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قراءة كتاب Sans-Cravate; or, The Messengers; Little Streams

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‏اللغة: English
Sans-Cravate; or, The Messengers; Little Streams

Sans-Cravate; or, The Messengers; Little Streams

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دار النشر: Project Gutenberg
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NOVELS
BY

Paul de Kock

VOLUME III


SANS-CRAVATE;
OR,
THE MESSENGERS

VOL. I

PRINTED BY ARRANGEMENT WITH

GEORGE BARRIE'S SONS




THE JEFFERSON PRESS
BOSTON NEW YORK


Copyrighted, 1903-1904, by G. B. & Sons.


SANS-CRAVATE;

OR,

THE MESSENGERS

I

THE IDLERS.—BOULEVARD DES ITALIENS

Three young men, arm in arm, were walking, or, to speak more accurately, loitering, along Boulevard des Italiens, looking to right and left, scrutinizing the women at close quarters, especially when they were pretty; commenting aloud on the face of one and the bearing of another, interspersing their reflections with jests, puns, foolish remarks, and bursts of laughter; and, lastly, smoking cigars, an accomplishment which is now indispensable to the young men of fashion whose ordinary promenade is the Boulevard de la Chaussée d'Antin.

It is a little world in itself that frequents Boulevard des Italiens, a fashionable, aristocratic, eccentric boulevard, where, none the less, many of the promenaders affect manners, dress, and language which remind us forcibly of Diogenes. Each portion of a large city has its quarters, with their habitués and their residents, whose dress, language, and manners have their own peculiar characteristics. Thus, there is a marked difference between the costume of an annuitant of the Marais and that of the ex-young man of the Chaussée d'Antin; between the dress of a grande dame of Faubourg Saint-Germain and that of a bourgeois housewife of the Cité; between the grisette of Rue Saint-Jacques and her of Place Bréda, who has lately taken the name of lorette. Of course, the residents of one quarter do not remain altogether on their own territory, and they may sometimes be met with in a neighboring section. But, even then, a practised eye never makes a mistake; it recognizes the strangers at once, and does not confound them with the natives of the quarter. In vain do the former try to assume the bearing and manners of the latter—the natural instincts, when we try to drive them away, return at a gallop, and it would be as difficult for a government clerk who lives on Rue Saint-Antoine to resemble a clerk in a banking house on Rue Laffite, as for a siren of Place Maubert to copy the manners of a young lady of Faubourg Saint-Honoré.

Boulevard des Italiens is no ordinary promenade; it deserves the attention of the observer; indeed, it is worthy of a chapter in the history of Paris, for it has changed its name more than once in accordance with political exigencies.

At the time of the Revolution of '89, this segment of the boulevards was called Coblentz, and it retained that name under the Empire. Not until 1815, at the time of the Second Restoration, did it exchange the name of Coblentz for that of Gand. The former name recalled the place of rendezvous of the émigrés of the Revolution; the other, the second return of Louis XVIII. The French have always loved to bring politics into the most trivial things; they have brought it into their ballads and into the names of flowers; so they could consistently give a political tinge to the name of a fashionable promenade. But the great majority of the ladies who resort to Boulevard des Italiens in search of conquests put no politics in their smiles; they are cosmopolites, for they have been known to dart glances impartially at republicans and legitimists, at old soldiers of the Empire and favorites of the Restoration; it has been observed, however, that they affect more particularly the partisans of the juste-milieu.

But do not believe that all the ladies who occupy the chairs along the boulevard of a pleasant evening go thither to make conquests! The very best society was often to be seen on Boulevard Coblentz, and later on Boulevard de Gand; and may be seen sometimes, but more rarely, on Boulevard des Italiens.

People go there to discuss the new ballet at the Opéra, the last performance at the Bouffes, the reception of Madame la Comtesse Blank, and the ball recently given by the richest banker of the quarter. Some meet there by appointment; some pay visits there. You will see young men approach a party of ladies, stop before their chairs, salute them and pay them compliments as they would do in a salon; and, after a few moments' conversation, take leave of them and continue their stroll, stopping again, perhaps, a little farther on, to speak to others of their acquaintances.

Some years ago, it was the fashion to make a careful toilet before going to Boulevard de Gand; the ladies would exhibit a new style of head-dress, the men were all fashionably dressed; when one of them appeared with a coat of a new cut, the fashion was instantly adopted by the dandies of the capital.

Other times, other manners! It is no longer the fashion to dress for a stroll on Boulevard des Italiens. Now that the cigar has invaded that quarter, and most of the men smoke, the most fashionable young men seem to affect a simple, even severe, costume, which makes them resemble the Puritans, as their beards remind one of the young noblemen of the time of François I.

Let us return to our three idlers.

The one in the middle, who was not more than twenty-two years of age, was above medium height; he was well built, slender, easy and graceful in his bearing, and wore with much grace a morning costume, whose cut betrayed the hand of an ultra-fashionable tailor. He wore patent-leather boots, and carried in his hand a pretty little switch, the head of which was a beautiful bit of chased silver. The young man's face did not clash with the attractions of his dress and bearing. He was dark, and his large black eyes emitted an incessant gleam, wherein wit, mockery, fun, and sometimes emotion and sentiment, shone in turn. An irreproachable nose, a well-shaped mouth, supplied with teeth so white as to justify a feeling of pride therein; an oval face, with thin black whiskers and a small moustache connecting them;—such was young Albert Vermoncey; one could not justly deny him the title of a comely youth.

On his left arm leaned a young man who was apparently some years older than the fascinating Albert, but who was also one of the lions, or, if you prefer, beaux, of the day. But his bearing lacked the grace wherein lay his companion's charm. He was taller and stouter, but there was stiffness in his gait, and affectation in the way he carried his head on one side, and in the way he wore his hat over his ear. The difference in the faces of the two was even more marked; taken separately, the features of this second member of the party were not bad, but the whole effect was far from pleasant. The color of his eyes was uncertain; and then, too, he kept the lids lowered, and rarely looked at the person with whom he was talking. Lastly, his face commonly wore a sarcastic expression, which was sometimes insulting; one would have said that he was always inclined to pick a quarrel with someone. This young man's name was Célestin de Valnoir.

The individual who walked at Albert's right, but not on his arm, was of about his age, but much shorter, and possessed of a very pronounced embonpoint. His hair, which had a reddish tinge, curled naturally and fell in abundance on each side of his face, which was round and fresh and rosy, but a little too fat. He had attractive features: eyes almost round, but of a very clear blue; a small aquiline nose, which seemed to point to an Israelitish origin; red lips and very

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