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قراءة كتاب Essays on Modern Novelists

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Essays on Modern Novelists

Essays on Modern Novelists

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دار النشر: Project Gutenberg
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ESSAYS
ON
MODERN NOVELISTS

BY

WILLIAM LYON PHELPS

M.A. (Harvard), Ph.D. (Yale)

FORMERLY INSTRUCTOR IN ENGLISH AT HARVARD
LAMPSON PROFESSOR OF ENGLISH LITERATURE AT YALE

New York

THE MACMILLAN COMPANY

1910

All rights reserved

PREFACE

Some of the essays in this volume have appeared in recent numbers of various periodicals. The essays on "Mark Twain" and "Thomas Hardy" were originally printed in the North American Review; those on "Mrs. Ward" and "Rudyard Kipling," in the Forum; those on "Alfred Ollivant," "Björnstjerne Björnson," and "Novels as a University Study," in the Independent. The same magazine contained a portion of the present essay on "Lorna Doone," while the article on "The Teacher's Attitude toward Contemporary Literature" was written for the Chicago Interior. My friend, Mr. Andrew Keogh, Reference Librarian of Yale University, has been kind enough to prepare the List of Publications, thereby increasing my debt to him for many previous favours.

W. L. P.

Yale University,
Tuesday, 5 October, 1909.


CONTENTS

PAGE
William De Morgan 1
Thomas Hardy 33
William Dean Howells 56
Björnstjerne Björnson 82
Mark Twain 99
Henryk Sienkiewicz 115
Hermann Sudermann 132
Alfred Ollivant 159
Robert Louis Stevenson 172
Mrs. Humphry Ward 191
Rudyard Kipling 208
"Lorna Doone" 229
Appendices 245
A. Novels as a University Study 245
B. The Teacher's Attitude toward Contemporary Literature 252
C. Two Poems 258
List of Publications 261

ESSAYS ON MODERN NOVELISTS


I

WILLIAM DE MORGAN

"How can you know whether you are successful or not at forty-one? How do you know you won't have a tremendous success, all of a sudden? Yes—after another ten years, perhaps—but some time! And then twenty years of real, happy work. It has all been before, this sort of thing. Why not you?" Thus spoke the hopeful Alice to the despairing Charley; and it makes an interesting comment on the very man who wrote the conversation, and created the speakers. It has indeed "all been before, this sort of thing"; only when an extremely clever person, whose friends have always been saying, with an exclamation rather than an interrogation point appended, "Why don't you write a novel!" ... waits until he has passed his grand climacteric, he displays more faith in Providence than in himself. All of which is as it should be. Keats died at the age of twenty-five, but, from where I am now writing, I can reach his Poetical Works almost without leaving my chair; he is among the English Poets. Had Mr. De Morgan died at the age of twenty-five? The answer is, he didn't. I am no great believer in mute, inglorious Miltons, nor do I think that I daily pass potential novelists in the street. Life is shorter than Art, as has frequently been observed; but it seems long enough for Genius. Genius resembles murder in that it will out; you can no more prevent its expression than you can prevent the thrush from singing his song twice over. Crabbed age and youth have their peculiar accent. Keats, with all his glory, could not have written Joseph Vance, and Mr. De Morgan, with all his skill in ceramics, could not have fashioned the Ode on a Grecian Urn.

Sir Thomas Browne, who loved miracles, did not hesitate to classify the supposed

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