; we are to lay down a rule of life, such that neither careless openhandedness may commend itself to us under the guise of goodness of heart, and yet that our circumspection, while it moderates, may not quench our generosity, a quality in which we ought neither to exceed nor to fall short. Men must be taught to be willing to give, willing to receive, willing to return; and to place before themselves the high aim, not merely of equalling, but even of surpassing those to whom they are indebted, both in good offices and in good feeling; because the man whose duty it is to repay, can never do so unless he out-does his benefactor; [Footnote: That is, he never comes up to his benefactor unless he leaves him behind: he can only make a dead heat of it by getting a start.] the one class must be taught to look for no return, the other to feel deeper gratitude. In this noblest of contests to outdo benefits by benefits, Chrysippus encourages us by bidding us beware lest, as the Graces are the daughters of Jupiter, to act ungratefully may not be a sin against them, and may not wrong those beauteous maidens. Do thou teach me how I may bestow more good things, and be more grateful to those who have earned my gratitude, and how the minds of both parties may vie with one another, the giver in forgetting, the receiver in remembering his debt. As for those other follies, let them be left to the poets, whose purpose is merely to charm the ear and to weave a pleasing story; but let those who wish to purify men's minds, to retain honour in their dealings, and to imprint on their minds gratitude for kindnesses, let them speak in sober earnest and act with all their strength; unless you imagine, perchance, that by such flippant and mythical