href="@public@vhost@g@gutenberg@html@files@37953@[email protected]#Footnote_14_14" class="fnanchor pginternal" tag="{http://www.w3.org/1999/xhtml}a">[14] and little objets for the cotillon. We did have about an hour before dinner to rest and make ourselves look as nice as we could—but naturally a long, hot day wandering about in a garden, and sitting on half-ruined crumbling stone walls doesn't improve muslin dresses. The dinner was very gay and good, and the hour on the terrace afterward with coffee, enchanting. One or two of the men had brought guitars, and there were scraps of songs, choruses, "stornelli," going on all the time. One man, with a lovely tenor voice, sat on the lower step singing anything—everything—the rest of us joining in when we knew the song. The terrace was quite dark—the house brilliantly lighted standing out well; and every now and then the Italian servants would appear at the door with their smiling faces—black eyes and white teeth—evidently restraining themselves with difficulty from joining in the choruses. I really don't think Mary's "Bacco" could have resisted. I always hear him and Francesco singing merrily over their work in the morning. They certainly are an easy-going, light-hearted race, these modern Florentines. One can hardly believe that they are the descendants of the fierce old Medici who sit up so proud and cold on their marble tombs at San Lorenzo.

We began the cotillon about 10, and it lasted an hour and a half. There were 10 couples, plenty of flowers and ribbons, and, needless to say, an extraordinary "entrain." We ended, of course, with the "Quadrille infernal" (which Alberti always leads with the greatest spirit), made a long chain all through the house down the terrace steps (such a scramble) and finally dispersed in the garden. I shouldn't like to say what the light dresses looked like after that. We started back to Florence about midnight in two coaches—such a beautiful drive. The coming out of the gates, and down the steep hill with a bad road and a narrow turn was rather nervous work—but we finally emerged on the broad high-road looking like a long silver ribbon in the moonlight winding down the valley. We had the road quite to ourselves—it was too late for revellers, and too early for market people, so we could go a good pace, and galloped up and down the hills, some of them decidedly steep. It was a splendid night—that warm southern moon (so unlike our cold white moonlight) throwing out every line sharply. It was just 3 o'clock when we drew up at Casa Guadagni.

I didn't intend to write so much about Signa, but I had just been telling it all to W., and I think it will amuse the family in America.

To H. L. K.