That carpet of mellow hue was presented by the Captain of an East Indiaman, much addicted to wind. It muffles the footsteps of the courtiers who throng the stairs, and secures a respectful calm. It even enables us to reach the door of his bedchamber unheralded, but as, invisible and armed with reverence, we cross the threshold, the Great Beau is nowhere to be seen. We observe his bedclothes dignified even in disarray, we see the open patchbox, the bottles of Eau de Luce and Eau de Chypre, the black sattin tie and the wig on the stand, but not until, instinct with awe, we drop our eyes, do we behold two pink feet and the Circumference of the least austere portion of his anatomy wrapped, it is true, in embroidered dressing gown, and with the bedspread hung about it like a pall, yet nevertheless an unmistakeable Circumference protruding from beneath the bed. Diana very wisely killed Actæon for overlooking her toilet, and I doubt we deserve the same penalty, for when, the errant button in his hand, we see the Beau emerge with purple cheeks and oaths innumerable, a certain conviction steals over our shocked sensibility that the Great little Man is only mortal after all, of the same temper and anatomy as ourselves, and, as the gods know very well, this is a mighty dangerous and revolutionary discovery.

There stood Beau Ripple dancing and d—g, while a monologue with appropriate action went somehow like this:

Beau. D—— all buttons for being round.

Then he danced.

Beau. D—— all pins for dropping upon the floor and the chambermaids for not picking them up, and my own feet for treading on them.

Then he danced again.

Beau. D—— all beds for being wide.

Then he danced.

Beau. D—— my eyes, I shall be late for the waters.

Then he danced to his mirrour. And the mirrour showed a man of ripe age with smooth round face and a pair of very blue eyes.

Beau. And d—— you, Ripple, for a clumsy old fool.

Hereupon the Great little Man beamed at himself, for the nature of him was so truly kind that he could not be crossed by himself for long, and as for the world, his severity never upset the balance of a well-turned phrase. He was an urbane man, one who had presumably lived all his life in prim and decorous cities but, since he will preside over this story of mine, we shall learn more about him as we go along.

Further round the Crescent, Mrs. Choke let furnished apartments to valetudinarian bachelors, and in one of the brightest of these, Mr. Francis Vernon sat before his looking glass contemplatively combing his wig. His closely cropped curly hair accentuated the lines of a profile already inclined to sharpness, just as his red lips enhanced the surrounding paleness of his complexion. He combed his wig very much as a man strokes a cat. The caress half-felt loses itself in speculation, and just now Mr. Vernon was gazing at the wrought-iron balcony of the opposite house where Miss Phyllida Courteen, all swansdown and rosy cheeks, was plucking half a dozen snowdrops from a bough-pot. These were to be enclosed in a note and sent by the hand of the first pleasant-looking passer-by to Miss Sukey Morton in the Western Colonnade. And the aforesaid Miss Morton would, in the estimation of Miss Courteen, simper and blush and confide in her dear Phyllida that, though she had known he admired her and indeed, had proffered her a dropped fan more than once at the Monday Assemblies, yet never, never had she for a moment imagined that he would dare to send her a Valentine, and if he had, she would have died rather than take it, yes, died, for what she would do when she passed him next Monday evening, she could not think, especially as he was known to be partial to her, and her Mechlin pinner was quite ruined by the abominable wax-candles they would use just because the P—— of W—— was not coming that year after all.

Miss Courteen was so much charmed by this loquacious dream that she began to compose an appropriate verse destined to be wrapped round the green stalks of the flowers.

The smallest foot in the world beat time upon the balcony making the iron bars on which she stood vibrate in twanging chords, but failed to summon from the caves of Poesy an echo worthy of the snowdrop's white.

"The last line is monstrous easy," she thought.

The bluebell's blue! and the accumulation of liquids and labials has enchanted her mouth to such a delicious pout that Mr. Vernon is leaning forward and combing his wig more contemplatively than ever, for, although he cannot see his charmer's lips, he feels sure from the attitude of her whole body that her face is infernally captivating, and the memory of her last whispered good-bye assails him and kindles a leaping flame at the back of his hazel eyes.

Such a merciless regard as ours penetrates to the heart and we know that Mr. Vernon is wondering what on earth will come of his affair with Miss Courteen, and speculating how much she will inherit, and whether matrimony is quite so expensive a joy as his friends make out. The thought of money writes an ugly twisted line across his high smooth forehead, and this line broadens into a hundred little tributary lines as he thinks of his debts. So he brings himself back to the obstacles of life in rather a gloomy frame of mind and faces the necessity of his toilet in such a depression of spirits that he selects a suit to match his mood. And that is the reason why Mr. Francis Vernon wore purple sattin on Valentine morning.

All this while, Miss Courteen is quite unable to invent that odious third line, and though she taps her foot to aerial musick and pulls a chestnut curl right over her nose and twists it round her fingers and wonders whether 'white' is a notably difficult word to rhyme, she never succeeds, and just when she has almost succeeded, her mother's voice sounds from the floor above. This disposes of inspiration altogether, for though her mother's voice is very melodious and sounds prodigiously pleasant as it murmurs 'Spadille' or 'Manille' over the card-tables, it will allow no competition, and drives all invisible musick far away.

"Coming, dear mamma," says Phyllida just as Mr. Vernon decides to wear purple and just as we step out of Mrs. Choke's front door thinking it can no longer be indiscreet to follow our Muses to the scene of Mrs. Courteen's toilet.

As we cross the road glittering in the sunshine with last night's rain, we see a tall young gentleman writing busily in a set of ivory tablets as he strolls quietly along the pavement. Mr. Lovely, the young gentleman, looks up very quickly as a three-cornered note flutters down and lodges in a fold of his ruffles. Miss Courteen who felt the note falling, and thinks that after all she need not make more than a pretty attempt to save it, peers over the railing into the upturned face of the young gentleman who bows very low and sweeps his hat round in a very grand curve, and begs to apologize for the awkwardness of his ruffles in thus intercepting a lady's note. And you and I, my inquisitive companion, stand still for a moment and watch the picture, remembering it is merry Valentine morn. The maid with wide eyes and crimson cheeks nestling in swansdown and the young man of the laughing expectant face, in his peach-coloured velvet suit, seem somehow to have caught the spirit of the day: they make us think of broken stiles, of hedges heavy with may, of blue and white April noons, of lambs, and children with pinafores a-flutter gathering cowslip-posies on a wind-washed down, and of all the old and dear delights of Spring.

Says Phyllida, "Oh! pray pardon my